Chusheng Cai

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The film depicts the lives of Guangdong peasants who have gone through the suffering of the Sino-Japanese War only to experience home-grown oppression by a rapacious landlord in their village.

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1930's China. The village of a poor family is taken over by the occupying Japanese army. One son, Zhongliang, leaves his wife and young son to join a medic group for the Chinese Army. The other son, Zhangmin goes into hiding to protect his family. The focus shifts back and forth from the brothers' parents and Zhongliang's wife and son to Zhongliang's newfound life of luxury in a town not too far away. The plight of Zhongliang's mother, his wife, Sufan and her son, Kongeson is contrasted with Zhongliang's rise in a flourishing company.

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Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.

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Set during the Orphan Island period of Shanghai, the film follows a group of revolutionary patriots-cum-assassins who finally earn the support of the suffering public. ‘We’re all Chinese,’ so they repeatedly chant.

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"Lianhua Symphony" - a small collection, consisting of eight short films shot in 1937 by young filmmakers Shanghai Lianhua Film Company. Part 1: Two Yuans (兩毛錢) directed by Situ Huimin / Part 2: Nightmares in Spring Chamber (春閨斷夢) directed by Fei Mu / Part 3: The Stranger (陌生人) directed by Tan Youliu / Part 4: Three Friends (三人行) directed by Shen Fu / Part 5: Landscape Under the Moonlight (月下小景) directed by He Mengfu / Part 6: The Ghost (鬼) directed by Zhu Shilin / Part 7: Rhapsody of a Madman (瘋人狂想曲) directed by Sun Yu / Part 8: Five Little Brothers (小五義) directed by Cai Chusheng

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Old Shanghai

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A silent Chinese feature film

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Overnight, the sexy Wei Ming will become a successful novelist. But, desperate to get the money that she needs to cure her little daughter (and harassed by a rich, unscrupulous rake), she will end up eventually engage in luxury prostitution.

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The story is about a fisherman's family living near to Shanghai. In the beginning, twin babies are born, a boy and a girl. Their growing-up is briefly sketched, and their friendship with "young master", a boy from rich family about their age.

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The entaglement of a deserted child Qiling who start to work for his biological father Menghua’s construction company 24 years later.

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Pink Dream tells the story of a young novelist who is supported by a loving and hard-working wife. The novelist, however, is drawn to the decadent life of a socialite who introduces him to the dance halls that dot Shanghai. As the film progresses, the novelist soon learns of the emptiness of this urban existence and rejects it as a "pink dream."

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To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.

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This is a silent film from China made in 1931. It is about two leads in a film, Yan (Raymond King) and Ying (Violet Wong). They meet after hearing Ying sing while another movie is being shot. You, of course, don't get to hear the song, but it catches people's attention. Once they meet and work together, they fall in love. Is it forever?

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The film depicts the lives of Guangdong peasants who have gone through the suffering of the Sino-Japanese War only to experience home-grown oppression by a rapacious landlord in their village.

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1930's China. The village of a poor family is taken over by the occupying Japanese army. One son, Zhongliang, leaves his wife and young son to join a medic group for the Chinese Army. The other son, Zhangmin goes into hiding to protect his family. The focus shifts back and forth from the brothers' parents and Zhongliang's wife and son to Zhongliang's newfound life of luxury in a town not too far away. The plight of Zhongliang's mother, his wife, Sufan and her son, Kongeson is contrasted with Zhongliang's rise in a flourishing company.

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A group of guerrillas fighting against Japanese invaders.

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Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.

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