Joseph Goebbels

It was arguably the deadliest conference in human history. The topic: plans to murder 11 million Jews in Europe. The participants were not psychopaths, but educated men from the SS, police, administration and ministries. The invitation to the meeting at Wannsee came from Reinhard Heydrich, head of the Reich Security Main Office. The Wehrmacht's campaigns of conquest in Eastern Europe marked the beginning of the systematic murder of Jews in Poland and the Soviet Union. In mid-September 1941, Hitler made the decision to deport all Jews from Germany to the East. Although there had been transports before, Hitler's order represented a further escalation in the murderous decision-making process. Persecution and discrimination had been part of everyday life since 1933. But as a result, the living conditions for the Jews in the Third Reich became even more difficult, among them the Berlin Jew Margot Friedländer, born in 1921, and the Chotzen family.

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Countless people around the world know the pictures from Leni Riefenstahl's films, even if they have not seen them in their entirety. The work of the German director has burned itself into the collective memory. Even decades after the end of the Nazi era, she showed no remorse and presented herself as an apolitical, naive follower of the Nazi criminal regime. Her artistic service for the cinema was always recognized. But book author Nina Gladitz shows after decades of research that Hitler's favorite filmmaker was not only a follower, but also a perpetrator during the Third Reich, who instrumentalized other filmmakers such as the brilliant cinematographer Willy Zielke in order to gain fame for herself.

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The Katyn massacre, carried out by the Soviet NKVD in 1940, was only one of many unspeakable crimes committed by Stalin's ruthless executioners over three decades. The mass murder of thousands of Polish officers was part of a relentless purge, the secrets and details of which have only recently been partially revealed.

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Waffen-SS officer Otto Skorzeny (1908-75) became famous for his participation in daring military actions during World War II. In 1947 he was judged and imprisoned, but he escaped less than a year later and found a safe haven in Spain, ruled with an iron hand by General Francisco Franco. What did he do during the many years he spent there?

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Tucson, Arizona, September 1996. At the request of his son Martin, George Goldsmith tells him of his past in Nazi Germany as a member of a family of Jewish musicians and the strange history of the Jüdischer Kulturbund, a Jewish organization sponsored by Reichsminister Joseph Goebbels.

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An account of the life and work of controversial German orchestra conductor Herbert von Karajan (1908-89), celebrated as one of the greatest musicians of the twentieth century.

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September 3rd, 1939. Britain and France declare war on Nazi Germany, only two days after the Wehrmacht invades Poland. This day, the sad date when the fate of the world changed forever, the Phoney War began: eight months of uncertainty, preparations, evacuations and skirmishes.

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Using highly advanced colourisation techniques, critical moments from World War II, from Stalingrad to The Battle of Britain, are shown in a whole new light.

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Ireland, June 1944. The crucial decision about the right time to start Operation Overlord on D-Day comes to depend on the readings taken by Maureen Flavin, a young girl who works at a post office, used as a weather station, in Blacksod, in County Mayo, the westernmost promontory of Europe, far from the many lands devastated by the iron storms of World War II.

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Winston Churchill understood the power of films, but the true extent of his use of cinema as a propaganda tool is rarely explored. In 1934, one of Britain's most celebrated film producers, Alexander Korda, signed Churchill up as a screenwriter and historical advisor. It was the start of a unique collaboration. Churchill provided script notes for Korda's productions and penned an epic screenplay. When war broke out, their collaboration took on national importance. Korda was sent on a mission to Hollywood to help bring America into the war, with positive results. With access to previously undiscovered documents, this film documentary examines that mission and a friendship that underpinned a unique, creative partnership.

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Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.

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Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

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The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

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The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.

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Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)

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How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)

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In the three years leading up to the Olympics, the Nazi regime saw sport as an invaluable mobilisation and propaganda tool to motivate the "master race". Whether sympathisers or followers, German athletes went along with it; however, a number of them came to regret their decisions.

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Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)

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This portrait that goes against the grain depicts the Führer as a lazy, isolated leader, cut off from reality, incapable of governing without his "apostles". They are Hitler's essential ministers, advisers, rivals, courtiers. They hate each other, and the Führer puts them in competition, often to get the worst out of them. The portraits of Hermann Goering, Heinrich Himmler, Joseph Goebbels, Albert Speer but also Rudolf Hoess, the commandant of the Auschwitz-Birkenau camp, and Doctor Joseph Mengele trace the rivalries, hatreds and predations that punctuate the entire frightening epic of Nazism. This documentary is composed of a selection of archive images and testimonies from descendants and specialists of this period.

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Florian Hartung and Dirk Pohlmann have reconstructed a previously unknown dimension of the collaboration between Nazis and the CIA in the Cold War. Drawing upon recently released documents, the film exposes for the first time a perfidious, worldwide net that reaches deep into the power structures of the Federal Republic of Germany. Lending their authority to the fact-finders’ mission are high-ranking statesmen, journalists and historians.

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The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.

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During a bizarre chapter of WWII, Nazi propaganda minister Joseph Goebbels decided to make a movie based on the sinking of the Titanic. This epic film was so large in scale that the Nazis were forced to divert men, material and ships from the war effort in order to complete it. Titanic was filmed aboard cruise ship SS Cap Arcona in the Baltic Sea. The movie’s director Herbert Selpin was arrested by the Gestapo over comments he made about the ship’s crew and he was questioned by Goebbels. Selpin was found dead the next day in his cell. The Gestapo’s verdict was suicide. Titanic never received the impressive premiere that Goebbels intended, being first shown in Nazi-occupied Paris in 1943. We reveal this little known but fascinating story by looking at the making of the film, as well as the fate of the German ship Cap Arcona.

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Adolf Hitler (1889-1945) was a mediocre who rose to power because of the blindness and ignorance of the Germans, who believed he was nothing more than an eccentric dreamer. But when the crisis of 1929 devastated the economy, the population, fearful of chaos and communism, voted for him. And no one defended democracy. As the dictatorship extended its relentless shadow, the leader claimed peace, but was preparing the Apocalypse.

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180 (2011) boldly confronts abortion as modern genocide. Ray Comfort uses Holocaust imagery—11 million murdered under Hitler—to expose ignorance via street interviews, asking if people would kill baby Hitler. He then equates 50M+ U.S. abortions to the "American Holocaust," forcing viewers to face the moral horror of child-killing. No evasion: equates elective abortion with premeditated murder of innocent image-bearers. Powerful pro-life wake-up call from Living Waters, ending with urgent repentance. Uncompromising truth exposing bloodguilt. (33 min)

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Adolf Hitler caused the deaths of fifty million people. An entire nation followed him to ruin. Over a tumultuous 12 years Adolf Hitler went from being a minor rabble-rousing politician, to supreme leader of Nazi Germany. He was hated by those he persecuted, and even by some of his own commanders - yet in twenty-five years no one managed to kill him. This program shows how Hitler's bodyguards helped him cheat death on many occasions. They expanded from a handful of thugs recruited to protect political meetings and fight opponents on the streets, to many thousands - including some of the most fearsome secret police and paramilitary forces the world has ever known.

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