Ólafur Egill Egilsson

After 3 years abroad Junior returns to Iceland with his set of problems hoping that his father can sort them out but his homecoming isn't quite what he had expected.

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Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?

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Alexander, a twenty-year-old student, his girlfriend and a schoolmate discover the ins and outs of film-making while shooting a documentary about his family. A gallery of humorous, off-beat characters is revealed, who's seemingly ordinary lives conceal bitter divorces, passionate second marriages, vengeance, luck and misfortune, crime and punishment.

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The television adaptation of the 1954 play Silfurtúnglið by Hrafn Gunnlaugsson updates the interwar story of Lóa, a housewife with a beautiful singing voice who delights in serenading her newborn son. Discovered by the dubious Feilan, manager of the nightclub “Silver Moon,” she’s cast as his emblem of purity for the club’s jaded clientele, only to find her talent erased and her performances reduced to humiliation. In the same production, Gunnlaugsson also modernizes Lilja’s 1933 short story “Fótatak manna,” relocating its 1920s setting to the present: medical students exhume the body of a poor, friendless man in the name of science, callously stuffing his coffin with rocks.

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The excitedly physical staging of Georg Buchner’s tragic and fragmented play about a young man struggling to make the best from what life has dealt him. A hostage to fortune, class and his sadistic superiors, Woyzeck’s fate is played out in a series of nightmarish encounters. He stumbles through a world of macabre carnival, sexual betrayal and cruel oppression, pursued by the demons of his own paranoid fantasies. Pushed beyond breaking point, Woyzeck’s last love- crazed act destroys the only thing he truly cares for.

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The crew on board the fishing vessel Undercurrent RE 29 has become uncomfortably numb with its never ending routine of week long tours at sea. Then, during one dark and dreary night this routine is shaken to its foundation when one of the most solid crew members commits suicide. To fill his gap, a young woman takes his place on the next tour and gradually the fragile balance is tipped, and personal issues that should be left on the mainland cause dangerous friction between the crew members

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Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?

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Until very recently, the role of fathers in raising children, really be considered unnecessary. For hundreds of years people believed that women simply because their instincts, were much better at raising children. They were now with the right equipment and the like. But the present is all else: the world changed. The homes changed. The gender gap was reduced. Now it is said that a man who is actively involved in and takes responsibility for bringing up their children, have a tremendous impact (positive!) The children, the home and the world. But why do most men still feel like they need to complete a BA degree in "fatherhood" every time they hold their children?

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