Doris Funcke

Jack is pleased with himself for the first time in years. He has decided to stop fucking anything with a pulse and also to cut back on his eager and enthusiastic drug use. Then his best friend crashes into a moose in the middle of the night on the Swedish border. He is found with a hoof buried in his forehead and 2.5 kilos of cocaine in the trunk. Over the next 24 hours, Jack loses his house, his girlfriend leaves him and takes their daughter with her. And as he is about to find out: when you think you have hit rock bottom, it can always get worse.

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Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart’s 'Requiem' at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves to be a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity.

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Johan works in tandem with the GSI organized crime unit to bring in a cadre of armored car robbers

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Tuva's father is a psychologist and her mother is mentally ill. Tuva flies to the imaginary friends from one of her dad's porn videos.

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It's the early 1950s and Sparvöga's father has lost his job and is suffering from tuberculosis. The whole family is forced to move back in with his parents but for Sparvöga this is the beginning of a great adventure.

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A bunch of homeless people becomes interested in a rehab facility for alcoholics, run by a religious foundation. They think it will be an easy and comfortable stay/cure to sober up and get fat. But they don't know what they are getting themselves into. The staff at the foundation are very eager to treat the newcomers.

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Pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he stays in the cellist's house for a few days. He doesn't manage to get an interview with the man, but by talking to all the women who live with him, he comes to learn a lot about the musician's private life none the less. Cornelius then decides to use this information to blackmail the cellist into performing a composition that he, Cornelius, has written.

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