Jean-Michel Barjol

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Joseph Galloudec seven years, lives in the eighteenth floor of a building in the Paris suburbs, between his mother Julia and her father Jean-Claude, a computer engineer and communist militant. His parents experiencing marital problems and his mother soon to give birth, he left for the summer holidays with his grandparents and three uncles, turbulent triplets. He discovers the castles of the Loire, Brittany and England. Upon his return, he met his sister Elisa, but her parents and tear her mother eventually left the home.

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In the French countryside it's the day for peasants to kill a big fat pig. The slaughter goes on for a great part of the day as they work to store 140kg worth of meat.

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The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi

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In a snow-covered Juras, two elderly couples talk about their past, one dealing lightly with death, the other with Christian mysticism.

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Homage to freedom of expression in the contemporary theatre.

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A film by Jean-Michel Barjol.

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A film by Jean-Michel Barjol.

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Jean-Michel Barjol, a friend of Jean Eustache, was a young rebel who threw himself into cinema with reckless abandon. In this short film about a 16-year-old runaway, with whom the filmmaker clearly and empathically identified, Bariol inventively uses voiceover narration, documentary images, and jazz to create a sense of tumultuous yearning.

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A film by Jean-Michel Barjol.

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Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.

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Influenced and inspired by Jean-Luc Godard, some young french directors (Jean Eustache, Francis Leroi, Jean-Michel Barjol, Romain Goupil, Luc Moullet) are talking about their problems in producing less expensive and more free films in the french industry of cinema of the 60's.

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Joseph Galloudec seven years, lives in the eighteenth floor of a building in the Paris suburbs, between his mother Julia and her father Jean-Claude, a computer engineer and communist militant. His parents experiencing marital problems and his mother soon to give birth, he left for the summer holidays with his grandparents and three uncles, turbulent triplets. He discovers the castles of the Loire, Brittany and England. Upon his return, he met his sister Elisa, but her parents and tear her mother eventually left the home.

Open details →

The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi

Open details →

In a snow-covered Juras, two elderly couples talk about their past, one dealing lightly with death, the other with Christian mysticism.

Open details →

Jean-Michel Barjol, a friend of Jean Eustache, was a young rebel who threw himself into cinema with reckless abandon. In this short film about a 16-year-old runaway, with whom the filmmaker clearly and empathically identified, Bariol inventively uses voiceover narration, documentary images, and jazz to create a sense of tumultuous yearning.

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