Takis Kanellopoulos

The brief love story that Sonia lived in the summer with her teacher, an older man and married in the 60's. For the autumn, Tonio travels with his family abroad, leaving Sonia with his most intimate memories. Sonia has lived in Florence, Paris and has acquired the romanticism of the interwar years she has found in books, paintings and music of the time. He has chosen to live a life apart, of introspection, away from the crowds, but always in a sensational mood.

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The story of four fellow students who fall in love with the same girl.

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This film narrates six different stories in a very lyrical way: a coachman wanders around town; two elderly people go to the park every Sunday; a man leaves flowers in various neighbourhoods in memory of a friend who was killed during the war; a boy narrates how they celebrated his father’s name-day; a member of the resistance lives his last moments; a woman keeps waiting for a letter which never arrives. (Greek Film Archive)

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Three men renegotiate such concepts as desertion, humanism, and freedom.

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The third part of the informal “excursion” to Macedonia – that began with Macedonian Wedding (1960) and continued with Thasos (1961) – Kastoria, with its foreign traveler on horseback seeking a fairy in the modern but rather timeless everyday life of the Macedonian city, closes a perfect cycle of uncompromising documentation right as the curtain rings down on the 1960s. Takis Kanellopoulos has now definitively exchanged history for myth (and its representation), and here he uses it as a bridge between past and present, finally mythologizing a city which, through his gaze, regains anew the characteristics of a rare Greekness, carved from Byzantine ghosts, ancient Greek outbursts, materials of soil and water that are stateless yet deeply rooted in a Greece that remains to be discovered.

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