B. Lenin

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Balan, a young artist, becomes a part of "Ooruku Nooruper", a revolutionary organisation. To promote the ideals of the group, he becomes a modern-day Robinhood, as looting becomes an integral part of his life. Anandan, a leftist freelance writer, supports Balan and runs a campaign against capital punishment.

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A minimalist film that looks at how death can silence a voice and strip away self identity

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Thillai leaves his village to work in a bank in the city. He decides to marry Jeyakodi but unexpected complications put their relationship to the test.

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An archaeologist gets involved in a situation where the brother of a girl holds him captive because he suspects him to be the girl's lover. Although he escapes, he is soon arrested for her kidnap.

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The story revolves around the sentimental attachment of a family towards a cot that has been passed through the family for three generations. It has been their family’s companion through their ups and downs for around 250 years and everyone are attached to it emotionally. It has survived as a unperishable common identity link or reference passed from one generation to the next within the family. It was a place for last breadth for some and first breadth for some. Thus, the non living entity becomes a living one among the family members by the memories itched by it in their minds.The screenplay is based on how the antique cot , which the family emotionally revere lose it and how they struggle to recover the same , whether they succeed or lose it forever ,is the question which is answered in the plot.

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