Frederick Sullivan

A dramatization of Henry Wadsworth Longfellow's poem 'The Courtship of Miles Standish,' this is the story of the Pilgrims who fled religious persecution in England and came to America aboard the Mayflower.

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Bobby Vernon tries to enter a house to court a lady, but keeps getting thrown out.

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Bob, John, and Edward--three young boys growing up in the same neighborhood--have vastly-different experiences with sex. Bob's father patiently explains "the birds and the bees" to him, and even takes him to a hospital to see the effects of venereal disease.

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Blind Eleanor is cared for by her father's friend and eventual lover, Burton Lester, who arranges a sight-restoring operation. Upon recovering her sight, Eleanor discovers Burton is married, leading her to seek independence by completing her father's art and becoming a renowned artist in New York. After a misunderstanding involving a lost necklace and Burton's kindness to a friend, Eleanor reconciles with Burton and they become engaged.

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When Mary Murdock is forced by circumstances to choose between the street and theft, she is caught breaking into the home of Robert Howard and is sentenced to prison. Unable to find employment after serving her prison term, Mary seeks out Howard and finds him about to commit suicide, depressed over his wife's leaving him for another man. Mary saves his life and convinces him to champion the cause of prison reform, in which he proves so successful that he is appointed warden, placing him in conflict with the political boss.

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A married man suddenly inherits a fortune and finally has enough money to live his dream of becoming an artist. He moves his wife and daughter to a big expensive house and starts living the life of a "bohemian" artist. When he begins an affair with another woman, his wife leaves him and his daughter Alicia breaks off her engagement to a wealthy doctor and becomes involved in the "free love" movement espoused by one Herbert Rawlins. Rawlins, however, has his own plans for Alicia, and they don't involve "sharing" her with anyone else. Complications ensue.

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A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

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A convent-raised girl falls under her father's executor's dark influence after her uncle dies. As she turns to evil and threatens society with her wealth, a doctor helps restore her true nature.

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When her husband Jim strikes it rich, Grace, who has had a lifelong fear of poverty, strictly raises her daughter Florence to accept only luxury. When Florence is old enough to have suitors, she quickly rejects penniless artist Durland and marries rich playboy Alfred Griffin, but soon learns that he is an unfaithful spendthrift, so they soon become bitter enemies. In a final effort to ruin Florence's life, Alfred neatly arranges evidence to make her look like his murderer, then commits suicide, but the butler saw everything and is able to clear Florence of this charge; afterward she rushes to Durland and they plan to get married.

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Margery Carew and her widowed sister, Anna Prentice, find work in a brokerage firm, James Gray, the junior partner, soon falls in love with Margery, while his boss, William Cleves, does his best to seduce Anna. In fighting off William's advances, Anna kills him, but Margery, hoping to protect Anna's child, takes the blame and then escapes to the West, after which she gets married and begins a new life. Following a lengthy search, the police manage to track her down, but Margery still refuses to save herself by telling the truth about the murder, even though Anna and her child died several years before in a car crash. Finally, however, because he still loves her and because he has been stricken by a deadly disease that will kill him in a few months, James confesses to the murder, thereby freeing Margery to return to her husband.

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Unable to agree on the man responsible for the plays commonly attributed to William Shakespeare, Miss Gray, who favors Francis Bacon, and Lieutenant Stanton, who accepts Shakespeare as the author, break off their engagement. Stanton then arranges to be transferred to the Mexican border, and while fighting there is badly wounded. When she hears the news about Stanton's condition, Miss Gray faints, and then dreams that she has been transported to Elizabethan times. Then, after Bacon falls in love with her, she discovers his obsessive jealousy of Shakespeare, and learns that he has bribed a courtier to accuse him of stealing Bacon's plays. As a result, when Miss Gray wakes up, she realizes that she has championed the wrong poet, and so she immediately is reconciled with Stanton, who soon recovers from his wound.

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The wealthy, greedy publisher Mr. Meeson exploits the writer Augusta Smithers. After a shipwreck, Meeson has his dying will tattooed onto Augusta's back before he dies, setting up a dramatic legal battle in England over his fortune.

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An innocent man is accused of murdering his aunt.

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Sisters Phyllis and Alithea are kept in the countryside until they reach the age of eighteen when their guardian, the Squire, takes them to London. Planning to marry them off to rich older men for mercenary reason he is thwarted when the girls both fall in love with more suitable men. When the Squire works to split the couples, the girls resort to subterfuge to gain their happiness.

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Zudora, not knowing she's an heiress to a $20 million fortune, lives with her uncle, a mystic and detective, who covets her inheritance. She wants to marry John Storm but her uncle is against it. However, the uncle makes a bargain; if Zudora can solve the next twenty mysteries brought to him, she can marry as she chooses. Episodes 1,2 and 8, plus another unidentified chapter, survive. The rest is believed to be lost.

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Lord Trevor and his ward, Nan, uncover a mysterious threat in Egypt. Disguised in Cairo, Nan infiltrates a deadly conspiracy targeting the English and must act swiftly to stop it before disaster strikes.

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Lord Trevor and his ward, Nan Tremain are prominent figures in London society, as well as clandestine agents of the government. With the help of wealthy East Indian, Abdul, who posed as Trevor’s body servant, Nan dressed as a foreign noblewoman, recovers the plans of certain coast fortifications which had fallen into the hands of double agent, Col. Pfaff and would have been of irredeemable loss to her country had they reached another country.

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In this adventure the diplomatic free-lance and his brilliant aid in war, Nan Tremain, are again pitted against their relentless enemy, Pfaff.

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A playwright descended from the Borgia family becomes a murder suspect.

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A rich and famous singer disguises himself as a waiter in order to be near the woman he loves, a European princess.

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Auctioneer Spot Cash Cutler is planning the scam of a lifetime, but will he get burned?

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A prominent New York attorney defends his estranged wife's lover, who's been charged with the murder of a model in Greenwich Village.

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A European princess arrives in New York City to secure a much-needed loan for her country. She contracts the mumps, and an actress who looks exactly like her is hired to impersonate her.

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Rufus T. Firefly is named president/dictator of bankrupt Freedonia and declares war on neighboring Sylvania over the love of wealthy Mrs. Teasdale.

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Richard Bruce, an American in fog bound London stumbles into the midst of international intrigue, with Rose Thorne, an innocent dupe. Together they try to unravel the mystery, enlisting the aid of a cat burglar named Holmes, who they bump into along the way.

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A couple of down-and-out British aristocrats buy an American roadhouse.

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Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.

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