Raymond Carl

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

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Sénéchal, an actor touring the provinces with the "Tournées Carlini" does not meet the success he thinks he deserves. One night in Dreux, he finds himself without his luggage and dressed up as a Foreign Legion officer, he is invited to a party thrown by a colonel. He creates a sensation there and does not leave the colonel's wife ... indifferent! Back in Paris, Sénéchal goes through a similar experience. This time around, wearing tuxedo and top hat, he gets mistaken for a diplomat and charms the guests of a wedding party. Arrested by the police, he chooses to do without an attorney at his trial and his brilliant eloquence has him acquitted. A question remains unanswered though : will all those people who give an ovation in real life ever go to see him on stage ?

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A beautiful and sophisticated teenager is placed in a regimented French girls' boarding school after her father apparently commits suicide over a business scandal. She immediately gains admirers -- a lustful middle-aged artist, a handsome young composer, a fellow female student -- as well as a jealous rival. With the help of her schoolmates, she attempts to elope with the composer, but the adults catch on to the plot, and she is locked into her room at night.

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Madeleine Villardier is terribly superstitious, and she's in a lot of trouble for the New Year's Eve party she's planning. Inexorably, the number of guests is down to thirteen. To add to her dismay, the presence under her roof of a certain Consuelo is proving cumbersome, especially as this lady has revelations to make about Antoine Villardier's stormy past. The mistress of the house's trances alternate with marital explanations. But why not consider the fateful number as a lucky charm?

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In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

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Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.

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