Abbey Lustgarten

This forty-minute program was produced by the Criterion Collection in 2014

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Charlie Chaplin composed most of his own scores, beginning with CITY LIGHTS in 1931. He also returned to his earlier silent films and composed new scores for their rereleases. In this 2012 interview, composer and conductor Timothy Brock discusses Chaplin’s musical achievements, as well as his own work reconstructing and conducting Chaplin’s scores.

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In 1942, Charles Chaplin released his definitive sound version of THE GOLD RUSH, effectively abandoning the original 1925 silent version of his film. In this documentary short subject, created by The Criterion Collection, Kevin Brownlow and Chaplin biographer and archivist Jeffrey Vance recount the journey of this comic masterpiece.

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In 1942, Charles Chaplin released his definitive sound version of THE GOLD RUSH, effectively abandoning the original 1925 silent version of his film. Filmmakers David Gill and Kevin Brownlow reconstructed the original film in 1993. In this documentary short subject, created by The Criterion Collection, Kevin Brownlow and Chaplin biographer and archivist Jeffrey Vance recount the journey of this comic masterpiece.

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Charlie Chaplin composed most of his own scores, beginning with CITY LIGHTS in 1931. He also returned to his earlier silent films and composed new scores for their rereleases. In this 2012 interview, composer and conductor Timothy Brock discusses Chaplin’s musical achievements, as well as his own work reconstructing and conducting Chaplin’s scores.

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In this visual essay, Charles Chaplin biographer Jeffrey Vance, author of "Chaplin: Genius of the Cinema", draws upon a wealth of photography as well as a wide range of interviews (Paulette Goddard, Sydney Chaplin, Chuck Jones, Leni Riefenstahl, Mel Brooks, Joan Collins et al.) to examine the production history of "The Great Dictator", the film's importance as a satire, and legacy.

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In this 2010 visual essay, Chaplin historian Jeffrey Vance, author of “Chaplin: Genius of the Cinema,” draws from a wealth of production photography to discuss the making of MODERN TIMES.

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In this visual essay, John Bengtson, author of Silent Traces: Discovering Early Hollywood Through the Films of Charlie Chaplin, tours the locations used in Modern Times through photographs, vintage maps, and film clips, revealing what Chaplin's camera captured of the backdrop to the silent era and how things have changed.

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A retrospective look at the career of Paul Robeson and his legacy as both an American and a citizen of the world.

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In this 2010 program, Craig Barron and Ben Burtt, leading experts in the fields of visual and sound effects, respectively, discuss the techniques used and choices made by Charlie Chaplin and his crew on MODERN TIMES.

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In this 2010 visual essay, Chaplin historian Jeffrey Vance, author of “Chaplin: Genius of the Cinema,” draws from a wealth of production photography to discuss the making of MODERN TIMES.

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In this 2010 program, Craig Barron and Ben Burtt, leading experts in the fields of visual and sound effects, respectively, discuss the techniques used and choices made by Charlie Chaplin and his crew on MODERN TIMES.

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New documentary featuring Scorsese, actors Leonardo DiCaprio and Lily Gladstone, author David Grann, Osage Nation Principal Chief Geoffrey Standing Bear, Osage cultural consultant John Williams, editor Thelma Schoonmaker, and other members of the cast and crew

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Documentary illuminating the film’s final shot, featuring Scorsese, Chief Standing Bear, and six members of the Osage Nation

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The following video essay, written and narrated for the Criterion Collection by Peter Bogdanovich biographer Peter Tonguette, considers Moze and Addie’s father-daughter-like relationship, as well as the formal techniques and visual styles informed by it, in PAPER MOON.

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In this program, director Bing Liu, executive producer Gordon Quinn, and producer Diane Quon discuss the conception of Minding the Gap and its evolution. The program features separated interviews that were conducted in 2020.

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Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

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