Emanuele Valenti

Naples told, through the centuries, in an anthology: Dadapolis by Fabrizia Ramondino and Andreas Friedrich Müller. A city always full of ferment, culture but also contradictions. In the film, however, today's city is told through the eyes of about sixty artists who live and work between Naples and abroad. A kaleidoscopic story made up of performances, songs, works of art and dialogues that narrate the transformations of a city, which never before has turned out to be so topical.

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Daria is getting married, and Antonio is the best man. They are two artists who have lived in the same building for years, but now she’s moving to another neighborhood. They get to work on a new project inspired by Federico Fellini’s Ginger and Fred, and bring in Emanuele, Monica, Francesco, Martina, and Andrea. First, tap dancing classes, as the script comes together one day at a time, with rehearsals in Rome, Rimini and France, in theaters shut down by Covid-19. Euphoria is running high, despite the uncertain times, and our theater troupe starts to resemble a gaggle of shipwreck survivors, bewildered by the way real life gets confounded with what is tentatively shaping up as the stage production.

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One of the most highly regarded pairs of authors, directors and performers in European theater, Daria Deflorian and Antonio Tagliarini engage with Federico Fellini's cinematic imagery and his deep look into human lives. A work about meeting each other, dancing together, being a couple, intimacy and dialogue, loosely inspired by the film Ginger and Fred starring Marcello Mastroianni and Giulietta Masina as an elderly tap-dancing couple, Pippo and Amelia. The title comes from the reversal of a line Amelia says at the end of the film to Pippo: “I don't think we will have the chance to dance together again.” It is also a work dedicated to the performers, the masks they wear, and their determination to play all their lives.

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Peppino, a retired hitman for the Camorra, has now fully passed on his job and know-how to his single son, Nino. But when Nino is brutally assassinated, the old man is back in business to take revenge. Aside his everlasting love Rita and his longtime henchman Totò, Peppino will go to any lengths, even if it means bringing the Camorra down.

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When the most important friend in her life seems to have disappeared without a trace, Elena Greco, a now-elderly woman immersed in a house full of books, turns on her computer and starts writing the story of their friendship.

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Four young Napoleons try to find a way not have to worry where their next meal is coming from

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