Graham Coxon

A cinematic concert film immortalizing blur’s biggest shows to date. Highlights include The Narcissist and St Charles Square from the recent acclaimed #1 album, ‘The Ballad of Darren’, as well as There’s No Other Way, Popscene, Beetlebum, Trimm Trabb, Villa Rosie, Coffee & TV, Under the Westway, Out of Time, To the End, Parklife, Song 2, This is a Low, Girls & Boys, Tender, and The Universal.

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Iconic British band blur (“Song 2”, “Girls & Boys”) comes together to record their first album in eight years – the chart-topping The Ballad of Darren – and prepare for the biggest concerts of their career, two sold-out shows at Wembley Stadium. With footage of the band in the studio and on the road, plus performances of their much-loved, seminal songs.

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A special Radio 2 In Concert performance from blur, recorded in the BBC Radio Theatre in front of a small audience. The set features a selection of classic blur tracks as well as new material.

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Over the years, Damon, Graham, Alex and Dave have helped to change the face of British music, constantly evolving and leaving musical rivals in their wake. This collection of blur’s greatest performances on the BBC delivers all the hits and more, capturing the band’s crowd-pleasing side through fan favourites like Country House, Parklife, and Girls and Boys, as well as their more sensitive and soulful side with tracks including Coffee + TV, Beetlebum, Tender and Out of Time.

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Blur present “The Ballad of Darren”, a very special, one-off, global performance of their highly-anticipated new album.

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Follow the moment Barrett was kicked out of Pink Floyd, from the narrative of him going from groundbreaking musician to iconic rocker and manic, unstable star.

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A breakdown of Modern Life is Rubbish, the second studio album by English alternative rock band Blur (released May 1993). The album is regarded as one of the defining releases of the Britpop scene.

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Focused on the life of the band and their collaborators over the 3 vital years in which they developed critically acclaimed albums, 'Humanz' and 'The Now Now', and undertook their most ambitious world tour to date.

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Demon Dayz Festival is a live Gorillaz performance that was held on June 10th, 2017 at the Dreamland amusement park in Margate, Kent, England.

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'The Magic Whip: Made in Hong Kong’ is a 30-minute film about the making of blur’s new album, featuring exclusive interviews and personal studio footage shot by the band.

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Charts the iconic British band’s sprawling journey over the last few years – from an unexpected break in Hong Kong which sowed the seeds for their first album as a four piece in 16 years, to a glorious home coming show in London and, finally, an emotional reunion with their Hong Kong audience.

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Blur peform live at Le Zénith in Paris, 2015.

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Raiding the BBC archives for a rich treasure trove of the joy and the time that was Britpop. It features Elastica, Sleeper, Suede, Menswear, Blur v Oasis, plus many others.

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During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.

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Adam Hills and co-hosts Josh Widdicombe and Alex Brooker provide some offbeat commentary on the significant moments of the past seven days.

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Britpop stalwarts blur captured live in performance in the summer of 2012. The gig, held in Hyde Park on August the 12th, was a companion concert to the closing ceremony of the 2012 London Olympic Games. The songs performed by the band include 'Coffee and TV', 'Country House', 'Parklife' and 'No Distance Left to Run'.

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On December 11th, 1999, Blur performed a setlist featuring all their released singles at the time at Wembley Stadium.

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Hyde Park Concert Film, July 2009. Blur: Live At Hyde Park is the definitive live Blur concert film. Directed by Giorgio Testi, the film was shot on the 2nd of July 2009 in front of a crowd of 55,000 fans in London's Hyde Park. The gigs were the climax of their hugely successful 2009 comeback tour and saw the band play a 25-song, career spanning set to a rapturous reception from fans. Shot using 18 cameras and featuring stunning HD cinematography, the film lovingly documents Blur's incredible Hyde Park performances. Intro / She's So High / Girls & Boys / Tracy Jacks / There's No Other Way / Jubilee / Badhead / Beetlebum / Out Of Time / Trimm Trabb / Coffee and TV / Tender / Country House / Oily Water / Chemical World / Sunday Sunday / Parklife / End Of Century / To The End / This Is A Low / Popscene / Advert / Song 2 / Death Of A Party / For Tomorrow / The Universal

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A documentary film about the British rock band Blur. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews.

