Elba Ramalho

A historical paradise on the Bahia coast is transformed when hippies arrive in the 1970s. For 400 years, the village of Trancoso had protected its religious traditions and cultural habits, rooted in Jesuit foundations. With this sudden “discovery,” the once-isolated community began to attract travelers from around the world. The symbols and rituals of fishermen and farmers seemed destined to disappear. Yet something unexpected happened. The historic bubble burst, but the culture survived. Even while opening to the contemporary world, Trancoso preserved its centuries-old festivities blending Indigenous, African and Catholic-Portuguese origins. These celebrations and local stories form the narrative and poetic center of the film: resistance and coexistence shaping identity. The documentary invites us into the Feast of St. Sebastian, the heart of this transformation. “Cordel” becomes the key to unlock a hidden past — and to guard memories against the silent advance of modernity.

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Born in Arcoverde, in the backlands of Pernambuco, the lonely boy who was raised by his father after his mother left, João Silva soon discovered a passion for the northeastern rhythms, such as the baião, xote and forró. He went to Rio de Janeiro when he was still a little boy to meet the idol Luiz Gonzaga. Both men, who were not very fond of each other when they first met, became not only great friends but also partners in many hits like “Doutor do Baião”, “Nem se Despediu de Mim” and “Pagode Russo”.

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Documentary of the legendary 1985 music festival in Brazil.

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Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.

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A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.

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A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

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Composer Gilberto Gil accompanies filmmaker Andrucha Waddington to the Northeast of Brazil. Among the rural communities in the region, Gil and Waddignton participate in the Catholic celebration of Saint John's Day with music and dance. Waddington also analyzes the suffering of the population trying to survive through agriculture in difficult terrain.

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Brazilian version of the reality game show in which a group of houseguests live together 24 hours a day, isolated from the outside world but under constant surveillance with no privacy. Each week a guest is voted out of the house until only the winner remains.

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Film inspired by a poem from João Cabral de Melo Neto and his life in Capibaribe.

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It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

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An American director travels to Brazil and falls for a local girl.

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In Rio de Janeiro's bohemian district called Lapa, during the '40s, a stylish and popular scoundrel exploits a cabaret singer, and earns his living by means of petty swindles. But then he meets Ludmila, the cabaret owner's daughter, who wants to get rich smuggling goods in times of war.

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Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

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The saga of Severino, a poor guy living in the back country of Northeast Brazil, leaving for the big city of Recife, in search of a better life.

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As soon as Mauro, an Administration student, discovers a strong vocation for mediumship, he drops everything to go deeper and dedicate himself to Umbanda, a religion he embraces so strongly that it makes him give up his studies. Determined to open his own spiritist center, Mauro moves to the countryside.

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In 1970, the Esquadrão da Morte (Death Squad)' crimes for the refinement of violence provoked a wave of reactions throughout the country. The photos of the victims, adorned by the skull, symbol of the group, caused an uncomfortable indignation. This is the story of Mateus Romeiro, the most famous of the policemen, who was part of the Homens de Aço (Steelmen) group, one of the factions in which the squadron was divided.

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