Anja Breien

Through conversations with an array of Norwegian writers, filmmakers, psychiatrists, artists and more, Izquierdo investigates the impact of both the film and novel Sult by Knut Hamsun on generations of Norwegian culture and artistic practice, while exploring how it could speak about what it means to be an artist today.

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Director/actor Eugenio Barba returns to Oslo, where he started Odin Teatret, to Opole, where Jerzy Grotowsky's " theatre of the poor" developed a new physical play style, to avoid communism's censorship. And to Holstebro, where Odin Teatrets presence has greatly influenced the city's development.

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Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

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A surveillance radar is to be placed at the Norwegian coastline. Three soldiers volunteer to guard it, but only so that they can have a party afterwards.

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Brothers Ola and Jon waiting for his father's new boat to go out fishing for herring. The father has invested a lot of money in the boat and is hoping for the big catch, but Ola is heartbroken and goes on a drinking binge.

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Gaining unprecedented access to the heart of the Yezidi community, this revealing documentary unveils the ways of a Kurdish religious minority that has traditionally been surrounded by mystery. The elusive portrait of a world that seems to exist and survive outside the boundaries of time, abiding by its own set of eternal rules. A breathtaking journey into the soul at a population remorselessly hunted and persecuted that urges us to take a distance from our established viewpoint.

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A poetic film about a cruel theme, told in a way that doesn't make the spectators close their eyes.

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A man covers his head with several headscarfs, one by one... .

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This mellow comedy is the third entry in filmmaker Anja Breien's "Wives" series and stars the same three actresses who appeared in the first two. This episodic film begins with flashbacks to the 1975 film Wives and scenes from 1985's Wives: Ten Years Later. Now ten more years have passed and they are comfortably ensconced in middle age. They have gathered to hold a surprise birthday for Kaja aboard an Oslo streetcar. The three haven't seen each other in ages and much of the story focuses on their discussions of their disparate lives. Every word, smile and tear they share affirms the depth of their lasting friendship.

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Maren, a young girl, is the sole survivor of the Black Death in her Norwegian village. Using instincts, folklore, luck, and the clairvoyant powers granted her by being born with a "Victory Cap," Maren survives on her own, waiting for other people to discover her plight.

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Jan Strøm has always been popular with women and is used to getting what he wants. But one day he is drawn into dramatic events beyond his control, and suddenly finds himself at a crossroads in his life.

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Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

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The young Oslo lawyer Helen sees a man fall from a balcony, and realizes afterwards it's her father. Suicide or murder?

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The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

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Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.

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Arvid falls in love with Lydia but puts the budding romance on hold to pursue a career and material wealth. Lydia is willing to wait for Arvid, until her father dies, leaving her finances in a dire state.

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Following a drunken school reunion, Mie, Kaja and Heidrun, three school friends now in their 30s, realize how they're dominated by their husbands’ needs and demands. Aching for a taste of freedom, the trio go off on a spree.

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It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.

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The film is based on a legend that goes back to 1349, when the black plague reached Norway after ravaging in Europe. Legend of a little girl, the sole survivor plague in the isolated mountain village Justedalen. The girl closely linked to nature and becomes like a wild bird, says the legend.

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