Henri Alleg

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From the rights of minors before the juvenile court, young offenders from the neighborhoods of eastern Paris, or children of Algerian origin from the shantytowns of Nanterre, to the defense of colonized Kanaks and Polynesians; from the fight for conscientious objector status to the denunciation of torture and the death penalty, lawyer Jean-Jacques de Félice has been involved in every struggle. His pacifism knows no bounds: with organizations like Cimade, LDH, and the Louis-Lecoin Committee, he assists draft dodgers in numerous countries. These include Portuguese conscientious objectors refusing to fight in the wars in Angola and Mozambique, American deserters opposed to the Vietnam War, and Israeli objectors refusing to serve in the Occupied Territories. It is no surprise that, as early as 1971, he was one of the very first lawyers representing the farmers of the Larzac plateau.

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In Algiers, in June 1957, Maurice Audin, a 25-year-old mathematician, was arrested by French paratroopers. His wife, Josette, and their three children never saw him again. This documentary interweaves testimonies from French and Algerian protagonists: activists for Algerian independence, lawyers, historians, and military personnel. Drawing on the research of historian Pierre Vidal-Naquet, it blends archival footage, newspaper articles, books, drawings, and reenactments to reconstruct the context of this disappearance and denounce the torture and murder practiced in Algeria. Josette Audin is the central figure and the moral compass of this film.

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Many of them participated in the struggle for Algerian independence. There are "those who believed in heaven", priests, Christians committed against torture, friends of the "natives", there are "those who did not believe in it", communist activists, students, progressive intellectuals, others remained in this country because they could not imagine living anywhere other than in this land of all passions. They are European and chose to stay in Algeria after independence, most of them opted for Algerian nationality. The film is another vision of the history of Algeria from the end of the fifties to the present day, told by these Europeans filmed at home, or in the context of their activities, illustrated by unpublished archive documents.

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