Amanda Roberts

The Bread Factory is the scene for rehearsals of the Greek play Hecuba. But the real theatrics are outside the theater, with the town invaded by bizarre tourists and mysterious tech start-up workers. There is a new normal in Checkford, if it is even really Checkford any longer.

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After 40 years of running their community arts space The Bread Factory, Dorothea and Greta are suddenly fighting for survival when a pair of celebrity performance artists from China come to Checkford and build an enormous complex down the street, catapulting big changes in their small town.

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Dee wakes up with a stranger in her bed, while her neighbour Paul is discovering new spice in an old relationship. But when inner city living finds them at closer quarters than they might expect, sensual surprises and unexpected desires are the order of the day.

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In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

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