Jonas Mekas

"A Mixtape for Stom" is an intimate documentary portrait of Japanese experimental filmmaker Stom Sogo (1975–2012), whose frenetic Super-8mm works became emblematic of New York’s underground cinema at the turn of the millennium. A close friend, filmmaker Adrian Goycoolea reflects on Sogo’s life and legacy, framing the film as a reply to the final email he received from him. Drawing from personal archives, interviews, and memory, the film assembles a collage of Sogo’s art and presence: radiant, restless, and unresolved. Contributors include Jonas Mekas, Bruce McClure, Raha Raissnia, Julius Ziz, Ed Halter, Andy Lampert, and members of Sogo’s family, offering perspectives on his talent, struggles, and influence. Scored by Joe Watson of Stereolab, "A Mixtape for Stom" is at once an elegy and an act of remembrance; a meditation on friendship and grief, and a testament to an underground legacy that continues to reverberate.

Open details →

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

Open details →

This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system over the years. From the historically important to the utterly (and sublimely) absurd, they feature a cast of characters ranging from legendary avant-garde filmmakers, scholars, and other cultural figures to civilians whose legend has (until now) been confined to the offices of Anthology, thanks precisely to their witty, eloquent, eccentric – or in some cases unforgettably psychotic – voicemails. We’ve toyed with the idea of sharing these messages in some form for years, and the “Imageless Films” series provides a perfect pretext.

Open details →

A portrait movie of the Godfather of American avantgarde cinema. Through material filmed primarily in the 1990s by both the directors and Jonas Mekas himself, a new insight appears on the filmmaking Lithuanian New Yorker who doesn't consider himself someone who makes films but a filmer.

Open details →

For over 70 years, Jonas Mekas, internationally known as the "godfather" of avant-garde cinema, documented his life in what came to be known as his diary films. From his arrival in New York City as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries-including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all... with a camera.

Open details →

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

Open details →

Gozo Yoshimasu, a pioneer of Japanese contemporary poetry, pursued the vision of his ally, the late Jonas Mekas in Manhattan and Brooklyn. The time is the end of January 2020, just before the coronavirus strikes NYC, and the trip is just in time. This film depicts the dramatic birth of a poem that could be called a requiem on the first anniversary of the death of Mekas, who was considered a giant of experimental cinema

Open details →

The immediately recognisable voice and sweet wistful words of the late legend of the avantgarde, Jonas Mekas, is heard over the images of an imagined trip to Mexico. He speaks about memory as being testament to suffering, while expired 16mm film shows us an act of remembering, memory as a verb: peaceful protest.

Open details →

Two artists, whose work was constrained during the Soviet era, fled to New York. There, they met with their guru Jonas Mekas, the creator of avant-garde filmmaking. He led the way into the bohemian circles and helped them to discover creative freedom.

Open details →

Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.

Open details →

A unique and compelling account of the day that changed the modern world, captured by ordinary people who chose to pick up their cameras and film that fateful day.

Open details →

In the 1960s, beat poet and experimental filmmaker Piero Heliczer helped shape New American Cinema, and was enmeshed with iconic filmmaker Andy Warhol and The Velvet Underground at the very start of their careers. Through interviews with family and friends, found photos, and archival footage, Piero’s daughter, Thérèse Casper, explores the promise and perils of leading an authentic, creative life, and the impact that it can have on the people you leave behind in the process. Wondering if she can make peace with her absent father if she can find a connection to him through his art, she explores the artistic legacy and life of a man she never knew.

Open details →

The tapes in the program consist of some of Mekas’ earliest cassettes from the 1990s not long after he first began working with video as well as more recent mini-DV tapes from 2010s. The contents of the tapes have not been previously seen in their entirety. The footage provides rare insight into aspects of Mekas’ video-making practice, as well as his activities, thoughts, dreams, and concerns, especially during the later years of his life.

Open details →

The story of Tiny Tim’s improbable rise to stardom is the ultimate fairytale - and so is that of his downfall. For a brief time, the shy and truly unusual outsider artist was the biggest star in the world.

