Alexandra Lencastre

A theatre having national as part of its name, at the top of a square, reflecting a country’s history. But which one? This is a voyage through the various narratives about D. Maria II National Theatre, forged through the intentions of the several regimes that intended to convey their own ideologies within the theatre’s mission. This is also the story of those who fought against it, opposed the institution and became part of it. How can one become heir of these stories, even if never having set foot inside.

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When their adopted son Nico is diagnosed with leukemia and needs a bone marrow transplant, Alice and Tomás are driven into a desperate search for a compatible donor, while concealing the truth about his adoption. With no match within the family, they are forced to locate Nico’s biological father, leading them to Cris, an unsuspecting mechanic whose life is upended by the revelation. As Cris forms a bond with Nico and becomes his only hope for survival, tensions escalate between the biological and adoptive parents. Old secrets resurface, and an unexpected love emerges between Alice and Cris, putting custody, loyalty, and the very definition of family to the test.

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Luíza Albuquerque sees her life collapse after her daughter runs away from the altar. Shortly after, in an increasingly stifling relationship, she receives a fatal sentence: she has only one year to live, and no amount of money in the world, which she has accumulated – not always in the best way – will be able to save her. Faced with this revelation, she decides to be happy in the short time she has left, even if it means ruining the lives of her sisters and her own daughter.

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Artur is an actor in decline preparing for an audition that will determine his career. Throughout the process, he finds an escape in his fleeting relationships on Tinder.

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Vanessa inherits an old Portuguese Revue theatre after the death of a distant aunt. Her agent, Tozé Leal, tries to convince her to sell it, but she decides to restore it to its former glory with the help of her friends Joana and Ribeiro. But her dream will not be easy to achieve: Armando, the owner of a neighbouring theatre, will do everything he can to stop Vanessa.

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In the heart of the Alentejo countryside, Mariana and José Diogo are two children whose backgrounds could not be more different: she is the fruit of a loving relationship; he's an orphan. She has a safe haven in her family to run to when she gets hurt; he can only run to her.

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The daily life of the residents of the "Terraços do Glamour" condominium, on the outskirts of Lisbon, highlights their problems with defective apartments and spoiled facilities due to the developer's false promises.

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The world is not enough to cover all the misfortunes that afflict Lucas. An orphan, a loner and a troublemaker, Lucas is a moving target for all sorts of misfortunes. But things are never so bad that they can't get worse: Lucas loses his job and is about to be evicted from his home. When all seems lost, he receives a phone call from a childhood friend asking for his help. He has to entertain two influencers for a weekend in a luxurious mansion. It is in this veritable technological trap, guarded by a mysterious Englishman, that Lucas will discover unexpected secrets about his past and, more importantly, it is there that he will discover love. Danger, suspense and cocktail recipes! Romance, eroticism (to die for) and impossible snooker shots! Secret weapons, fast cars and scooter races! LIVE AND LET GO is a romantic action comedy with a licence to kill... with laughter!

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Cacau is an engaging saga of family secrets, clandestine loves and sacrifices, all sweetened by the irresistible taste of chocolate and the magic of cocoa plantations.

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Catarina embarks on a dangerous journey to find who made her mother vanish. The Torres family seems to be the obvious suspect, but within them there's Vasco, the love of Catarina's life. Two opposed sides connected by love.

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In the parish of Rio Meandro, two villages are at war over the construction of a dam that will submerge one of them: either Aldeia Velha or Aldeia Nova.

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A romance comedy about a nonconformist couple of young parents who, looking for a solution to their fragile financial situation, is involved in an innocent and crazy scheme.

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Parque Mayer was the park off all the emotions and amusements in the 1930' s. Under the dictatorship of Oliveira Salazar and his police, many people came to have fun in its theaters attending the portuguese kind of play called 'revista'. A writer called Mario Pintor (paintor) is writing a play in which a new actress (Deolinda) will star as the main role, while an already famous actor named Eduardo tries to seduce this recent arrival.

