Naftali Alter

This comedy about the "sanity" of those in an asylum focuses on popular Israeli comic Seffi Rivlin, who plays a bank manager who discovers that the inmates of a mental institution are running a counterfeiting operation from the basement of their hospital. Actors exaggerate their portrayals of the patients, and the plot zooms off in several directions at once

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Akiva and Shulem Shtisel, father and son, sit on a little balcony overlooking streets of the Geula neighborhood of Jerusalem. A year has passed since the mother died. All the other children have left the nest, and only Shulam and Akiva remain - quarreling, making up, and laughing about themselves and the rest of the world. All will change when Akiva meets Elisheva.

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A modern-day children’s fairy tale that is also a parody of prank films which, in 1980s Israel, were a highly popular film genre. In the magical land of Bubble Gum where all children’s dreams are made, live two princesses: the kind-hearted Tzipi (Tsippi Shavit) and her wicked sister, Pitzi (Seffy Rivlin). Every year on 1 April (April Fools’ Day), the princesses’ birthday, the two hold a prank competition amongst themselves, with the winner getting to rule the land of Bubble Gum for one year. Rounding off Shavit and Rivlin’s adventure and prank fest is a talking robot and a group of children including one Natasha Braunstein – who will go on to become US actor Natasha Lyonne of Orange is the New Black and Russian Doll fame.

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A man comes to town that lies on the northern border and intends to commit suicide. The townspeople rescue him, but later they discover he’s a well known poet, the kind whose death place can become a site of pilgrimage.

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The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub's name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.

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This comedy about the "sanity" of those in an asylum focuses on popular Israeli comic Seffi Rivlin, who plays a bank manager who discovers that the inmates of a mental institution are running a counterfeiting operation from the basement of their hospital. Actors exaggerate their portrayals of the patients, and the plot zooms off in several directions at once

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Sergio Konstanza, a swindler, owes money to Mr. Hasson. He escapes to the desert where he joins a wacky army reserve unit whose Sergeant is engaged to one of Mr. Hasson's Daughters.

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Armand is a part-time hairdresser, on the run from women who are exhausted of his womanizing habits; Ofra has just escaped marriage to an inarticulate bridegroom. They encounter one another at a rooming house, and by helping each other escape their untenable situations, Armand and Ofra grow closer, resulting in a whole new set of troubles in this madcap comedy from Israel.

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