Karel Mareš

Two aspiring car racers have a big dream: they want to make a journey to the heart of Africa. But their value system is severely skewed, and one of them is willing to steal to do it. What's more, he causes a car accident, from which he tries to escape, and ends up in prison.

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The story takes place in a retirement home and creates a mosaic of the lives of old people who are trying to find a relationship with themselves and with life in these specific conditions. Each of its residents has a distinctive approach to life and its basic values. The most interesting features of the title, which is marked by a visibly cold production approach, are the worthy performances of the actors of the older generation. Some of them appeared in front of the camera after many years and unfortunately for the last time.

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Autumn 1944. A doctor is accused in the collaboration with the Nazis and found guilty...

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Twenty-year-old Karel is expelled from Bata's school of work and has no choice but to make his way in his uncle Kubát's publishing business at any cost. A very drastic adaptation of the draft has fundamentally changed the whole story, which is also set in a completely different historical context. The result was a schematic and tepidly propagandistic poster.

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After five years of hard work in America Juraj Hordubal (Anatoliy Kuznetsov) returns back home. He is looking forward to his wife Polana (Libuse Geprtová) and his little daughter Hafie. The family and the village welcome him with hesitation. Everybody believed that Juraj died in America because Polana stopped receiving money from him already two years ago. Polana's farm was prospering first of all thanks to the young stable boy Stepán (Sándor Oszter). Men in the pub first indicate and then say to Juraj directly that Polana has been unfaithful to him with Stepán.

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At the beginning is a suicide attempt by sculptor Jiří Malek, which is foiled by a thief hidden in his apartment. Malek is thirty-five, divorced, caring for his five-year-old son, and the reason he turned on the gas in his studio is, of course, his wife. Mr. Karas, who takes care of Málka's household, tries to get rid of his gloomy mood by using alcohol. But after Jiří insults the old man and they break up badly, Málka's older brother Oldřich decides to find a woman who would be a good wife to Jiří, a mother to little Martin and a good friend to him. She should be pretty, intelligent, understanding, love children and be able to cook, wash and clean. To avoid any mistake, Oldrich will draw up a test, the results of which should decide. Without suspecting that he is undergoing an important test, a number of potential sisters-in-law find themselves in the studio - Edita, a radio editor, Martina, a nurse, Pavla, a student, and others...

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An aging street stuntman plans new equipment to make his motorcycle stunts even more impressive, but his daughter wants to end his nomadic life in a camper van.

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Two gentlemen, Jack Worthing and Algernon Moncrieff, have a brilliant plan! To spice up their quiet country life and bring some excitement into it, they invent a person they absolutely must travel to. Jack creates an imaginary brother, Philip, who he uses as an excuse to travel to London to see the lovely Gwendoline. Algernon, on the other hand, has an imaginary friend, Banbury, who is constantly ill and must urgently visit him at his hospital bed. Everything starts to fall apart when Moncrieff starts calling himself Philip after visiting Worthing's young protégé, Cecilia, at her country estate. When the two gentlemen find themselves under the same roof together - it's time to discover how important it is to have Philip!

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A 50-year-old foreign trade executive meets a 20-year-old student at a trade fair in Brno. The relationship triggers confrontational memories of his own youth and ideals...

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It doesn't help to have an exacerbated situation like a family losing their only son - killed in a motorcycle accident. His parents, however, don't know the girl who survived, now being treated at a local hospital. Especially the honest and principled father, presented as a model worker and responsible official, cannot come to terms with her superficiality and carelessness, with her dubious life values...

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A VB officer regulates the arrival of fans at Sparta. He'd like to go too, but there are more fans in their ranks and they have to rotate duty. So he just asks for the scores of everyone he knows in the street and elsewhere. He visits a pub, chats with the barmaid and invites her to watch the end of the game right on the pitch, by then he'll be off duty. But on his next errand, he is stopped by a frantic father whose wife has just given birth...

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The film from 1976, a film that is exemplary in its devotion to the canons of normalised cinema, is the work of director Stanislav Strnad. He brought to life the script of an unusual author - the secretary of the SČDU, Arno Kraus - in this psychological drama. The protagonist of the story also has his cadre materials in order according to the requirements of the time - he is a worker director Kabát, who besides problems at the workplace also copes successfully with difficulties in his private life - a break-up with his wife.

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After a few months at the spa, 14-year-old Pavel discovers that his love, his classmate Zuzana, has outgrown him. In addition, she has found a new boy classmate, who is nicknamed Eifelák because of his height. This is a big shock for Pavel and like a proper teenager he is very worried, he invents blood feuds which usually turn against him, in short he is completely distraught. His problems and suffering are understood more by his grandfather than by his busy parents. But the right patch for the wound is found in the form of another girl whom Pavel meets by chance and who is very special...

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It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.

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Petr, a printing apprentice, goes to a cottage with his classmate Hanka to learn more about technology. However, Hanka has other ideas about how to spend their time at the cottage. Petr breaks up with Hanka and on his way back from the cottage he meets a young woman who offers him a ride to Prague. Jana has just run away from her cottage to escape her husband and his friends. A pure relationship develops between this couple, despite their age and social differences. In his naivety, Petr wants to introduce Jana to his parents as his bride. However, he learns that she is married to Honza...

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The plethora of heroines living in the makeshift former Women's Homes share one feature - they mostly feel lonely. Some of them got used to this state and resigned, others still believe in a happier future...

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