Jiří Krejčík

The Czech film avant-garde. A unique artistic direction of the 1920s and 1930s with great persons of Czech culture like Vítězslav Nezval, Jaroslav Seifert, Alexander Hackenschmied, Jan Kučera and many others being mentioned. However, is it really a forgotten landmark of the Czech cinematography or an artificial construct, created subsequently by film history?

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The film is not merely a record of rehearsals, but above all an intimate look at the relationships between its individual protagonists. Nor is it a classic documentary, because the line between acting, creation, and recording reality is too thin. The film thus reflects not only the aging of outstanding actors, but also their relationship to today's world and their disappointment with the current state of Czech film and theater. It speaks to their fears, desires, and efforts to give their best.

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Former classmates meet after sixty years at a school reunion, undoubtedly their last, face to face with their classmate Miluška Bínová. Bínová, once the most popular classmate, returns to her hometown after many years, determined to find out which of her classmates ruined her life back then.

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Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

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Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

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An experimental study about Czech life, focusing on Prague's National Street, its businesses and the varied people who frequent it.

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A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

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Two families, Sebkovi and Krausovi, are celebrating Christmas, but not everyone is in a good mood. The teenage kids think that their fathers are totally stupid, and the fathers are sure that their children are nothing more than rebels, hating anything they say.

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Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

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Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.

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The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".

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An episodic film about the inhabitants of Kersko, their hardships and their joys, most prominently hunting. A lyrical and humorous adaptation of writings by Bohumil Hrabal.

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The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...

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High school teacher Jiří is torn from his solitude and everyday life by an unexpected nighttime visit from his beloved younger sister, former seamstress Růžena. She tells her brother that she has run away from her husband Fanda, a textile merchant, because of his greed and vulgarity. However, Jiří later learns from his other sister, Tylda, that Růžena spent a lot of money and left her husband for a dragoon captain. The captain has now rejected his pregnant lover because he is getting married. Disappointed, Růžena believes that her brother has turned away from her because of her lie, and she decides to take a desperate step...

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The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...

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A young man studying law finds a place to stay with a young conductor, thinking that he will find an idyllic Lesser Town atmosphere here and will be able to prepare for his exams in peace. The house is inhabited by distinctive characters. The owner, who sometimes loses his memory, and his lovely, modest daughter of marriageable age live here, as do an unsuccessful painter and his temperamental wife, as well as a certain mysterious Provazník, who writes anonymous letters to his neighbors in order to have malicious fun at their expense. However, the landlady causes the young man the greatest trouble...

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The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

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How will the irresistible darling of women, the seducer and the eternal philanderer cope when several of his "loves" unexpectedly appear in his apartment on New Year's Eve?

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A crime story about Western diplomats in Prague.

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A television adaptation of the memories of one of the first important Czech actors, Jindřich Mošna, about his difficult theatrical beginnings. At that time, as a kandrdas – i.e. a beginner – he asked the director for a so-called benefit, which was a performance that belonged to an important actor and whose proceeds were to belong to him. The director agreed, but stipulated that he would take almost all of the fee. Mošna chose The Bell Ringer at the Mother of God as the performance.

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Two historical stories about love. In the story "The Arabian Horse", the scheming townsman Messer Francesco Vergellesi is so firmly convinced of his wife's virtue that he does not hesitate to bet her against a rare stallion he has a crush on... The story "The Earrings" shows how a poor girl can help herself to a rare jewel and what intrigues are needed for an elderly noble couple to finally have an heir...

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Comedy based on short Sean O'Casey play. John Jo Mulligan finds himself in a situation with which his pious conscience cannot cope. He has spent a night with the cunning seductress Angela. Full of remorse and dreading the ruin of his reputation, he tries to get rid of her, fearing that his pal Halibut or his landlady Miss Mossie might get to know. Angela sees her chance, turns gold-digger and does not leave before relieving John of a considerable amount of money.

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A comedy about two bumbling policemen investigating an alleged rape in a small Czech town. One of the alleged rapists is supposed to get married the day he's locked up.

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A young man living in a strictly run boarding house secretly brings a girl of loose morals into his room at night, who is nevertheless well-groomed and takes great advantage of her situation. For the heart of the comedy lies in the problem of how to get rid of a difficult girl in the morning.

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Two short stories by Karel Čintamani a ptáci An avid collector of carpets, MUDr. Vitásek discovers a unique piece in Mrs. Severýnová's junk shop - a Persian carpet with a pattern of birds. As a connoisseur, he knows that there are only three of these carpets in existence and they are all owned by different monarchs. Severyn has no idea how rare it is, but the carpet is not for sale. It was saved by the wealthy widow Zanelli, who travels all over the world and rarely visits Prague. Vitásek confides in his lawyer friend Bimbal and with his help tries to retrieve the rare piece. Tales of a marriage fraudster The police headquarters is on high alert as marriage frauds proliferate. The hallmark of the culprit is violin playing and gold teeth. Inspector Pigeon of the train service eventually apprehends the fraudster, Vincent Plichta. The serious criminal doesn't resist arrest, he just bills the costs and goes to serve his sentence. After a while, marriage fraud is reported again.

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On Christmas Eve, 1944, in Nazi-occupied Slovakia, the Kubiš family grapples with survival amidst brutal reprisals. Marián collaborates as a fascist guard leader, while his sister Angela has an affair with their Nazi lodger, Major Brecker. The situation escalates when their younger son, Juraj, a former partisan fighter, returns home wounded. As Germans search homes for escapees, Juraj hides in the attic, while an unsettling Christmas dinner unfolds below with Major Brecker present.

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It is 1955 and the government in Czechoslovakia has declared an amnesty for post-war emigrants. Many of them returned to their families, only young Pavel Kocián's single mother waits in vain for him. Despite her protests, Tomáš Stach, an assembler, is accommodated in her flat as a lodger. Until recently, his fiancée Jana was also waiting for Pavel's return, but she has given up hope and visits Mrs Kocián only out of pity. One evening, an unknown man who introduces himself as Jonáš and claims to know Pavel visits her.

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During the Nazi occupation of a Czech city civilians are being rounded up on the slightest of pretexts and shot. One day three high school boys who crack jokes about a recently deceased "hero of the Reich" are pulled out of school by the Gestapo.

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Delinquent youths wander aimlessly and commit mischief. Few, however, manage to break free from the influence of such a gang. One of the lucky ones is a girl who grew up in an orphanage - already reformed and reformed, she remembers her dark past.

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An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.

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A comedy film taking an ironic view of the bourgeois period prior to the First World War.

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Frona Filípková, out of a desire for a better life, married Floriš Zobač on the land. However, the ownership of the land has affected both her husband and her father-in-law, who, out of hatred, intrigue against the emerging agricultural cooperative and against each other, so Frona looks for a way to free herself.

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The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

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A sometimes humorous, sometimes more serious look at the hustle and bustle of a house in Lesser Town with a diverse array of tenants living there, and often petty quarrels that break out between them. Behind the facade of the house in Lesser Town "U dvou slunců" (Two Suns) there is life. The Bavors live here, eternal slaves to the grocery store. The Ebros, who need to marry their daughter off at a good price. The bachelor Dr. Loukota and other interesting Nerudov characters.

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