Gonzalo García-Pelayo

Pilar sets out on a journey from the capital to the center of Buenos Aires Province. During her search, she must deal with the past through the insistent audios of a man.

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Eloísa is an employee at a sweater store, but her passion is visiting the stable run by her friend Julio. Her life is transformed after the departure of her sister, who leaves her daughter Mora in her care. This way, Eloísa will enter her niece’s unknown children’s world.

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Pablo makes a living writing the daily horoscope predictions. He does his job quietly and diligently, and seems like an ordinary guy. But what no one knows is that when he gets home, he has an exuberant and complicated polyamorous life.

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José Celestino Campusano is preparing a new film. To do so, he summons a group of men including Vikingo, his usual actor. The four of them reflect on their origins, violence and cinema.

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Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

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Santiago and Amelia Luisa share life in their marriage and also the responsibility of running a nail salon. The daily life of the salon (and of the couple) will be strangely shaken when a new client asks for manicure services.

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Damiana is a married couple who, on a visit to Cambodia, are shaken by the revelation that the woman (Laura Nevole), sick with terminal cancer, makes to her husband (Juan José Vidal): she She lived in that country in the past, fell in love with a Khmer and had a child with him, something that her current partner was completely unaware of.

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Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

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The actors, actresses, characters and horses that star in this film configure unexplored territory, perhaps that undetermined space in which the city of Jerez builds a new image for flamenco.

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An unconventional cinematic work in which, through many narrative layers that intertwine, the director offers us a very particular view on a subject that is still taboo in society and arts.

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Dario, Zoe and Asia form a united, open and polygamous family. Asia was in India in her youth, and she has convinced Zoe and Darío to travel to that country together, as was once done on the well-known hippie trail. Each character will find a reason for being in this initiative journey.

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Silvia, 34, who lived in Kerala with her family, returns to what was her home. On this trip to India she is accompanied by her friend Cristina, 21, and her little daughter Lucía. Silvia has become Cristina's life teacher, who feels a special fascination for her mentor. During her journey, Silvia will teach Cristina aspects of the Hindu culture and will guide her and answer the many questions that she asks of her because of her youth. Silvia feels that this relationship is the same one she had with Ana, a woman who taught her how to live, but that she abandoned her when she met another person after the tsunami that hit Kerala. For Silvia, who is rooted in Hindu culture, this experience with Silvia is part of the wheel of life, where what dies is always reborn.

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A film director sets out on a road trip to scout locations for her next film. An admirer of Resnais and experimental cinema, she tries to create a story in which her own story is mixed with that of a singer with whom she had a relationship in the past.

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After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

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"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

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Javier has heard of El Pelícano, an old industrial warehouse corralón in the center of Seville, in which a diverse group of artists, musicians, painters and craftsmen interrelate forming a free, fruitful and luminous community. In this "world apart" live peculiar characters such as El Canijo de Jerez, Pepe Ortega, Orlando, La Chocolata, Chipi, José Guapachá, Miriam y Rorro, Marta, Perpetuo, Jeri, Ana and many others, whom we will get to know in a Tour through the alleys of this popular space where Art looks for you and finds you.

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Making-of of an explicit film in which the plot is intertwined and confused with what happens behind the scenes.

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The movie is a road movie where Triana's spirit is recalled across his friends, musicians, managers and admirers. The success of the band was mixing the magic of Rock Music with the deep musical roots of Andalusia. Gonzalo García-Pelayo,the director, and his brother Javier, friend, discoverer and manager of TRIANA, have created this cinematographic project with the intention of honoring the mythical band. Their original songs will be use used as background to represent the spirit of 40 years ago when freedom and music were an important way of life.

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Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.

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Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

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A house, a family reunion that is celebrated on the occasion of an important event. Within this context, a group of girls play, dance, laugh, improvise, talk about the most varied topics, while freely enjoying the joy of living.

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Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

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Diptych with Rocío y José on the experience of El Rocío, Tres caminos al Rocío preserves the calm and contained gaze of that one. Continuing with that tension between the popular of Pasolini and the heroic of John Ford, as the critics of the time pointed out, it includes the winter pilgrimage along the roads of Seville, Sanlúcar de Barrameda and Huelva.

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One of the oldest pilgrimages known to European Christianity is the pilgrimage to El Rocío, where prayers are said to the benevolent Blanca Paloma. Year after year, pilgrimage trains of more than a million believers set out to visit the small, remote andalusian village, which is normally inhabited by less than a thousand souls. In this film, the story of shy infatuation developing between two young people is little more than García Pelayo’s pretext to shooting this event in each and every detail. - Viennale

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Miguel, who escaped from prison two months before finishing his sentence, thinks only of revenge and finding his beloved Diana.

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A group of people, both men and women, get together to exchange their points of view, practical and theoretical, about sexual life and the relations between couples.

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Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

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In Seville during the 1970s, Manuela, a furtive hunter’s daughter, marries the servant of rich Don Ramón, who is in love with her. With her natural beauty and sensuality, she attracts all sorts of passions, along with the conflicts that derive from them.

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The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

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"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

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In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

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A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

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In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

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A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

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Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

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The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

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After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

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Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

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Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

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Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

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