Itziar Aizpuru

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17-year-old Ainara is a student at a Catholic secondary school, and is about to take her final year exams and choose her future university course. To everyone’s surprise, this brilliant young girl announces to her family that she wants to take part in an induction period at a convent in order to embrace the religious life. Nobody was expecting this. While her father seems to be won over by his daughter’s aspirations, for Maite, Ainara’s aunt, this unexpected vocation is the manifestation of a deeper problem.

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After breaking up with his partner, 76 year-old Vicente leads life the way he likes it in Maspalomas: he spends his days lying in the sun, partying, and looking for pleasure. An unexpected accident obliges him to return to San Sebastián and to the daughter he abandoned years ago. Vicente will have to live in a retirement home where he finds himself driven back into the closet and to conceal a part of himself that he thought was long resolved. In this new environment, Vicente must ask himself if he has enough time left to make his peace with others… and with himself.

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Pablo decides to get off the train at the station of a small town, buy an old and ramshackle apartment in front of the tracks and start living as if he were not the renowned architect he really is. Maybe he is running away from someone, or something, or even himself. In the village everything seems stagnant except Raluca, an optimistic woman open to surprises that can change your life for the better. She decided to trust her luck, even if life does not always present its best face.

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A blue collar worker finds an opportunity after a labor dispute breaks out at her paper mill.

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After two parents report that their 12-year-old daughter Asunta is missing, the investigation soon turns against them.

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Javier skips Christmas eve family dinner for a date made on a kinky dating app. Instead of a romp with a nubile young woman, he is held captive by a depraved middle aged man and his mean-spirited cookie craving mother.

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Cristóbal Balenciaga makes his debut as a designer in Paris, but the designs that set a trend in Spain don't work well in the sophisticated empire of fashion where Chanel, Dior, and Givenchy set the trends. Guided by his obsession with control in all aspects of his life, Balenciaga will define his style and end up becoming the greatest of all.

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Summer of 1976. Bea is 16 years old and she collaborates with a group of women to make visible the feminist cause and achieve the approval of the right to abortion. The rebellion she feels in the blood will mix with an unexpected feeling that will disrupt her the inner world. Throughout these months, Bea will engage in a very special friendship with Miren, older than her. Her political commitment and her relationship with Miren will turn that summer into a stage that will mark her life forever.

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Madrid, summer of 2010. Commissioner María Ruiz investigates the sinister crime of a young man. With no visible identity and no clues or apparent motive, María will begin an investigation that will become more and more complicated.

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Mikel is a Basque who hates "what is Basque" and decides to emigrate to Argentina, with the misfortune that he arrives in a community of Basque descendants from the interior of the country who live the traditions of their ancestors with great passion and who organize life in around his Basque club.

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Past years full of resentment, unhealed wounds and unrequited affection. With covid-19 and lockdown as the enemy at the doors, María Luisa and Mai, mother and daughter, will spend a whole night together.

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When her grandfather unexpectedly dies, Ane is forced to leave the big city and return to her hometown. Her homecoming leads to a tense reencounter with the women in her family that takes a bizarre turn when she becomes suspicious of the funeral parlour's actions.

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Inspector Amaia Salazar confronts the origins of her nightmares as she unfolds the darkest secrets of the Baztan valley. Part 3 in the Baztan Trilogy.

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Inspector Amaia Salazar must return to the Baztan valley in order to solve a series of suicides that seem to follow a similar pattern.

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After a period of time without seeing his mother, Anjel Mari decides to bite the bullet and go and visit her at the nursing home to which she has been admitted. He doesn’t like seeing how his mother has disappeared under the skin of a senile old woman who does not recognise her own children.

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Vitoria-Gasteiz, Basque Country, Spain, 2019. Two corpses appear in the crypt of the Old Cathedral. Police officer Unai López de Ayala, an expert in criminal profiling, must hunt down the ritual murderer who has been terrorizing the city for two decades.

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Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.

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Maria wants to make her deceased mother's last wish come true. Nevertheless, in her family, nobody supports her.

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Agus Barandiaran, ambassador of traditional Basque music and dance all over the world, is confronted with the worst thing that can happen to a Basque person: the demolition of his 1540 baserri (family farmhouse) to make way for a new road. Agus must fight the circumstances to try and protect his roots, because in the Basque culture "etxea" means much more than four walls. Basque Selfie is a sad but edifying story articulated around tradition, the tradition of keeping the signs of one’s own identity alive.

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When the elderly caretaker of a remote morgue discovers the body of a young woman killed during a protest, he embarks on a magical odyssey to give her a proper burial before the militia returns.

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A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.

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When the naked body of a teenage girl is found on the banks of the River Baztán, it is quickly linked to a similar murder one month before. Soon, rumours are flying in the nearby village of Elizondo. Is this the work of a ritualistic killer or is it the basajaun, the ‘invisible guardian’ of Basque mythology? Inspector Amaia Salazar leads the investigation, taking her back to the heart of the Basque country where she was born, and where she hoped never to return. Shrouded in mist and surrounded by impenetrable forests, it is a place of unresolved conflicts and a terrible secret from Amaia’s childhood that will come back to haunt her. Faced with the superstitions of the village, Amaia must fight the demons of her past to confront the reality of a serial killer on the loose. But as she is drawn deeper into the investigation, she feels the presence of something darker lurking in the shadows…

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Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.

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Every day, at the same time, Antonio and Santi have a strange conversation. Three women are witness to it.

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The strong friendship between three friends is to be tested at the moment they learn that an old childhood companion has died and has left them his entire estate. To get it they must participate in a pre-planned wager devised by the deceased. This results in a mad spiral of competitiveness that will make the lives of the protagonists transformed forever.

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Is it possible to live aside of the system, thinking only about the present and oneself? A feature film about Manuel Vázquez, the best comic book author in Barcelona during the sixties, but, mainly, a man with a very particular way of living his life.

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Axun, a 70 year old woman, is called from the hospital to take care of her daughter's ex-husband, who was seriously injured in a car accident. To her surprise, the woman who takes care of the other patient in the same hospital room turns out to be Maite, her best friend when teenagers. They have not seen each other for more than 50 years. The hospital visits will show that the close relationship they had when teenagers is still alive. Their relationship was very special fifty years ago but nowadays the same feelings flourish. Where is the thin line that separates friendship from desire?

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