Bruno Safadi

A brutal crime shocks an isolated Brazilian research station in Antarctica, transforming the enviroment filled with scientists and military personnel into a veritable pressure cooker. The men at the station become suspects, and a female deputy commander takes on the mission of investigating what happened and, with the support of the women at the base, faces silence and violence in her search for justice.

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Mauricio is a former player trying to establish himself as an agent in the lucrative world of football. In his new career path, he must grapple with the ghost of his failed playing career and his troubled relationship with his father.

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In this supernatural thriller, the dark mysteries of the quest for immortality take over the scorching rural roads of the Goiás countryside.

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Elder and Daiane are a couple in the midst of an urban war: while he fights to survive, their first child is about to be born.

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In the 1950s, in Rio de Janeiro, Lota Macedo Soares married the American poet Elizabeth Bishop. A few years later, Carlos Lacerda, a friend of Lota's, became governor of Guanabara and invited her to create a park where a 7-kilometer landfill had been built. Flamengo Park would become the second largest urban park in the world.

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Set at the turn of the year 2000, the series follows a group of friends at the end of their teenage years. Everything becomes even more dramatic when Beta dies, at the age of 17, on the night of their high school graduation.

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The mythological story of the first woman on Earth, who came before Eve. She is created by God to be Adam’s wife. However, Lilith does not accept a position of inferiority in relation to man, she rebels and goes to the desert. Lilith reappears as Eve’s double, eats the forbidden fruit, takes revenge on Adam, on God, and becomes the first woman to rise up against the ruling patriarchal system.

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With no money and a sick young son, Angel returns to the underworld of fashion and luxury. Giovanna believes that Angel killed her father and will do anything to put her in jail. As a result, they start a personal war, which involves Cristiano, a private investigator.

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Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.

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Three friends leading a nonprofit organisation investigate environmental crimes in the Amazon involving a major mining company.

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Laila is a Syrian victim of a bombing who agrees to marry a powerful sheikh in exchange for money to save her little brother's life. However, plans change due to the tragic death of the child. Laila and her family flee to start a new life in distant lands. Abandoned and enraged, the sheikh sends Jamil, his right-hand man, in search of the bride, but could not imagine he would fail to obey his command and fall madly in love with her. This forbidden love will be tested when the sheikh's daughter decides to take revenge after her father's mysterious death. From Emmy winners Thelma Guedes and Duca Rachid, ‘Orphans of a Nation’ tells a beautiful love story in the current context of refugees from around the world.

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Anna Millman is a portuguese teacher, she falls for Joaquim Martinho, an actor. Both meet in Europe and travel to Brazil together with the future princess of Brazil, Leopoldina from Austria. The romance between the teacher and the actor evolves during a time of revolution, the independence of Brazil

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The mayor of the city of Rio de Janeiro wants to go down in history. For this purpose, he decides to separate Rio from Brazil and create a new country.

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Filmed over six years in four countries: Portugal, Brazil, Colombia and United States, this romantic drama tells the story of Luzia, a Brazilian screenwriter, and Adrian, a Colombian actor, that fall in love during a film festival in 2009 and will live a fragmented love story while competing in different film festivals around the world.

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They live, they act, they love. Today they remember, they relive, they live through cinema and life.

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A young couple, Pedro and Antônia, have their relationship weakening after meeting Luana. Romance, seduction, fear and anguish from the future are established in this story of liquid love.

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Rio de Janeiro, 2012. 30 year-old Karine, 8 months pregnant, loses her husband in a senseless murder. She and her brother almost die, but are saved by Pastor Naldo, an evangelical pastor from the Church of Eden. Karine carries within her the conflict of salvation via the church or via the birth of her child.

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Between February an May of 1970, Julio Bresane and Rogerio Sganzerla made 7 films for their company Belair that were forbidden by the Brazilian censorship that reveal today images of an unique freedom.

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Meu Nome é Dindi shows the movement of time over a young woman who owns a small marketplace near bankruptcy and fights for survival.

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Antônio wants to give his girlfriend, the prostitute Ioiô, a star. He meets a Salesman who claims he can get one for him, with certificate included! After many negotiations, Antônio finds out he has been taken in.

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They live, they act, they love. Today they remember, they relive, they live through cinema and life.

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We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.

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In the 1950s, in Rio de Janeiro, Lota Macedo Soares married the American poet Elizabeth Bishop. A few years later, Carlos Lacerda, a friend of Lota's, became governor of Guanabara and invited her to create a park where a 7-kilometer landfill had been built. Flamengo Park would become the second largest urban park in the world.

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Two women, long-time friends, embark on a love story. They are writers who do not write to publish but for themselves. Their mutual conversation, their desires, the risks and phantoms of existence, the privilege of the wounded and of condemnation, traverse their speech, are a confession.

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“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

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