Levon Haftvan

An old man living with his only daughter tries to keep her close to him by any means, although she is married. With longing for what was, the daughter becomes attached to the one thing she has left of her deceased mother, a horse. Jealous of her affections, the old and stubborn patriarch sets the horse free, leading to his daughter’s despair... This evocative and at times frightening power game is about isolation, vulnerability and how we can become too dependent on those we love.

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An Alzheimer's patient is checked into a long-term care facility while he believes his wife to be missing.

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The film introduces us to a father and his son; the older man is obese, unwell, and oppressive in his dealings with the younger, who is also deaf and mute. A series of cryptic, spellbinding episodes reveals a tyrannical paternalism at work that has long since hardened into a closed circuit of mutual pain. Enter a mysterious and beautiful woman of unspecified identity, who becomes an agent of change, embodying both an evolved consciousness and the power of the female as a rebuke to bankrupt patriarchy.

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Parviz has as its increasingly horrifying anti-hero the 50-year-old hulk of a passive-aggressive bachelor son (theater director/activist Haftvan), whose free ride in life screeches to a halt when his miserly widowed father forms a plan to remarry.

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We follow a young man reflecting on his life in this thought-provoking tale of childhood. Forced to flee the devastated village of Abadan with his family at the beginning of the war, the young man returns years later. As he surveys the ruins of his former homestead, he remembers how his family adapted to a new life, his boyhood escapades, and his first love. An elegant account of how war affects the lives of children, this drama is a must see.

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