Nikola Pejaković

Everyone has to grow up, to separate from their parents, to start their own family. Luka and Daria try to do this while everything around them is falling apart: friendships, families, even the country.

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The story of a musician, former drug addict and drug dealer named Slobodan Milosevic.

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Christmas Eve TV special of the show Složna braća (United Brothers).

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The main character – philosophy professor Radomir Pavlovic is at the peak of his power when he sets out on that journey – young enough and yet not old enough to understand everything that will befall him on that journey.

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Angel Ljubiša (Nikola Pejaković) is trying to bring together the incompatible, the unestablished director Bata (Andrija Kuzmanović), Una (Anđelka Prpić), the popular and charismatic TV presenter and the police inspector Trišić. (Andrej Šepetkovski).

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Three stories about the impact of three God's miracles in the medieval sense that happen to the film's heroes living in a post-communist society that, after half a century of atheism, re-learns about Christianity.

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The series "Advokado" follows the ups and downs of the main character Brane and his faithful companion Beli. At the center of the plot are their friendly and family relations as they try to find the meaning and peace in life.

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The 2020 theatrical film of the same name reedited into a seven part mini-series. A middle-aged former criminal has little time to live due to cancer, so he gets to see his son after 5 years to spend his last week with him and teach him the principles he considers important in life.

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The story of two people who, at first glance, are connected only by their name - Kosta. The first, a refugee from Krajina, is trying to survive, while other is peacefully building a career.

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This series takes viewers on a journey in the 1930s, under the roof of the hotel, where the past and the present merge. The focus of the series is business of a prominent Banja Luka family, entangled in numerous intrigues.

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A young member of a gang in Belgrade puts his family in danger when he angers a mafia boss.

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The key character in the story story is Marko, a failed scriptwriter, who has been working as a taxi driver for years and follows his adventures during one hilarious night.

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Mirko, an average football player at the end of his career, is back in his hometown because of a knee injury. His family owns a restaurant which is on the verge of collapsing, both because of the economic unprofitability, and because of the plans of local criminals who are interested in the plot where the restaurant is located. One of those criminals is Slavko, Mirko's childhood friend, who suddenly returns to his life, just when Mirko needs him the most.

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Mirko, an average football player at the end of his career, is back in his hometown because of a knee injury. His family owns a restaurant which is on the verge of collapsing, both because of the economic unprofitability, and because of the plans of local criminals who are interested in the plot where the restaurant is located. One of those criminals is Slavko, Mirko's childhood friend, who suddenly returns to his life, just when Mirko needs him the most.

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Who left a dead body on a farm of truck driver's of which the best quality milk is made? Who smuggles illegal Betangin tablets? Who set on fire policemen's hands? Why does the ominous rabbit shows up? Two brave but incompetent police inspectors are trying to find out all of this.

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Two of the most popular Serbian actors discover a script that they immediately want to work on, forgetting that creating in Serbia isn't as easy as it seems.

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The backbone of the "Državni Posao (Government Job)" are satirical talks between the three actors, the comments are reminiscent of the "stand-up" form. These are short, witty comments and observations on daily life, circumstances, sociopolitical situation, sports, entertainment world, their personal opinions on various topics. The main idea is to present day in a non-existent government company and three employees of thinking about daily events in it, but also about life and society in general. Topics drawn from the daily and weekly press, for various blogs, websites, talk about movies, series, shows - radio and television. The idea is that actors humorously comment on current events, to laugh viewers and encourage them to think about them.

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The story takes place in modern-day eastern Serbia, still fertile ground for various forms of superstition and prejudice. Zorica is a village girl who carries a curse. Ever since her first boyriend mysteriously drowned in the river, men around her are dying in most bizarre ways. The plot thickens when stubborn policeman Maane who doesn't believe in 'village tales' tries to investigate whether Zorica is a serial killer or a girl looking for love.

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Our heroes are high school students spending an unforgettable summer, full of adventures, on their way to a big rock festival. Producer Sava and director Žarko Babajić are filming an extreme sports commercial with Marija and Sindi. Mysterious “Zduhach” “refreshes” Uroš and Nenad with some local “kleka” juice. Stolen identity makes new rapper star G Spot Tornado angry, so things get even more complicated.

