Evan Yang

Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.

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The film depicts how the young Yue Fei learned martial arts, got his mighty weapon, and romanced his wife. Later he entered the national contest of martial arts, and had to fight his way out of a legion of challengers.

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Iron Bones, about a young lad that learns a secret Tai Chi type of style called the Wind Palm, where you can kill with chi blows. Sure, it's a little crazy, but the acting is a big cut above most martial arts movies and the sword fights are pretty good. And Sam the Seed shows up, sans wig, as a dirtbag Shaolin monk after the book. Han Ying Chieh, the big boss, is one of the thugs in the background.

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Overseas student Qiao Jian-hua and his friend Bai Xue-Liao traveled together to the Typhoon Shelter and met a boat girl named Li Lan-lan. Hua hired Lan as a guide to learn about the life of boat people. The two became close, which aroused the jealousy of Man-man, a rich girl who had a crush on Hua.

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FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

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Tang Bohu is smitten by the stunning beauty of Qiuxiang, the maid of Grand Tutor Hua, during his visit to a monastery in Suzhou. Stalking the maid, Tang's affections are finally reciprocated with three charming smiles. To approach the fair maid, Tang seeks work in the Grand Tutor residence as a study companion, and his talents win Hua's attention. As a frustrated suitor, he turns to his resourceful friend Zhu Zhishan for help.

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Li Meixin rejects Du Ziping's marriage proposal on the eve of Du's departure to further his studies in Japan. Li joins a travelling troupe under Jin Shiming and becomes a success overnight. While performing in Singapore, Li discovers she is pregnant. For the sake of Li and the unborn child, Jin marries Li. Due to financial losses, Jin's troupe is disbanded. Du returns from Japan and is invited to play the male lead opposite Li in a new troupe. Caught in a dilemma, Li dies in a fall while running away from Du.

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When a murder occurs in a nightclub, dancers Pak Lai Hung and Lam Yin Fei meet the murderer and run into a college to hide. The next day, they perform on the beach in place of female students Zhu Man Zhen and Liang Mei Fang, but they are expelled by the police because they are not licensed to perform. The next day, they perform on the beach in place of female students Chu Man-chun and Leung Mei-fong. On the night of the charity show, Hung and Fei are watching the performance on stage, but the murderer follows them, fortunately, Fang finds him and calls the teachers and students and the police to arrest him.

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Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

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Ostensibly a romantic comedy about mistaken identity, this film stars Kitty Ting Hao in two roles, the first as poor flower girl Fangfang and rich relation of a family in Hong Kong, who arrived in Hong Kong to see if she can feel better with the warmer climate. She meets Xihong, played by Kelly Lai Chen, who is the son in the family in Hong Kong. He is, of course, smitten with her, but when the secret is out, will he still feel the same?

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The star crossed romance of Yu LiYing, an office worker at the local bottling plant, and Weiming (Kelly Lai Chen), an independently wealthy young man who likes Bonsai, has TB, and is likely to die in a few years. They meet when she is swimming with coworkers and sees him standing on a cliff above. She goes to him fearing he is going to commit suicide, then feels embarassed by the mistake. He, however, is smitten and soon they both fall for each other and marry despite his condition.

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A woman tries to win a man by scaring off his other girlfriends.

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The beautiful and skilled jewel thief Zhao Wenying (Lin Dai) is clever and resourceful, causing confusion for both the police officer and the wealthy heir Situ Dawei (Kelly Lai Chen), whom she steals from.

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A Chinese pop musical

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Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

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Teenage idols Grace Chang and Jeanette Lin Cui played competitive university freshman fighting against each other for almost anything : fame, recognition and, of course, guys, who were played by Cathay heart-throbs Peter Chen Hou end Roy Chiao.

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A gem in every sense of the word, Our Dream car features popular idols Ge Lan (Grace Chang) and Chang Yang as a couple of newlyweds who struggle hard to acquire the latest symbol of middle class affluence: a motor car, but only find themselves in alienating situations. Yi Wen's script is full of lively and humorous details, his direction affectionate, while the young stars are charming. The film also paints a picture of a bourgeois lifestyle that was yet to occur in the ex-colony. It has also been aptly compared to the genre of hollywood "bedroom" comedy made famous by Rock Hudson and Doris Day in the 1950s.

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A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

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Anatole France's The Man Who Married a Dumb Wife has been adapted into three different Hong Kong films in the 1950s alone. These two adaptations stray from the source material considerably in genre, characterisation and plot, turning a farce about married life into localised romantic comedies that emphasise family values. The Beauty and the Dumb follows the couple from their meet-cute to the misunderstandings they encounter before the inevitable happy ending. The heir of a bank (Huang He) falls in love at first sight with one of the employees' daughter (Li Lihua), but their burgeoning relationship is nearly derailed when the girl's father intervenes to help his dumb daughter land a rich husband.

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The film was filmed for Chiang Kai-shek's re-election of the president. The history teacher introduced the origin of the Youth Festival to the students: Fujian Lin Juemin left his wife and went to Spike to engage in revolutionary work; Guangxi Wei Yiting took the uprising with the master Li Deshan, Sichuan Yu Peirun and Pei’s brothers fought in the righteousness, and a total of 72 martyrs uprising under the leadership of Huang Keqiang , determined to overthrow the full Qing

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