Khaled Benaissa

It is during a night in a post-reconstruction world that a masked call rings out. Cheikh Morad Djadja wanders through these non-places in search of an anonymous telecommunication space. This universe with its illusory and oppressive walls, makes us notice the existence of an abstract space-time in which a trans-identity tries to find a place. #31# (appel masqué) is a proposal halfway between documentary, fiction and installation, exploring the hidden meaning of a coded message, this one coming from a literary/musical genre, the raï.

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Mostaganem, 2019. In a few weeks, five teenage girls are found dead on the beach. The bodies all bear the same marks of violence. How to explain these serial murders? Mobilizing her informers and a cop friend, Houria, a seasoned journalist, leads the investigation. And despite the pressure to give up, the young woman is pugnacious. But the decision to continue her investigation at all costs will not be without consequences.

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S is a young soldier in the southern desert of Tunisia. When S learns about his mother’s death, he obtains a week’s leave and goes back home. He will never return to the camp. In his popular neighborhood starts a man hunt after which S eventually escapes through the mountain. Few years later, F, a young woman married to a rich business man who has just settled in a luxurious villa, learns of her pregnancy. One morning, she goes out alone for a walk in the forest. She will never come back.

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Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show.

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Set in 1962 MANDELA’S GUN is a political thriller, based on Mandelas African Odyssey. As Commander-in-Chief of the Liberation Army Umkhonto we Sizwe (the MK) he undergoes military training in Algeria and Ethiopia while surviving assassination attempts and betrayal. In South Africa he is finally arrested with the connivance of the CIA In the crucible of the surging African Liberation Movements of the early 60s not only does he study the art of war but also leadership and political survival. MANDELA’S GUN is a thrilling biopic, supported by eyewitness accounts from Mandelas advisors and comrades.

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During the first euphoric years following independence, two friends, Djaffar and Hamid, are promised a bright future in a free Algeria until one day when betrayal separates them.

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Algeria region of the high flatlands. As Islamist groups continue to spread terror, Rashid, a young Jihadist, leaves the mountains to return to his village. In keeping with the law « of pardon and national harmony », he has to surrender to the police and give up his weapon. He thus receives amnesty and becomes a « repenti ». But the law cannot erase his crimes and for Rachid it's the beginning of a one-way journey of violence, secrets and manipulation.

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The film chronicles the life of Ahmed Zabana, a man who fought for Algerian freedom in the Battle of Algiers. This film chronicles Zabana's fight to free his country to independence, and his death at the hands of French authorities.

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Zineb is a psychiatrist assigned to Rihana, a traumatized and pregnant young woman, who was raised as a son by her dictatorial father. Rihana's story awakens repressed thoughts in Zineb's own mind.

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A young jumps from a cliff. Before leaving forever, his soul pays a visit to his two impossible loves: a woman, and the stage of a concert hall ...

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The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

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Mounir Mekbek lives with his family in a small village in the heart of the Algerian countryside. Very proud and sure of himself, he has only one dream- to finally be appreciated by his fellow villagers. Screwing up his carefully maintained image is his headstrong, narcoleptic sister Rym who falls asleep anywhere and whom the village is convinced will end up a spinster. One evening, Mounir returns from town drunk and announces that he's found a suitor for his sister. The fake story snowballs and snowballs until the suitor morphs into a rich, blonde Australian. The village begins preparing for the wedding in earnest - but without a bridegroom in sight.

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They come from completely different worlds, but over the course of a single day and night, their lives collide. What starts as a clinical relationship slowly turns into something deeper—almost like a shared understanding of the same struggle.

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At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.

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Three young friends—a girl (Asma) and two boys (Fawzi and Ramdane)—bound by a loving friendship, lead a carefree life. The riots of October 1988, the repression, the democratic explosion, and the Islamist drift that followed turn their lives upside down. Fawzi, a journalist involved in the independent press movement, and Ramdane, a doctor sensitive to the concerns of ordinary people, drift apart, separate, and find themselves caught up in a confrontation that is beyond their control. Asma tries in vain to prevent the trio from breaking up... But none of the three emerges unscathed...

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