Corrado Alvaro

This is the sad story of several desperate ladies incarcerated somewhere in Italy in a camp for displaced women after the end of World War II. Among them, Anna, a Yugoslav, who has seen her husband killed in Trieste by political enemies. She is pregnant and her one and only aim right now is her baby to be born. Janka, a beautiful Polish girl who has lost her mind, is reunited with the physician who sent her to a brothel for Nazi officers. As for Yvonne, a light-hearted French woman, she is prepared to do anything to leave the place, including to marry out with an Albanese ice cream man, despite his unappetizing looks. At least,she will stop being a woman without a name.

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The title of this Italian melodrama translates to Pact with the Devil. However, His Satanic Majesty does not appear in the film. Rather, this expensively produced period piece is more along the lines of Romeo and Juliet, with young love threatened by warring families. In his first Italian film, Hollywood veteran Eduardo Cianelli goes through his usual villainous paces as the scheming father of the male lead (Jacques Francois). The most fascinating performance is rendered by Umberto Spadaro, as the village idiot, or is he? Patto col Diavolo makes the most of the visual dynamics of Italy's mountainous Calabrian region.

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Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

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This melodrama was directed by an émigré Russian from a story by Corrado Alvaro and Emanuele Caracciolo. The latter was murdered by the Nazis in the Fosse Ardeatine massacre, before the film’s post-war release. Featuring Miranda and Girotti prior to neo-realist stardom.

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After having been captured in a Crimea during a failed attempt to flee overseas, Leo returns in Petersburg for Kira.

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At 18, the beautiful and intelligent Kira comes to Petersburg as the Communists consolidate power. She rebuffs a cousin who rises in the Party and may remember the slight. She falls in love with Leo, the son of an aristocrat, who gets into political trouble and never gets out.

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At a hotel in San Remo, a maharaja living in exile thinks he sees the reincarnation of his dead wife in the pianist Mira and thinks the best way to deal with it is to hit up on the poor girl. Mira, however, has a thing for the violinist Stefan and doesn’t quite know how to deal with the maharaja’s insistence that she become his fiancée. In the end, Mira returns to Stefan and the maharaja returns to his country after his exile is lifted.

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Based on the comedy Il successo by Alfredo Testoni.

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A story of the romance of Maria Baschkirtzeff and Guy de Maupassant beginning with their first meeting leading to other meetings and the development of their ill-fated romance.

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