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Ivan teaches history in a Belgrade high school. In his class, Ivan is provoked by a student and ends up slapping him on the face. In Serbia, in the heat of transitional changes, Ivan’s presence in school is no longer welcomed. He finds a temporary job opportunity in a war-scarred mountain village in Bosnia. On his way there, he meets Yasmina, a young Muslim woman, back from Germany to her homeland after the war and after being invited by an old friend – Hazim - who now runs a motel. A lone kiss in a stormy night, in a village still lying in ruins, will bring Yasmina and Ivan closer together in a joint escape from reality and to a ride on a dusty bus, where neither one of them wants to sit next to the window.

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A contemporary historical film reflecting the drama of the profound social changes that the Serbian society underwent at the turn of this century. The story is delivered through an account of the development of the local ambulance service. Adhering to the spirit of modern neo-realism, this evolution is illustrated by three stories set in three different periods linked by mutually connected and conditioned characters; and there is also a dream of what it could be!

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We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

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In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

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A comic tale of a group of boys and a pretty girl who try to make easy buck.

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A half-mad patriot who shot Avax from the roof of his house captures its American pilot during NATO bombing of Yugoslavia in 1999. The hostage gets romantically involved with his sister while unsuccessfully trying to escape.

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Set in the 1930s, it follows the imaginary journey of Vuk Karadzic and Joakim Vujic across Serbia in the form of a road movie. Once in Kragujevac, where they ask support from Prince Milos Obrenovic, they realize that they are competition to one another in terms of the future of Serbian language.

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The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

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The plot follows Steva, who is in love with an actress, Duja, who adores his motorcycle, and Bane, who plans to steal the motorcycle. Nikola desperately searches for a job, while Toma is in love with Mira, who is in an abusive relationship and occasionally thinks about Toma. The film highlights the despair and isolation of a generation in the post-war era.

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Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

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Actor who used to be a celebrity once upon a time, when he played in number of films and theatre shows, lives his elderly days monotonously... Up until he meets a girl wanting to become an actress. In their encounters actor revives his love affairs from his young age...

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Belgrade during the height of the war Yugoslavia in 1999. Kaja struggles with daily destruction and the constant threat of being drafted, but also with his impending divorce from his wife Tijana, who wants to emigrate with their son.

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In a world full of fear, where love is slowly drifting away and becoming something unreachable, we come across unfortunate people, such as Rasha and his demanding sick father. Living on the edge of existence during pre-apocalyptic time, he becomes a guard of an old hotel, and stumbles upon strange characters with whom he shares misfortune.

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Mirko, an average football player at the end of his career, is back in his hometown because of a knee injury. His family owns a restaurant which is on the verge of collapsing, both because of the economic unprofitability, and because of the plans of local criminals who are interested in the plot where the restaurant is located. One of those criminals is Slavko, Mirko's childhood friend, who suddenly returns to his life, just when Mirko needs him the most.

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A young lawyer employed at the Serbian State Prosecutor's office is sent to investigate a war crime commited by a paramilitary unit during the military conflicts in late 90s Kosovo.

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It follows the two lead characters, Svaba and Ekser, as they try to make a living on the streets of Belgrade through the life of petty crime. Making matters worse is the fact that Shvaba owes a lot of money to a local big-shot criminal. And just when things seem lost for the two men, Shvaba's mother inherits a house in Baranda - a village near Belgrade no one's ever heard of. As Shvaba and Ekser happily rush to Baranda, hoping to sell the house and solve all their problems, the villagers are equally happy to see them, thinking that two businessmen from Belgrade are finally taking an interest in their village...

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The story takes place in a dilapidated building in the blocks of New Belgrade, whose tenants constantly fight and do bad things to one another. In the same building lives a quiet and young married couple, who are completely different from their environment.

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Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

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In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

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Taking place just after the end of Bosnian War, the series is mostly set in a kafana named Složna braća owned by Halimić brothers and located on a small patch of UN-controlled territory (covering 0.0657 km2) not claimed by any of the three warring sides. Serbs, Bosniaks, and Croats, otherwise very hostile to each other following a ferocious civil war, regularly visit the said kafana in no man's land in order to arrange mutual black market activities (weapons and food trade, oil and cigarette smuggling, etc.). When the word gets around about an important weapons shipment passing through the territory that can supposedly completely change the division of power in the Balkans, the place becomes a lively hub of espionage, deal making, and skulduggery.

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