Nour Mobarak

Through an unconventional narrative structure, Staff’s video cuts together a narration of Heinrich von Kleist’s play The Prince of Homburg with interviews, conversation, found footage, hand painted animation and song. In a series of fragmented ‘daytime’ sequences, a range of artists, writers and performers reflect on contemporary queer and trans identity and its proximity to desire and violence. Intercut with flashes of the sun and sky, city streets and text, subjects include Sarah Schulman, Che Gossett, Macy Rodman and Debra Soshoux. Each of these segments is punctuated by ‘night-time' diversions, narrated by writer Johanna Hedva in the dual role of both narrator and Prince.

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An epic story about a group of American libertarians told in a unique manner, as both an audio performance and an experimental film. The piece features an ensemble cast of 15 actors, each individually recorded and then edited together sentence-by-sentence to create a spoken word experience that activates the power of the mind’s eye. As the drama unfolds, the image slowly transitions from pure black to blinding white throughout the duration of the film.

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February in the French Alps. Vanina likes to hear the chalet’s parquet floor squeaking beneath her bare feet. Vanina likes to coat herself in sunscreen cream in front of the fireplace. Vanina likes the tawny fur of her rabbit. But above all, what Vanina likes is her American babysitter, Mary Jane…

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In April 2008, LRS toured across the USA and met some amazing female noise artists. This is what it is like to be a girl of noise.

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