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In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.

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Live at the Zodiac is the name of Graham Coxon's first concert DVD and a live EP. It was recorded at the Oxford Zodiac on 3 June 2004 during his first full length UK tour after parting with Blur in 2003.

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Gouge - a documentary tracing The Pixies' story featuring interviews with Bono, David Bowie, Thom Yorke and Jonny Greenwood (Radiohead), Graham Coxon and Alex James (Blur), Fran Healy and Andy Dunlop (Travis), P J Harvey, Tim Wheeler (Ash), Gavin Rossdale (Bush) and Badly Drawn Boy.

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The full bizarre, tragic but celebratory story of Syd Barrett, the co-founder of Pink Floyd.

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Blur: The Best Of is a greatest hits compilation album by English Britpop band Blur, first released in late 2000 and is the final Blur album by Food Records. It was released on CD, cassette tape, MiniDisc, double 12" vinyl record, DVD and VHS. The CD album includes 17 of Blur's 23 singles from 1990 to 2000, plus non-single, "This Is a Low". A special edition of the CD version included a live CD. The DVD/VHS version contains the videos of Blur's first 22 singles. The album, which has had enduring sales, hit number 3 in the band's native UK in the autumn of 2000, while denting the US charts at number 186. The cover is by artist Julian Opie. The painting of this Blur album can be found at the National Portrait Gallery in London, England. The album's cover bears some similarity to that of Queen's 1982 Hot Space.

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On December 11th, 1999, Blur performed a setlist featuring all their released singles at the time at Wembley Stadium.

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B.L.U.R.E.M.I., No Distance Left to Run, Tender, Battle, Beetlebum, Bugman, Trimm Trabb, Mellow Song & Song 2 (Live 13 at London Depot, 10 March 1999). Plus, Seymour - Dizzy, There's No Other Way BBC Live Version (1st TV Performance), To the End (La Comedie) with Francoise Hardy, It Could Be You, Music Is My Radar, Out of Time, Crazy Beat & Good Song (Promo Videos).

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TFI Friday was an entertainment show broadcast on Channel 4 in the United Kingdom from 1996 to 2000. The show was produced by Ginger Productions, written by Danny Baker and hosted by Chris Evans, for the first 5 series. The final series was hosted by a number of guest presenters. It was broadcast on Fridays at 6pm from 9 February 1996 to 22 December 2000, with a repeat later that night. The title officially stood for "Thank Four It's Friday", but was widely understood to mean "Thank Fuck It's Friday" and was a reference to the popular phrase "Thank God it's Friday". The show's theme tune was Ron Grainer's theme from Man in a Suitcase, in keeping with Evans's frequent use of 1960s television themes in his work.

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Follows the band Blur during the The Great Escape era.

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Showtime is a video recording by British rock band Blur, released in February 1995. Directed and edited by Matthew Longfellow and produced by Ceri Levy, the film is a recording of the band's gig at Alexandra Palace, London, England on 7 October 1994.

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Blur playing two hits, in less than 10 minutes

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Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

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The Word was a 1990s Channel 4 television programme in the United Kingdom. The show pushed forward the boundaries of youth TV, always coming close to going too far.

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The biggest night in the British music calendar, the BRIT Awards celebrate the biggest successes in music & promote new talent.

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Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

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The biggest stars, the most iconic performances, the most outrageous outfits – it’s Britain’s number one pop show.

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James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a darkly comedic road trip in search of her real father.

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Showtime is a video recording by British rock band Blur, released in February 1995. Directed and edited by Matthew Longfellow and produced by Ceri Levy, the film is a recording of the band's gig at Alexandra Palace, London, England on 7 October 1994.

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Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.

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