Mike Malloy

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

Open details →

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

Open details →

A feature length cinema documentary on how THE FARMER (1977) became the most-requested cult film of the new millennium, and it's a crazy tale that involves an actor incarcerated for manslaughter, serious on-set injuries, banana-man costumes- as well as surprising links to Clint Eastwood and Martin Scorsese. The film also broadens its scope to explore the overlooked, eclectic and often ultra-violent sub-genre THE FARMER belongs to - The Returning Veteran film. A film type that hit its stride in the 1970's with hard hitting character studies such as WELCOME HOME, SOLDIERS BOYS (1971), THE NO MERCY MAN (1973) and ROLLING THUNDER (1977).

Open details →

1977: Industrial ghetto "Steel City" is under siege from organized crime, corruption, and a new synthetic drug called "Voodoo Blue". When news of a drug sting leaks to the wrong people, Detective Cal Beefer becomes a casualty - despite the protection of veteran cop Solomon Link (Ron Van Clief, "Way of the Black Dragon", "Death of Bruce Lee") When big brother Chuck Beefer comes to town, he wants answers! Chuck -once a cop himself- seeks to find the source of the leak and apprehend the killer and leading dealer of voodoo blue, a man named Afro Steele. Beefer delves deep into the seedy underworld of Steel City where he encounters Karate hit men, torturous drug lords, and a team of lovely yet lethal ladies known as the "Sisters of Sin".

Open details →

25 years later after the events of Samurai Cop (1991), Detective Frank Washington is forced to team up with his long estranged partner Joe Marshall to solve a series of assassinations being committed by a secret group of female vigilante killers.

Open details →

Segments from eight of the leading indie horror filmmakers including Tim Ritter, Brad Sykes, Donald Farmer, Todd Sheets, Chris Seaver, Ron Bonk, and Marcus Koch.

Open details →

Documentary on the life and films of Antonio Margheriti.

Open details →

A feature length cinema documentary on how THE FARMER (1977) became the most-requested cult film of the new millennium, and it's a crazy tale that involves an actor incarcerated for manslaughter, serious on-set injuries, banana-man costumes- as well as surprising links to Clint Eastwood and Martin Scorsese. The film also broadens its scope to explore the overlooked, eclectic and often ultra-violent sub-genre THE FARMER belongs to - The Returning Veteran film. A film type that hit its stride in the 1970's with hard hitting character studies such as WELCOME HOME, SOLDIERS BOYS (1971), THE NO MERCY MAN (1973) and ROLLING THUNDER (1977).

Open details →

A violent gunslinger sees visions of Hell and decides that in order to redeem himself he'll give his ill-gotten loot to save a beautiful nun's orphanage. But when he is ambushed and left for dead, he sets out on a trail of vengeance.

Open details →

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

Open details →

In Alaska is a region known as the Triangle - 200,000 unforgiving miles where more people go missing per capita than anywhere else on earth. ALASKA MONSTERS follows a team of native outdoorsmen as they take on the challenge of exploring the Triangle's treacherous terrain to prove native monsters are linked to these disappearances.

Open details →

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

Open details →