Dietrich Henschel

A brilliant performance of Schönberg's monumental work at the Prague State Opera. Arnold Schönberg composed Gurre-Lieder to a text by J. P. Jacobsen about the tragic love of the Danish king Waldemar and his mistress Tove Lille, who was murdered out of jealousy by Queen Helviga. He orchestrated the composition for a monumental orchestral and vocal ensemble: five vocal solos, a narrator, a male and mixed choir, and a huge orchestra comprising 25 woodwind instruments, 25 brass instruments, four harps, a celesta, 16 different percussion instruments (including iron chains), and an exceptionally large string section. Every performance of this masterpiece, composed down to the last detail, is truly an overwhelming experience. SOČR chief conductor Petr Popelka seized this unique opportunity, as at the time of the performance of Songs he was also chief conductor of the Norwegian Radio Orchestra, and in this unique project he brought together the two ensembles entrusted to him.

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The Marschallin is relishing time with her young lover, when her cousin’s sudden arrival ignites a comic chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free. After opening the 2022-23 season in Brussels with Pikovaya Dama, La Monnaie / De Munt now streams Der Rosenkavalier live on OperaVision. The mystery of time resonates throughout Hugo von Hofmannsthal’s highly spiritual and nostalgic libretto, for which Richard Strauss took a step back in time to eighteenth-century Vienna. Waltzing in neoclassical style, with sublime lyricism and a refined orchestral palette, the opera looks back to the past, faded beauty, lost loves.

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Heart Chamber focuses on the elements of falling in love that expose us to our most intense beauty but also to our most intense vulnerabilities and insecurities. It is a grand opera of the smallest physical and psychic changes that push two strangers towards or away from each other as they embark on a transformative path, the conclusion of which one cannot envision. Two naked souls wrapped in their existential loneliness like a second skin have a chance of a true connection which might outweigh the internal isolation. This chance is equally euphoric and dangerous: so much is at stake. While society frames love as the true course to fulfillment, a love connection can have many unexpected consequences. Some live and die surrounded by their families. However, the Russian woman whose husband took her to the forest and cut her arms off in 2018 surely did not envision this at the beginning of their relationship.

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Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.

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The exiled Austro-German musician and composer Artur Schnabel was a giant of his time, but in Germany today he is nearly forgotten. Pianist and Schnabel devotee Markus Pawlik (in collaboration with baritone Dietrich Henschel and the Szymanowski String Quartet) brings Artur Schnabel's greatest compositions back to Berlin with a filmed commemorative concert. Along the way, Pawlik visits the places, landscapes, and history that shaped Schnabel's life and music. "Artur Schnabel: No Place of Exile" rediscovers an essential artist displaced by the catastrophe of the two World Wars and the Holocaust and inspired by the possibilities of modernism.

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In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. For the renowned conductor, this Weimar concert is a special performance, marking the start of his Bach Cantata Pilgrimage. With this new interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music. Including two complementary documentaries: J.S. Bach: Jauchzet, frohlocket! An Introduction to the Christmas Oratorio presenting the best performers in their field, including John Eliot Gardiner, the Monteverdi Choir founded by him, the English Baroque Soloists, as well as other internationally-known vocal soloists.

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All warmth springs from woman, All light from love does flow – Truly, only the heat of a virgin's body can ignite your fires.

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A 2014 French production of John Adams and Peter Sellars' opera Doctor Atomic at the Opéra national du Rhin.

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This is a 4-DVD set, featuring the Estonian conductor Paavo Järvi and the chamber orchestra (around 40 members) Die Deutsche Kammerphilharmonie Bremen. The first 3 DVDs feature live performances of all 9 of Beethoven's symphonies, and the 4th DVD is a documentary produced for DW (Deutsche Welle) on this Beethoven project.

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Nikolaus Harnoncourt leads the Concentus Musicus Wien in this production of Josef Haydn's opera 'Il Mondo Della Luna' recorded at the Theatre an der Wien in 2009. Performers include Dietrich Henschel, Bernard Richter and Vivica Genaux.

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A live recording of the premier of Korean composer Unsuk Chin's Alice in Wonderland opera at National Theater Munich in June 2007. It is a modern opera based on Lewis Carroll's fantasy novel of the same name. The amazing characters Alice meets are portrayed with a colorful combination of puppets and singer-actors.

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John Nelson conducting the Ensemble Orchestral de Paris and Accentus Chamber Choir.

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Ruth Ziesak, soprano ; Anna Larsson, contralto ; Christoph Genz, tenor ; Dietrich Henschel, bass ; GewandhausKammerchor ; Gewandhausorchester Leipzig ; Herbert Blomstedt, conductor. Recorded in performance May 8, 2005, St. Thomas Church, Leipzig, during the 2005 Bachfest Leipzig. Special features include: Bach and his B minor Mass, an introduction by Herbert Blomstedt (21 min.)

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After ten years battling in the Trojan War—and another ten on an epic journey homeward—Ulysses returns to his homeland. Disguised as a beggar, the king of Ithaca must recover his wife, his son, and his people... Il ritorno d'Ulisse in patria (Venice, 1640), directed here by Klaus-Michael Grüber and conducted by Nikolaus Harnoncourt, achieves a perfect dramatic balance, stirring the imagination and instantly transporting the viewer to a long-ago time. The all-star cast features one of the earliest recorded appearances by the great Jonas Kaufmann, who makes his presence felt as Ulisse's son Telemaco.

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John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).

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