Tiit Lilleorg

Imagine a mix of Repo Man, Oliver! and Pinocchio and you're on the road to grasping the tone of this bizarre Estonian take on Aleksey Nikolayevich Tolstoy's character Buratino, a wooden boy (or boyus woodenus, as the doctors in the film refer to him). Buratino's virginal mother wishes upon a star for a son and is immediately answered by what can only be called a rape-splinter. The woman gives birth almost immediately to her little wooden Buratino.

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A teenage girl has problems with her family and life when her little brother is born with a heart problem.

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Autumn in Estonia, where six people live, six solitudes, prisoners of the monotonous architecture of Soviet-era concrete buildings, in search of human companionship, of love, of a ray of light in an ocean of gray.

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Liina is a young actress at Vanemuise Theatre who gets Tiina's part in the new, postmodernist version of the play "Werewolf" by August Kitzberg. The theatre is haunted and the rehearsals seem to be cursed, artificial blood becomes real blood. The play won't be complete before the murder mystery is unsolved - and Liina is being taken back to the old theatre legends and intrigues of the past century.

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Hans Wild Duck Gens, an old school industrial spy becomes suicidally jealous when the firm brings in a German performance artist who becomes not only the top agent, but also replaces him in his girlfriend Monika's affections.

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The main character of the film is Paunvere tailor Jorh Adniel Kiir. Two young seamstresses, Juuli and Maali, arrive in Paunvere. At first, Kiir regards them as competitors, but then he establishes friendly relations with them. Kiir marries Juuli, but he is not indifferent to Maali either. The film also follows Kiir's efforts to get his own farm.

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A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love. Ten-year-old boy Jaanus is in love with Eva, a girl a few years older than him, from whom he wants to buy a puppy. The puppy is like an unattainable dream, like a first love. Aare Tilga's debut film is based on Mart Kivastik's short story of the same name and was Tilga's diploma thesis at the Moscow Cinema Institute, supervised by Eldar Ryazanov.

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