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The story of a girl created by the gypsy community but who in fact is heiress of a great empire. The woman who robbed her in the past now sees her future threatened. The return of the Heiress unleashes struggles of power and affections and a love to withstand anything.

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Two people have a date in the evening.

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The story revolves around Anastácio, a supporter of Leões de Alcochete and Mr. Barata, a supporter of Inferno Futebol Clube. One day, the two teams face each other. Which team will win?

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The Portuguese version of the American "Dancing with the Stars" where, each week, celebrities perform dance routines from the classical ballroom dances to latin rhythms and will be judged by a panel of jurors and voted by the public until one of them conquers the Mirrorball Trophy.

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Antonio is 18 years old and is profoundly deaf. He wants to study cinema outside Portugal and become a director. And make movies for everyone, deaf and listeners. This is your dream that, like all dreams, has a price: to question himself and the community to which he belongs. At the same time, she lives her first love with Irina, a deaf young woman who doesn't understand why he wants to leave school and his country so much. For the first time in his life, Anthony's world is falling apart. But it may be worth losing the world to conquer the universe where deaf and hearing listen in the same gesture.

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Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

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Carlos is a famous journalist at the age of 55. His wife, Ada, is the opposite of her husband, a woman with a very active social life, and she is happy and seductive. One day, Carlos accidentally opens a text message on Ada’s cellular telephone. A new world reveals itself before his eyes when he discovers that his wife is seeing another man. With the help of his friend with whom he goes to live, Carlos discovers a universe of virtual lovers and electronic adultery.

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In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

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It is 1905 and Luis Bernardo Valença, a thirty-seven-year-old bachelor and owner of a small shipping company, is revelling in Lisbon's luxurious high society. But his life is turned upside down when King Dom Carlos invites him to become governor of Portugal's smallest colony, the island of São Tomé e Principe.

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A crime drama based on the life of a woman who lived for years with a man that was the head of a corruption network in the Portuguese football world.

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In 1970, a man is tortured and murdered by the regime's secret police. Now nearly 40 years later, his friend, who had also been tortured, recognizes the man he deems responsible for the murder of his friend. Along with three old friends and the victim's daughter, they kidnap the man and take him to an isolated house. Once there, the concepts of justice and revenge begin to mix dangerously in a private trial with irreversible consequences.

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The darkness of night, a barely lit place, motorbikes flirting with danger: a group of teenagers at a crossroads playing chicken with unaware passing cars. Jota (Eduardo Frazão) stands out from this group, unclassifiable; his destiny has no straight lines save those on the asphalt. Jota lives in permanent conflict with everything and everybody in his small town. No room for stillness. And then comes Margarida (Ana Moreira). Jota has no inside, Margarida has no outside. In spite of, or because of, that, they meet. What can they do? They can just ride, they can get away with it even if its all messed up. Love is to be lived.

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Fátima and Laurinda are mother and daughter and the only thing they have in common is their blood ties. While Fátima suffers a series of misfortunes because of her daughter, Laurinda seeks to ascend socially at any cost through a millionaire marriage with the Martins de Mello heir. Meanwhile, Raquel, the widow of Fatima's brother, returns to Portugal to confront the Martins de Mello family, whom she judges guilty of her husband's death in the 9/11. Parallel to intrigues, rivalries, secrets, blackmail and betrayals, the arrival of a great mystery haunts everyone's lives forever: The enigmatic Tubarão.

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A story with multiple plotlines, portraying the 24 hours of life in the beautiful city of Lisbon. It begins with three significant events: a wedding that is about to be cancelled, a crime, and the disappearance of a child. This plot centers on the lives of three sisters.

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Laura works as a newscaster and José Maria as a stockbroker, and while they live in the same housing complex, their lives never cross directly. Nevertheless, he watches her from a distance, seeing all her movements without her knowledge. But their lives finally meet when he is invited onto her news program. From there, a romance begins which coincides with the desire of two beings who finally find a reason to seek love once again.

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