Josephine Baker

Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of black women in the United States.

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The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

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A storm of Modernism swept through the art worlds of the West in the early decades of the twentieth century, uprooting centuries of tradition. The epicenter of this storm was Paris, France. For an incandescent moment from 1905 to 1930, Paris was the magnetic center for radical innovation and experiment, and the Mecca for creative talents who would change the course of art throughout the Western world.

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The story of the big names that have shaped the musical genres, plus an occasional stopgap for the new rock 'n' roll - comedy.

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Performances of the greatest exotic dancers are collected here for the first time, from Little Egypt in 1893 to the great striptease headliners of the golden age of Burlesque.

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A star-studded tribute (from the creators of That's Entertainment) to the contributions of Afro-Americans in film over the last century. Vanessa Williams traces the struggles and triumphs of the superstars of music and film. Among the many artists featured are: Whitney Houston, Ella Fitzgerald, Sammy Davis Jr., Diana Ross, Michael Jackson, Cab Calloway, Bill "Bojangles" Robinson, Ella Fitzgerald, and Little Richard, Also included are today's contemporary superstars: Snoop Dogg, Ice T, Quincy Jones, Spike Lee, Russell Simmons, and many, more! 80 minutes plus DVD bonus features.

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From world-renowned performer of the Jazz Age, to WWII spy, to civil rights activist – a look into the iconic life and legacy of Josephine Baker, narrated by Arsenio Hall, including rare archive footage, and interviews with Debbie Allen, Lynn Whitfield (who portrayed Baker in The Josephine Baker Story), and two of Baker’s sons.

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The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.

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Women (many of them lesbian) artists, writers, photographers, designers, and adventurers settled in Paris between the wars. They embraced France, some developed an ex-pat culture, and most cherished a way of life quite different than the one left behind.

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Intimate Portrait is a biographical television series on the Lifetime Television cable network focusing on different celebrities, which includes interviews with each subject. Among the people profiled were Grace Kelly, Natalie Wood, Carly Simon, Jackie Kennedy, Katharine Hepburn, Carol Burnett, Tanya Tucker, and Marla Maples.

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The story of Josephine Baker takes us on a fascinating tour of 20th-century race relations on both sides of the Atlantic, yet it leads to no conclusion, and black girls in search of a role-model tend to look elsewhere. Part of her appeal is her startlingly unique appearance. Simply nobody has ever looked or acted like her. She fits no black stereotype. Nor does she look like any recognizable strain of Afro-American. I'd always heard she was half-white, but it seems that her paternity is unknown, and her contradictory claims on the subject don't do much to enlighten us. (We are tempted to imagine quite an exotic mix.) Her origins in sharply-segregated St. Louis, where she is said to have witnessed a lynching, do not seem to have left her embittered. Perhaps she had too much to give. There is a special innocence about that smile, and when she performs her cross-eyed gag, we are lifted into a strange pixie-world, all its own.

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Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.

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Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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A painter gives his daughter a television set for her 18th birthday. On the evening of the party, the family sits in the living room and watches a series of variety shows taken from the sets of theatrical performances and various films recited by the famous Totò,

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"Ten on Every Finger" (German: "An jedem Finger zehn") is a 1954 West German musical comedy film directed by Erik Ode. The story centers on a revue dancer named Margit Rameau, played by Germaine Damar, who falls in love with composer Bert Martin, portrayed by Erich Auer, but their romance is hindered by misunderstandings and busy schedules until they reunite during a local revue performance. The film is structured as a musical revue featuring numerous guest stars performing as themselves, including Josephine Baker in her final on-screen film role, Hans Albers, and Kenneth Spencer

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A poor wretch, who has just been hired as a music-hall artist, in spite of himself becomes the tenant of a particular Parisian building.

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Cabaret star Zazu intervenes when young lovers are sundered by their parents' feud.

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