Sarah Neufeld

Arcade Fire performing at the 2016 Voodoo Festival in New Orleans. Setlist: 1. Ready to Start - 0:30 2. The Suburbs - 5:18 3. Sprawl II (Mountains Beyond Mountains) - 11:38 4. Reflektor - 17:24 5. Afterlife - 23:45 6. We Exist - 31:10 7. Normal Person - 36:50 8. Keep the Car Running - 42:05 9. Intervention - 46:30 10. My Body is a Cage - 51:30 11. We Used to Wait - 56:20 12. No Cars Go - 1:01:57 13. Haiti - 1:07:25 14. Snippet of New Song - 1:12:45 15. Neighborhood #1 (Tunnels) - 1:15:10 16. Neighborhood #3 (Power Out) - 1:20:10 17. Rebellion (Lies) - 1:26:45 18. Here Comes the Night Time - 1:32:40 19. Wake Up - 1:40:45

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Arcade Fire’s first feature film is called 'The Reflektor Tapes'. The project is “a unique cinematic experience, meeting at the crossroads of documentary, music, art and personal history.”

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A resident of a suburban dystopia tries to reassemble his fragmented memories of life as a teen.

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The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.

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From the ACL Taping Program on September 14, 2007: Hailed as the "band who helped put Canadian music on the world map" by TIME magazine, experimental indie rock septet Arcade Fire has wowed audiences with its anthemic sound and emotionally-charged lyrics. The band's complex, full sound combines diverse instrumentation with often brooding lyrics that "draw grand lessons from everyday life" (The New York Times).

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Filmmaker Drew Thomas brings California's popular Coachella Valley Music and Arts Festival to the screen with a different kind of musical documentary that not only showcases performances by some of the hottest acts to take the stage, but offers interviews with such musical icons as Beck, Joshua Homme, Mos Def, and Perry Farrell as well. From English icon Morrissey's performance at the inaugural Coachella Festival back in 1999 to Canadian indie rockers the Arcade Fire's electric 2005 set, the musical acts featured here run the gamut from hip-hop to alternative and virtually everything in between. Other artists featured include the Pixies, the Flaming Lips, Kool Keith, Radiohead, Saul Williams, and Squarepusher.

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A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

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Tomasz Komenda was 23 years old when his normal life was brutally interrupted. Overnight he was arrested, thrown into prison and charged with murder. Subsequent expert opinions confirmed his participation in the crime, and any evidence was against him. For nearly two decades in prison, he was beaten, intimidated, humiliated and on his own. Finally, after 18 years of imprisonment, prosecutors and a policeman appeared on his way, who decided to discover the truth behind the mysterious case of the detainee.

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A photographer struggling with memory loss discovers her pictures may indicate something sinister is hitting close to home.

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Posted on the FBI Ten Most Wanted List in 1977 for his involvement in bombings perpetrated by the United Freedom Front, he was arrested in 1984. From his prison cell in 1992, the political prisoner Raymond Luc Levasseur writes 'My Blood is Quebecois' in which he explains his rebellion and his radicalization by his status as a 'frog' and the racism he witnessed in a small mill town of Maine where his ancestors came to work in the factories. Released in 2004, he returned to his native Maine where he tells us about his career, from his childhood in a French Canadian family until today.

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A narrative feature film inspired by the events known as the Beltway sniper attacks.

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