Open details →

Created by Anthology’s Archivist John Klacsmann, the visual track of Elegy for J.M. is the result of an encoding malfunction while preparing a clip of Jonas Mekas’s Lost Lost Lost (1976), a happy digital accident in keeping with the spontaneity and openness to chance embodied by Jonas’s diary films themselves.

Open details →

"My last image of Jonas."—Ken Jacobs

Open details →

The astonishing story of the first documentary film school in the USA—The Institute of Film Techniques at The City College of New York. This groundbreaking program exposed thousands of working-class kids raised on Hollywood movies to the power of documentary film - all under the watchful eye of DADAist, pioneering experimental filmmaker and radical thinker, Hans Richter.

Open details →

Self Discovery for Social Survival is a collaborative surf and music film produced by Brooklyn based record label, Mexican Summer and Pilgrim Surf + Supply, a New York based surf and outdoor brand. Filmed in Mexico, the Maldives and Iceland in three separate vignettes, musicians (Allah Las, Connan Mockasin, Andrew Van Wyngarden of MGMT, and Peaking Lights) alongside pro-surfers,embark on a journey that combines a symbiotic relationship between music and the waves, the environment, and local culture. Poetically narrated by the legendary avant-garde film maker Jonas Mekas.

Open details →

An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.

Open details →

Jem Cohen's memory-tribute to Jonas Mekas displaces its first-person narration from voice-over to on-screen text. Diaristic New York street imagery from 2015 mingles with the red roses of Lithuania and a 'makeshift memorial' to this beloved figure of the avant-garde.

Open details →

"Last Interview Film of Jonas Mekas / Version 1": this is the last filmed interview of Jonas Mekas. This is a last gift from Jonas to us.

Open details →

A film tribute to the inspirational Jonas Mekas.

Open details →

Short portrait of Jonas Mekas by filmmaker and veteran Jonas chronicler, Peter Sempel.

Open details →

A short portrait of Jonas Mekas by filmmaker and veteran Jonas chronicler Peter Sempel.

Open details →

Filmmaker Alyssa Bolsey stumbles on a treasure trove of vintage cameras, old film reels, fading photos, technical drawings and boxes of documents that belonged to her great-grandfather Jacques Bolsey. Among the many boxes, she spots an old movie camera with the word "Bolex" embossed on its side and a dangling tag with the date, "1927." Entranced, she embarks on a journey to reveal how Jacques aimed to disrupt the early film industry with a motion picture camera for the masses.

Open details →

The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

Open details →

In 1961 Lithuanian American artist and impresario George Maciunas established the avant-garde art movement Fluxus. George details the rise of Fluxus following a sensationalized tour of “concerts” in Europe in 1962, and continuing in New York for most of the 1960s and ’70s. During this time Maciunas was converting the dying industrial buildings of Soho into a network of artists’ lofts, creating one of the first official real estate co-ops of artist-owned buildings. Maciunas’s life and legacy—as recounted by artists of his generation, including Yoko Ono and Jonas Mekas—ignited debates that remain pivotal to artists working today.

Open details →

A short film by Maria Lassnig, shot in 1970.

Open details →

In his latest film, Mekas shares what he describes as “a valentine to Yoko Ono,” done in his signature diaristic style. Mixing the familiar 16mm film with DV video, he offers a fly-on-the-wall look at intimate moments spent with one of the foremost artists of that era, including performances by Ono and new footage of her recent work—a testament to her endurance and the friendships she has made and kept over the years.

Open details →

Alexander Kluge - October 22 2016

Open details →

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…

Open details →

I Had Nowhere To Go is based on Jonas Mekas’s diary. It’s been over 70 years since he left his village in Lithuania to escape Nazi persecution. He was 22 years old. Today he is one of the last surviving members of a displaced generation and one of the greatest documenters of the human experience.

Open details →

A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.

Open details →

The last, and previously unreleased, filmed letters exchanged between Jonas Mekas, from his home in Brooklyn, and José Luis Guerin, from his apartment at the Escuela de Cine de Cuba.

Open details →

Open details →

Stephen Smith sets out to discover the real Andy Warhol - in the hour-by-hour detail of his daily life.

