Maureen Tucker

A pioneering artist and cultural icon. His work is a history of 20th-century America. A country reinventing itself - as seen through the legendary artist's eyes.

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He was a pioneering artist and cultural icon and his work is a history of 20th-century America. A country reinventing itself as seen through an artist's eye. 3 part documentary looking at 20th century America through the life of Warhol.

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Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.

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The 29-minute experimental film Christmas on Earth caused a sensation when it first screened in New York City in 1964. Its orgy scenes, double projections and overlapping images shattered artistic conventions and announced a powerful new voice in the city's underground film scene. All the more remarkable, that vision belonged to a teenager, 18-year-old Barbara Rubin. A Zelig of the '60s, she introduced Andy Warhol to the Velvet Underground, Bob Dylan to Kabbalah and bewitched Allen Ginsberg. The same unbridled creativity that inspired her to make films when women simply didn't, saw her breach yet another male domain, Orthodox Judaism, before her mysterious death at 35. Lifelong friend Jonas Mekas saved all her letters, creating a rich archive that filmmaker Chuck Smith carefully sculpts into this fascinating portrait of a nearly forgotten artist. An avante-garde maverick, a rebel in a man's world, Barbara Rubin regains her rightful place in film history.

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A documentary on the legendary creator and victim of pop art. Warhol, revolutionary and controversial, was never afraid to break the mold and reshape the reals of art, advertising, and directing. But who was the real man being behind the colors in which he hid?

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Film tribute to Lou Reed, who died in October, which looks at the extraordinarily transgressive life and career of one of rock 'n' roll's true originals With the help of friends, fellow musicians, critics and those who have been inspired not only by his music but also by his famously contrary approach to almost everything, the documentary looks at how Reed not only helped to shape a generation but also helped to create a truly alternative, independent rock scene, while also providing New York with its most provocative and potent soundtrack. With contributions from Bob Ezrin, Mick Rock, Lenny Kaye, Paul Auster, Moe Tucker, Boy George, Thurston Moore, Andrew Wylie, Victor Bockris, Holly Woodlawn, Mary Woronov and Steve Hunter.

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Velvet Underground Under Review is a 75 minute film reviewing the music and career of one of rock musics most influential collectives; a band which esteemed music journalist Lester Bangs claims started modern music. It features rare musical performances never available before as well as obscure footage, rare interviews and private photographs of and with Lou Reed, Andy Warhol, Sterling Morrison and John Cale. The film also features; rarely seen promo films; material from Andy Warhols private film collection; interviews with colleagues, producers, musicians and friends; TV clips; location shots and a host of other features.

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Follows John Cale, a Welsh musician and producer, who founded the legendary 60s and 70s NY rock band - the Velvet Underground, with Lou Reed. Cale delved into other mainstream and experimental music genres as well.

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An incredible retracing of the evolution of Reed's remarkable career over three decades. Filled with interviews with Reed, his friends and some of the major artists influenced by Reed including David Bowie, David Byrne, Patti Smith, Suzanne Vega, Dave Stewart, Philip Glass and more. Production Notes, Biographies, Discography, Scene Access, Screen Test, Rare Velvet Footage

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Spotlights the Velvet Underground's 1993 reunion tour of Europe, interspersing footage of the band's Paris concert and interviews with the members of the group. Concerts in Prague and Berlin included.

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Seminal experimental rock band The Velvet Underground, who initially disbanded in 1970, perform a set at L'Olympia in Paris, France in June 1993, during their brief reunion tour. The set features original founding members Lou Reed, John Cale, Sterling Morrison and Maureen Tucker performing 15 songs, including a new, previously unreleased track, "Coyote."

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A documentary covering the rise of extremely alternative band Half Japanese: from the early days when Jad and David Fair recorded loud music in their bedroom for distribution via mail order cassette tape, to their contemporary incarnation after David's departure for married life and Jad's increased stature among musicians and critics. Includes interviews with Jad, David, Mo Tucker of Velvet underground fame, and Penn Jillette, who produced an album of theirs.

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Classic Album Expanded as a 6-Disc Set w/ Stereo, Mono and Surround Mixes, Rarities, & Live Recordings including Unreleased 1970 Club Performance!

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This newly unearthed film, which Warhol shot during a concert at the Boston Tea Party, features a variety of filmmaking techniques. Sudden in-and-out zooms, sweeping panning shots, in-camera edits that create single frame images and bursts of light like paparazzi flash bulbs going off mirror the kinesthetic experience of the Exploding Plastic Inevitable, with its strobe lights, whip dancers, colorful slide shows, multi-screen projections, liberal use of amphetamines, and overpowering sound. It is a significant find indeed for fans of the Velvets, being one of only two known films with synchronous sound of the band performing live, and this the only one in color.

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Exploding Plastic Inevitable was a series of multimedia events organised by Andy Warhol between 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory. It is also the title of a 18-minute film by Ronald Nameth filmed during one week of the show in Chicago, Illinois in 1966.

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Documents each member of The Velvet Underground having their cards read at a big apartment party. The tarot reader is continually interrupted in her readings by the chaos created by the characters around her.

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Or "Moe in Bondage" - The "Moe" of the title is the Velvet Underground's drummer, Maureen Tucker, whose band-mates have tied her to a chair and are now hanging around nibbling on sandwiches and pieces of fruit.

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Maureen Tucker, wearing a white turtleneck, has been posed against a dark backdrop, and is brightly lit from the right front, the left side of her face partially shadowed. She faces the camera solemnly, staring back from under her bangs; at one point she smiles briefly.

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This program profiles Andy Warhol and Roy Lichtenstein, two of pop art's greatest icons. Back-to-back interviews highlight their differences. The voluble Lichtenstein, interviewed in his studio, discusses his methods and the use of familiar objects in his art. The reticent Warhol baits the interviewer, who attempts to extract concrete statements from the elusive artist. The Warhol segment is supplemented by footage of his band, the Velvet Underground; a clip of one of his short films, "Nancy Worthington Fish"; and brief comments from Edie Sedgwick, one of Warhol's proteges.

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The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.

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The Velvet Underground's first public appearance, filmed in Super 8 at a Psychiatrist's Convention, at the Delmonico Hotel, New York, January 14, 1966. Andy Warhol was invited to speak at the annual banquet of the New York Society for Clinical Psychiatry. He brought along the Velvets and other factory regulars.

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A film of the Velvet Underground performing only discovered in recent years directed by Danny Williams shortly before his dissapearance.

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The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

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Whips was one of the films mentioned in a half page ad in the April 7, 1966 issue of the Village Voice, advertising The Exploding Plastic Inevitable show at the Dom.

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