István Dárday

The final years of Sándor Márai's voluntary exile in San Diego, which led to his suicide in 1989. Based on his own diary.

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A documentary about advertisement and primarily following a man working as a billboard installer.

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The two main locations of the film are Venice and New York - it is these two settings in which the protagonist, an astrologist, is slowly dying. He is a victim of the Chernobyl catastrophe.

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In this Hungarian comedy post communist materialism is satirized. Someone in Hungary has won a large screen TV set. As they live in the country, it must be delivered from Budapest upon the back of an abandoned Russian military truck. The TV is turned on so that all the truck passes will see its perfect picture and hear its messages.

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Via the New York Times: "...the film has the free form of the agitprop movies made by Jean-Luc Godard in the late 1960's and early 1970's. At the center of it is the small fictional tale of Raffael, who stands for everything rotten in the newly liberalized Hungarian society. He is the owner of an amazingly profitable video shop in Budapast and, it seems, a speculator in currencies."

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This documentary feature film is set in a two-storey villa, where three generations live together representing four different scales of values and views of life.

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The story played by civilian players is laid in a Transdanubian village, where on the initiative of the municipality doctor the local inhabitants wish to build a social welfare home as volunteers, with the support of the local co-operative and the state farm. Having first consented to the plan, the leadership of the county starts opposing the project because of the plan to build a social welfare home called the City of the Happy Aged to be established by the county. Both parties take the field for their ideas and the battle starts.

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The documentary-feature film, featuring amateur players and showing the life of three sisters in its simple dull flow of events, has grown to be the symbol of the Budapest School. The Kertész-girls live in a little apartment in a block of flats in Budapest with their parents. At the beginning of the film, each talks about her dream-future. They would like to have glass-walled rooms, well-to-do husbands, apartments in the greens, dogs, travelling, smiling children, social life.

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The film is a documentary-feature film based on real stories and made with amateur actors. The district pioneer secretary is assigned to find a pioneer who can play a musical instrument, has a working-class background, and studies well at school and appoint him for a one-month-long premium holiday in Britain. He finds a guitarist, Balogh Tibi, in a village school.

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An ironic insight into the cultural politics of Hungary's Kádár-era.

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A five part docu-drama following the everyday lives, family conflicts, careers, joys and problems of a married couple of school teachers and their five children.

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Gyöngyike is misinformed by her mother on issues like gender roles, sexuality and morals in relationships, as she takes good care of her daughter, and wants to cast off troubles when leaving this world behind.

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Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.

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Hungarian documentary mini-series.

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The final years of Sándor Márai's voluntary exile in San Diego, which led to his suicide in 1989. Based on his own diary.

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The two main locations of the film are Venice and New York - it is these two settings in which the protagonist, an astrologist, is slowly dying. He is a victim of the Chernobyl catastrophe.

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Documentary discussion with actress Kathleen Gáti as she recalls the eight months she spent tending to her mother dying of cancer.

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1991, farewell in Budapest. Mária remembers the past in tears. Her husband, Tibor, a chemist and a target of the KGB, left their apartment one evening to fetch some cigarettes only to be found drowned in the shallow Lake Balaton the following day. Their son, Peter, a student in Western-Europe, was found dead on the Danube embankment.

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Via the New York Times: "...the film has the free form of the agitprop movies made by Jean-Luc Godard in the late 1960's and early 1970's. At the center of it is the small fictional tale of Raffael, who stands for everything rotten in the newly liberalized Hungarian society. He is the owner of an amazingly profitable video shop in Budapast and, it seems, a speculator in currencies."

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