Open details →

Self Discovery for Social Survival is a collaborative surf and music film produced by Brooklyn based record label, Mexican Summer and Pilgrim Surf + Supply, a New York based surf and outdoor brand. Filmed in Mexico, the Maldives and Iceland in three separate vignettes, musicians (Allah Las, Connan Mockasin, Andrew Van Wyngarden of MGMT, and Peaking Lights) alongside pro-surfers,embark on a journey that combines a symbiotic relationship between music and the waves, the environment, and local culture. Poetically narrated by the legendary avant-garde film maker Jonas Mekas.

Open details →

A wholesome moment: Jonas Mekas, MM Serra, Ken Jacobs, and Flo Jacobs take lavender from a stranger's bush.

Open details →

A lyrical diary film composed of fleeting images of the World Trade Center, filmed over decades as the towers appeared in Jonas Mekas’s everyday life—from street scenes and rooftop gatherings to family outings by the waterfront. Together, these fragments form a poetic memorial of presence and absence.

Open details →

Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.

Open details →

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Open details →

Clip from Walden.

Open details →

In February 2004, after 30 years of my life in SoHo, I made a decision to leave SoHo and move to Greenpoint, Brooklyn. This video is about what it feels like to leave a place in which one has spent more time than any other place, and which was also the place of my family life. I am somewhere else now. It’s about beginning of growing roots in a new place, new home, with new friends, new thoughts, experiences. This video is also about video. When in 1949 I began filming with my Bolex, it took me fifteen years to really master it so that my Bolex would do for me what I wanted. When in 1987 I got my first Sony camera I thought it would be different. But no. Only today, after working with the video camera for fifteen years, I feel like it had become an extension of my eye, my body, "A Letter from Greenpoint" being my first real video work.

Open details →

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Open details →

Jonas Mekas reflects on summers spent in the late 1960s and early 1970s with Jackie Kennedy, her sister Lee Radziwill, and their families. Blending personal footage with diary narration, the film captures intimate moments of friendship, cinema, and healing in the years following John F. Kennedy’s assassination.

Open details →

Jonas Mekas reflects on a 1966 trip to Avignon that offered solace during a period of personal crisis. Combining diary texts read by Angus MacLise with images of place and memory, the film becomes a lyrical meditation on pain, survival, and the restorative power of reflection.

Open details →

A collection of intimate thoughts, read aloud, that become the soundtrack of one of Jonas Mekas beautiful film journals.

Open details →

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

Open details →

Images from two trips to Japan, 1983 and 1991. With music – percussion – by Dalius Naujokaitis. A song, or maybe a duet between images and sound. A sutra, perhaps

Open details →

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

Open details →

Drawn from footage shot between 1949 and 1963, Jonas Mekas’s autobiographical diary film chronicles his early years in exile, capturing the struggle to build a new life in New York and his gradual discovery of a vibrant artistic community.

Open details →

Jonas Mekas weaves an elegiac diary film from his 1971–72 return to Lithuania, chronicling a visit to his birthplace of Semeniškiai after decades in exile. Blending personal memory with documentary observation, the film becomes both a portrait of homecoming and a meditation on displacement, family, and the passage of time.

Open details →

Elvis Presley performance at the Madison Square Garden arena in New York City on Saturday June 10, 1972, the concert, and the subsequent album, were promoted as being Presley's first live concerts in the Big Apple since the 1950s.

Open details →

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

Open details →

Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to music, structured in four segments that highlight different acts. Earlier images reappear in later sections as background to new performances, with the accelerated pacing of the clips mirroring the rhythm and energy of the soundtrack.

Open details →

Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.

Open details →

In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.

Open details →

Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.

Open details →

"Consisting of a poetic stream of razor-sharp images, the overt content of SENSELESS portrays ecstatic travelers going to pot over the fantasies and pleasures of a trip to Mexico... highly effective cutting subtly interweaves the contrapuntal developement of themes of love and hate, peace and violence, beauty and destruction."-- David Brooks.

Open details →

Barbara, a young woman consumed by despair, contemplates suicide, while a man she meets in a church and a married couple struggle to persuade her that life is still worth living. Mekas’s film weaves this intimate drama into a larger reflection on alienation, politics, and the turbulence of early 1960s America.

Open details →