Tito Gobbi

Maria Callas’ legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera & Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra & Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre & Carlo Felice Cillario.

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The career of Maria Callas was just a bit too early and too brief to receive full and satisfying video documentation like that now being accorded to such singers as Renée Fleming and Luciano Pavarotti. This black-and-white televised recital (Callas's Paris debut) took place at the Paris Opera on December 19, 1958 when television was still in its infancy. We might wish that it had happened earlier, when her voice was in better condition, or later, when video recording technology was more advanced--so that, for example, we would not have to take the narrator's word that Callas is wearing a red dress. But this is probably the best available Callas video recording, and her fans will welcome it warmly. Visual elements were as important as the vocal dimensions in her art.

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Cinematic version of Rossini's opera in which Count Almaviva wins the heart of beautiful Rosina with the help of Figaro, the barber of Seville.

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The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

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Franco Corelli is featured in this 1954 filmed version of Leoncavallo's opera, along with Tito Gobbi. The film also features opera arias from "The Rose of Stambul," "Aida," "Cavalleria Rusticana," "Igemisco" and "Il Trovatore." 104 minuts, black & white.

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The life and loves of great composer Giuseppe Verdi are played against a background of the great operas of the 19th Century. A tender love story of his successful and turbulent life, with more than 20 excerpts from his acclaimed operas.

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Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.

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The plans of a publicity agent to put on a charity concert are nearly wrecked by a lawyer who wants to take over a restaurant, but the situation is saved by local co-operation.

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Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.

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An aspiring composer, in the British Air Force for WWII, is downed in Italy and rescued by an Italian girl. He returns home to his wife, inspired to write an opera and aware that he's fallen in love with his rescuer.

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Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.

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This story took place during World War II. A group of Italians living in London are raising funds to rebuild a Catholic cathedral that was bombed by the Nazis. To this end, they organized a concert, the proceeds of which would go toward the construction. The project was led by journalist Carlo Scala. He faced and overcame many difficulties in organizing the event, but he handled them with honor, and the performance by leading Italian singers took place. He was assisted in this by the incomparable Dora Scala.

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An anthology of four abbreviated operas: "William Tell" by Rossini, "The Marriage of Figaro" by Mozart, "Don Pasquale" by Donizetti, and "Carmen" by Bizet. Filmed in Italy with major opera stars, and accompanied by English narration.

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A courtesan sacrifices her relationship with a youthful admirer after the man's father pleads with her. Adapted from Giuseppe Verdi's 1853 opera in the three acts "La Traviata".

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For the past few weeks, revolt has been brewing in the Kingdom of Naples. The handsome Castelli is at the head of the conspiracy that wants to put an end to the reign of King Murat. To carry out his plan, he decides to infiltrate the court in order to become an intimate of the king. But his ploy works too well: he manages to enter the court thanks to his talents as a singer and very quickly seduces Queen Geneviève. But this imprudence costs him a lot. He is soon arrested by the king's men and immediately condemned to death.

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A crafty barber acts as a go-between for a count in disguise and rescues Rosina from marriage with her guardian. An operatic comedy.

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Nemorino is hopelessly in love with Adina but she is attracted to a dashing captain.

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An opera singer hides an American soldier in his house in Nazi-occupied Rome.

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This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.

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Paola (Tito Gobbi) is a successful, but lonely and aging opera singer in post-war Italy. His thoughts flash back to Florence in the days when he was a struggling student, and of his romance with the beautiful Claritta (Maria Mereader). Their eventual separation through a misunderstanding has resulted in a life of loneliness for both.

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Returned from exile where he accompanied his mother Caterina Sforza, Giovanni de 'Medici (1498-1526), becomes, under the name of Giovanni delle Bande Nere, captain of fortune at the service of the idea of a united Italy.

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