Aleksei Balabanov

One of the last conversations with a popular director, excerpts from printed interviews over the years and, most importantly, Balabanov's personal diaries.

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A documentary film dedicated to Alexei Balabanov and his latest film "I also want to".

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The film “We Others Will Not” emerged as a direct continuation of numerous meetings and conversations with Sergei Bodrov Jr. and Alexei Balabanov. The idea to reflect again on the phenomenon of Sergei Bodrov Jr.’s identity belongs to Evgeniy Nikishov and Valeriy Fedorovich. Together we decided to go on this difficult journey. Close friends and colleagues talk about Sergei: the producer Sergei Selyanov, the designer Nadezhda Vasilyeva, the composer Vyacheslav Butusov, the cinematographer Sergei Astakhov, and also… Sergei Bodrov Jr. and the director Alexei Balabanov, whose films “Brother” and “Brother 2” acquired popular fame at the threshold of the 2000s.

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A nostalgic look at the birth and death of arthouse film distribution in Russia in the early 2000s. The story of the company Cinema Without Borders and its two founders, Sam Klebanov and Anton Mazurov.

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Five passengers - the Bandit, his friend Matvei, Matvei's old father, the Musician, and a young woman - race along an empty road in a big black jeep, searching for the Belfry of Happiness which, according to hearsay, lies somewhere between St. Petersburg and the town of Uglich, near a deserted nuclear power station. The Belfry takes people, but it does not take everyone. Each of the five passengers believes that he or she will be chosen.

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Documentary film with comments by Sergey Bodrov, Viktor Sukhorukov, Alexey Balabanov, Sergey Astakhov, Sergey Selyanov about the shooting of the famous film "Brother 2".

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Almanac of five short stories commissioned by ROSKOMKINO to celebrate the 100th anniversary of cinema.

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One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

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Five passengers - the Bandit, his friend Matvei, Matvei's old father, the Musician, and a young woman - race along an empty road in a big black jeep, searching for the Belfry of Happiness which, according to hearsay, lies somewhere between St. Petersburg and the town of Uglich, near a deserted nuclear power station. The Belfry takes people, but it does not take everyone. Each of the five passengers believes that he or she will be chosen.

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A shell-shocked Afghanistan war hero named Ivan Skryabin (Mikhail Skryabin) spends his days stoking the fire in a giant coal furnace. When he isn’t tending the flames, he keeps busy with other activities. He works on a historical novel. His adult daughter Sasha (Aida Tumutova) comes to visit. Local kids come to gaze at the flames. Gangsters, including a former Army sergeant (Aleksandr Mosin) and a sniper known as Bison (Yuri Matveyev), drop by to add special kindling to the fire.

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While returning to Leningrad from a visit to his brother, Professor Artyom's car breaks down and he finds assistance at an isolated farmhouse occupied by Alexey, his wife, a Vietnamese laborer, and a stranger who wanders around the farm. When his car is repaired, Artyom leaves, drunk on moonshine, and students Valera and Angelika arrive. After Valera gets drunk, the stranger abducts Angelika.

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Three friends are in the entrance of a luxury home in the heart of the city. They are young, full of strength and energy, they have the talent, skill and thirst for life and ... - well, they have all but one. But money...

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Sergei and Simon have to deliver a suitcase full of heroin to Mikhalych or else they will be killed. There is one minor detail: the only problem-solving technique they are familiar with is a shot in the head.

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During the bloody war in Chechnya, a British couple and two Russian soldiers are taken hostage by Chechen rebels. Two of the hostages are then released to bring the money for the British woman who is forced to wait for the ransom.

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The end of the 19th century. A tiny colony of lepers in the isolated Yakut taiga. A healthy girl, brought there by chance, falls in love with one of the young male lepers. Soon she is bearing his child. His wife suddenly arrives from the outside world and tragedy ensues within this strange love triangle.

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Arriving in Moscow, Chechen War veteran Danila meets Konstantin, an old friend who tells him that his twin brother has been forced into signing a crooked contract with a US ice hockey team. Soon after this meeting, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.

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St. Petersburg, early 20th century. The handsome and secretive Johann specializes in shooting erotic pictures depicting the floggings of bare-bottomed women. With the help of his assistants, the photographic creations gradually penetrate the peaceful households of two upper-class Russian families.

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Danila goes to his successful brother, Victor, in Petersburg to start a new life. Unknown to Danila, Victor is a contract killer, but is in hiding after asking for too much money to assassinate a Chechen mob boss. To avoid exposure, Victor convinces Danila to kill the boss instead.

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Almanac of five short stories commissioned by ROSKOMKINO to celebrate the 100th anniversary of cinema.

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In Russia, in 1907, a rich lenient husband of a loose unfaithful woman is brutally murdered. She and her two lovers are suspects, but what about the stranger she met just before the murder? With no friends left, she and the stranger bond.

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A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century…

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Closely based on Franz Kafka's book "Das Schloß", the movie shares the same action on a land surveyor who is called to a village to do a job that no one seems to have ordered. Once there, he takes up the struggle against bureaucracy emanating from the castle.

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After being released from a St. Petersburg hospital with a head injury, a nameless protagonist wanders through a desolate, crumbling city in search of a place to stay. As he struggles to reconstruct his identity and find a sense of belonging, he roams the bleak streets and is befriended by an eccentric beggar with a donkey and a slightly deranged prostitute.

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The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors.

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Short feature film, filmed in 1988. One of the first works of the film director Alexei Balabanov, at that time an assistant at the Sverdlovsk Film Studio. The film is a course work, filmed while studying at the Higher Courses of Scriptwriters and Directors; the materials of the film became the basis for the thesis work of the director, the film "Nastya and Egor" (1989).

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The story unfolding during one day, tells about the male vileness and ever-hard female share ... The action takes place against the background of the first hits of the young group "Nautilus Pompilius" ...

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