Jean-Claude Vannier

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

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Paul, a former insurer, is struggling to make ends meet. He agrees to meet Sarrebry, a loan shark introduced to him by his friend Daubelle. Paul mortally knocks out the disgusting crook and steals a large sum of money from him.

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A movie director does a new film against heroin consumption, and the producers are heroin dealers.

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After Coralie was found dead in a vacant lot, her mother Catherine - who thinks that her daughter was murdered - conducts her own investigation.

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Eric and Ramzy are working as window washers at the Montparnasse skyscraper in Paris. Thinking that he has a date set up with beautiful executive Marie-Joelle (who in reality hates his guts), Ramzy stays at work late while Eric hangs around with him. As a result, the pair witness a gang of terrorists seize the tower and take its late-night occupants (including Marie- Joelle) hostage. Knowing that only they can save the day, Eric and Ramzy swing into action.

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One hot summer's day in a little french town, a building worker accidentally finds the skeleton of a newborn baby and calls the police. Detective Jacques Deveure (Vincent Winterhalter) is placed in charge of the investigation. His investigation uncovers evidence of numerous shady dealings, revealing a strange underbelly of the private lives of a cadre of people including Grandier (Francois Berleand) and Blandine Piancet (Audrey Tautou). This multi-layered story continually unveils new twists and turns.

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No one knows, or is ever likely to know how many disabled or handicapped relatives have been hidden from the outside world in attics and basements over the years. In this wry comedy, Basile is an eleven-year old boy living in a rural French town (along with his mother) with his grandparents. He has the usual boyish adventures in town, punctuated with odd goings-on brought about by events which take place in his grandfather's crocodile farm. However, there is a deep rivalry between his grandmother and her wheelchair-bound half-sister, Cecile, who has kept hidden from the world (and her family), and has lived in the attic for decades. Basile eventually feels the wrongness of her situation and feels that he may be the reincarnation of Victor, Cecile's long-lost lover. Eventually things come to a head in a confrontation which provides the town gossips with material for years to come.

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A philosophizing uninvited hitchhiker terrorizes a writer, who's selling dictionaries while he's struggling with writer's block.

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Adrien does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them.

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In this creatively organized story of one "delinquent," director Patrick Chaput has put together a well-paced drama/thriller set in part against the dark by-ways of Paris. Seventeen-year-old Daniel grew up in foster homes in a rural area and those years contrast with his later youth in Paris. A filmmaker opts to interview Daniel for a documentary on delinquency, and that is how the young man's past and precarious present start coming to light.

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Playwright Charles Watson entertains his niece Lily by telling her about the adventures of Philibert.Both these people have something to do with Philibert.

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Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

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Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.

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Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

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This variety show, with its new concept, is presented as a musical comedy. Having formed an orchestra, a group of young people perform in the courtyards of an old Parisian neighborhood, hoping to earn some money. But no one listens to them. All the tenants of the building are glued to their television sets. Only one mysterious man takes an interest in the group and offers them a box of magic matches.

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To replace Hector Grofenol, the tyrannical boss of the "Tout pour le camping" factory, who has been put out of action, a group of employees call on his cousin Achille, a Provençal shepherd, thinking they can use him. But Achille is quick to take his role as CEO seriously, and becomes very enterprising. Fortunately, young secretary Martine uses her charms to calm this man with a thirst for power.

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Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know Jane, the rich daughter of an ambassador. Once in Orly Airport he gets seriously wounded by the men of French drug kingpin Henri Emery. He manages to escape them though and takes refuge at Jane's. Passion sets in between the killer and the young lady. As of then, sex will be intertwined with blood and death. For better or worse...

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