Fredrik Stenberg Ditlev-Simonsen

An aspiring musician nearing thirty grapples with the end of her carefree twenties as life demands she embrace maturity and responsibility.

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15-year old Fanny has just finished school, but instead of celebrating with her friends, she has to spend the summer trying to say goodbye to her dying mother, whose final wish is to be together in their summer home. Not knowing how much time she has left, they have to find a way to live in the meantime.

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A lavish royal drama that tells the incredible love story of King Harald and Queen Sonja, and how their love almost plunged Norway into a constitutional crisis.

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Kath is selling sex in Oslo, alongside her best friend, Andrea. When Andrea decides to walk away, Kath tries to ignore it and maintain their business on her own. But the presence of Andrea is following her, and Kath is forced to face her grief.

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In 1942, a convoy of 35 civilian ships, carrying vital supplies from Iceland to the Soviet Union, faces deadly challenges in the Arctic. Despite Allied naval escort, catastrophic intelligence errors expose the convoy to relentless German air and naval attacks. In the brutal conditions, inexperienced civilian sailors fight for survival, with only 12 ships making it to their destination.

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When a project to build a thousand flats in Oslo is put out to tender, architect Julie has an idea: why not convert empty underground car parks into residential buildings? A pitch-black, keenly observed satire about an all-too-near future.

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Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.

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A constant journey from outer space to a town in Norway, where we encounter small pieces of people’s lives.

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Increasingly overshadowed by her boyfriend's recent rise to fame as a contemporary artist creating sculptures from stolen furniture, Signe hatches a vicious plan to reclaim her rightfully deserved attention within the milieu of Oslo's cultural elite.

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Dounia is in love with Norwegian Erik, which makes her cultural chameleon way of living challenging when he wants to get to know her Moroccan culture. Can her different worlds unite, and can love overcome the cultural differences?

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What happened to Helene last night? She remembers nothing, and when Patrick tries to explain it only leads to misunderstandings that quickly turn into suspicions. Is regret enough?

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Exit is based on the true stories of four men in their mid-30s, who all became multi-millionaires before the age of thirty. Attempting to escape from their obligations, expectations and families, they employ drugs, prostitutes, and their very own set of morals.

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Two people play hide-and-seek as a form of foreplay during a one-night stand. The morning after, they have different ideas of when the game is over.

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From a young age, Jill has acted as the responsible adult in her small family. She cares for her loving but mentally unstable mother and her younger brother. The news that their estranged father will be visiting on Jill's birthday gives the children much needed hope. When the family is struck by tragedy, Jill keeps it a secret.

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On 22 July 2011, neo-Nazi terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. This three-part story focuses on the survivors, the political leadership of Norway, and the lawyers involved.

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Martin is afraid of what (and whom) his ex-girlfriend Emma has been doing since last time they met. Tonight they will meet again for the first time since they broke up, and his friends try to prepare him for his meeting.

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A young girl does everything in her power to stage herself and her surroundings. However, the games she is playing doesn't seem to give her what she really needs.

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Trouble starts when Lars, a 25-year-old with few prospects for the future, discovers that an older man is fooling around with the teenage boys in his suburb. A terrible rage is triggered in Lars, and he embarks on a crusade to stop the abuser. But it soon spins out of control, and Lars' actions end up endangering those he set out to protect.

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Little Oddemann uses every means available to find Jesus, including his slingshot. The film takes us to Norway in the late '30s, where we meet a series of burlesque and humorous characters, whose antics convince Oddemann that growing up may be a bad idea. Yet Oddemann finds there are certain rewards to being grown-up, such as partying and chasing women, that merit closer examination.

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