Ai Ozaki

A poignant moral dilemma unfolding against lush mountainous landscapes, The Albino’s Trees follows Yuku (Ryohei Matsuoka), an animal control hunter who takes on a lucrative job to kill a rare white deer considered to be a god of the forest by a nearby village. Though Yuku initially steps up to the task in order to support his mother’s medical bills, his will begins to falter as he gets to know the villagers and the reasons behind their difficult choice to live as outsiders.

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This is the story about the life and artistic views of a designer through an interview that’s replete with poetic dialogue.

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Kazuomi Nara lost his job due to the bankruptcy of his company and Shiori, his fiancé, is pregnant. Running away from reality, he steals a car and ends up in a field with four strangers, Joe, Marco, Santa and Tokie. An old man who can't ride a bike, a con artist, a virgin and a shop keeper. As confused as he is, Kazuomi decides to stay with these four strangers.

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Seiji works on construction sites. He sympathizes with Hosaka just back from Thailand. Together, they spend their evenings in bars with Thai girls. On a construction site, they meet Takeru, a member of the hip-hop collective of the city.

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Tamotsu is expecting a persimmon to dry and yet he cannot accept that it is time for a man on his deathbed to die. As the persimmon mysteriously, or supernaturally, holds out from drying, so Tamotsu tries his hardest to keep the man alive. Only when Tamotsu has let go can the persimmon take its natural course.

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