Wang Chu-Chin

There's a one thousand year old Ginseng running around in the woods, and everyone is after it, including a boy with a sick mother, a beauty and her kung fu warriors, and the Three-Head Monster. Who will eat the Ginseng and gain its mystical powers?

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Taiwanese director Jo Jo Wang's 1985 adaptation of Ryunosuke Akutagawa's short story "The Christ of Nanking". Taiwan's Government Information Office demanded cuts to the erotic scenes, objected to the poster (depicting lead actress Lu Hsiao-fen crucified nude), and demanded a change of the Chinese title.

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A young starving married couple leave their baby with mum to find better fortune. They stowaway on a train, but are caught by a guard. The husband kills the guard and is injured, then is shot by another railway employee. The couple find shelter and are helped by a young monk and hindered by his master. The young monk suggests that, in order to pay for medical treatment, that the woman follow the village custom and pawn herself. Presenting herself as having a sick brother instead of a husband, the woman is pawned to an ugly but sincere villager named Ox.

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The film is composed of four unconnected Chinese myths, including how Pangu opened the sky, Nuwa created man, Kuafu chased the sun, and when Huangdi fights Chiyou, of which the latter occupies the longest section. Between the stories, the director connects them with narrations "full of sensibility and philosophy", thus forming a "picture of the founding of the ancestors" imagined by the director.

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In Shanghai, Hai-nan, son of a Chinese official, is found stabbed on the street. But when the culprit, Li-fang, is apprehended, she refuses to reveal her motives. Meanwhile, a police officer grows suspicious of the officials’ rush to close the case. As he searches for leads in the case files, a shocking truth about Li-fang is revealed.

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Visions of a ghostly woman compel Sze An, a poor scholar, to go on a trip which leads him to the mysterious Cherry Estate, whose carefree inhabitants know nothing of the rest of the world.

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This film is in the style of Liaozhai, consisting of three ghost stories. The first story, "The Horse Girl," depicts the turbulent relationship between a young woman living alone in the suburbs and her beloved horse. The second story, "The Ancient Temple," tells of an assassin hunting down the exiled emperor of a previous dynasty in an ancient hall during a time of political upheaval. The third story, "The Child in the Mirror," portrays a hypocritical old monk who, unable to bear the guilt of his actions, meets a tragic end.

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A short film by Wang Chu-Chin. The first winner of Golden Harvest Award in Taiwan.

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The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times

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In Shanghai, Hai-nan, son of a Chinese official, is found stabbed on the street. But when the culprit, Li-fang, is apprehended, she refuses to reveal her motives. Meanwhile, a police officer grows suspicious of the officials’ rush to close the case. As he searches for leads in the case files, a shocking truth about Li-fang is revealed.

Open details →

Visions of a ghostly woman compel Sze An, a poor scholar, to go on a trip which leads him to the mysterious Cherry Estate, whose carefree inhabitants know nothing of the rest of the world.

Open details →

This film is in the style of Liaozhai, consisting of three ghost stories. The first story, "The Horse Girl," depicts the turbulent relationship between a young woman living alone in the suburbs and her beloved horse. The second story, "The Ancient Temple," tells of an assassin hunting down the exiled emperor of a previous dynasty in an ancient hall during a time of political upheaval. The third story, "The Child in the Mirror," portrays a hypocritical old monk who, unable to bear the guilt of his actions, meets a tragic end.

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