Guy Fournier

A tribute to Marie-Soleil Tougas and Jean-Claude Lauzon, 25 years after their tragic accident.

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Public figures from different backgrounds meet each week. At first glance, these guests would seem to have little in common. However, something does unite them all: an event or experience that they have graciously agreed to share that justifies their seat at the same table. As the program unfolds, their shared history is gradually revealed.

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A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

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A program that tackles major subjects – human, political, cultural, economic and ethical issues – and presents them in a debate format that encourages lively discussion.

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A daily French-language cooking show in which Ricardo Larrivée presents accessible recipes alone or accompanied by a guest or a member of his rotating panel of contributors.

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A musical game show opposing two gender-segregated teams of celebrities.

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This three-hour prequel to the 2002 miniseries, "Trudeau", chronicles the coming of age of Canada's 15th Prime Minister and the forces that shaped his brilliant mind and fierce political will. Fatherless at 14, a thorn in the side of his Jesuit professors, the young Pierre Elliott Trudeau chafed under the suffocating pressures of the very conservative Quebec of the '30s and '40s. Iconoclast, gadfly, a restless traveler and ladies' man, he helped plant the seeds for Quebec's Quiet Revolution by challenging all of its sacred cows—including the Catholic Church and the autocratic premier of Quebec, Maurice Duplessis.

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Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were Québec's most promising young pianists in the mid-1960's when the adventurous Max gets pregnant. She wants to keep the child, but her mother forces her to give him up for adoption; afterwards, Max leaves Québec and music. Now, years later, she returns, obsessed with finding her son. She locates the adoption records, and social services contacts her son to ask if he wants to see her. He refuses, but she keeps trying. Is a relationship with him possible? And what about her musical talent?

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