Hilde Ziegler

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Geneva, 1980s. Three friends in search of themselves. Bruno, an architect, is married to a woman he cannot simply love. Philippe, a more refined journalist, refuses to accept the reality of separating from his girlfriend Sonia. Bruno, the youngest of the three, collects one-night stands...

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At the heart of the film is the partner selection institute Duogena, which—very progressive for its time—not only works with computers but also uses video technology: as a visual calling card, a video portrait is recorded of each client in the Duogena studio. The task of 40-year-old bachelor Felix Stamm as a Duogena employee is to grapple with the catalogued heart's desires and to coach clients so that they present their quirks and idiosyncrasies, their concerns and wishes to the camera in as positive a light as possible.

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This romantic drama follows two policemen whose job is to investigate the lives of foreigners who have applied for Swiss citizenship. Among the applicants they must screen are a French psychiatrist and his wife, and a ballet dancer. The married couple are quickly accepted, but the dancer's life offers some objections. However, since the younger policeman has fallen in love with her, there is a chance that she, too, will win Swiss citizenship.

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On February 4, 1936, Wilhelm Gustloff, leader of the NSDAP, was shot dead in Davos. His assassin, 27-year-old David Frankfurter, wanted to use the action to highlight the persecution of the Jews. This docudrama describes with great precision the events leading up to the fateful day and the trial that followed. The film was selected as the Swiss entry for the Best Foreign Language Film at the 48th Academy Awards, but was not nominated.

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TV-Movie from Rainer Erler

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Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

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