Chun Kim

Not a love triangle but a love rectangle, Rose, Be My Love is a romantic drama that represents the high standards achieved by Shaw Brothers in both star power and technical polish. Set on the eve of Pearl Harbor and Hong Kong's invasion by the Japanese, the tragic romance takes on added poignancy in light of the future fate of leading lady Li Ting, the "Rose" of Rose, Be My Love who committed suicide a mere three months after the movie's release.

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Jenny Wu is a singer who charms the well-to-do Peter Chen, but his parents object to a union between their only son and a lowly cabaret singer. He ignores their advice and marries her anyway, and for a time, they find some manner of wedded bliss. But the years are not entirely kind. He works hard to make ends meet, but his health pays the price.

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Detective novel fan Mimi Zhang has her photos taken at the peak by her brother Benda, an amateur photographer whose camera is nearly knocked down by a reckless man sprinting away. Zhang soon stumbles upon a murder. Officer Yang Ming has the victim's husband Cao Ren marked down as the prime suspect. Though being offered $10,000 by the wife's bereaved paramour, who remains anonymous, to testify against Cao, Mimi rules out the loving husband as the suspect. The developed pictures reveal a six-fingered handprint left at the scene. That very same night, the real culprit attempts to steal the negatives from Mimi, but fails. The following day Yang collects the piece of evidence on behalf of the police and accompanies Mimi back to the crime scene. There the six-fingered detective confesses to the crime of passion, pursuing the witness all the way to the top of a tower where she takes the dive and is saved by the police standing by on the scene.

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The socialite Pai Li-Lan's life is disrupted when she contracts tuberculosis.

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The movie tells the story of a playboy named Kam Ka Po, who puts chasing girls first and his career second. His father only wanted him to get married and start a family as soon as possible, and even used economic blockade to force him to submit.

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A melodrama from director Kim Chun that revolves around a circus troupe.

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An avid fan of film star Patsy Kar Ling, Tse Sing falls head over heels for his new colleague Cheung Wai-ling who is a spitting image of the star, not knowing that she is the mistress of Manager Chow. When his wife comes to check the new secretary out, Chow lies that she is Tse's wife. When the truth dawns on the eager suitor, he heaps scorn on her. The distressed Cheung becomes suicidal and before taking the fatal pills, opens her heart to Mrs Chow. She is saved in time and, touched by her words, Tse professes his love for her and wins her heart.

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Adapted from a popular 'three dime novel' the story revolves around two down-and-out buddies, one streetwise and quick-witted the other naïve and kind-hearted. This oddball duo go through up and downs and eventually get their break in life.

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Autumn Comes to Purple Rose Garden

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HK drama film.

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Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cho-lin. After a whirlwind romance, they get married. However, Ngok Ming struggles to balance his passion for education and performing his duty of managing the family business. As conflicts between the characters escalate, Ngok Ming and Cho-lin make decisions that change their lives forever.

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A Chinese man, Yip Ching (Patrick Tse Yin) and a Malay girl Solina (Molly Wu Kar) are two young people very much in love. However, Yip Ching’s mother disapproves of this inter-racial relationship. When Yip Ching plans to visit his aunt and cousins in Hong Kong, Solina’s insecurity causes her to threaten him with a curse. Yip Ching proceeds with his trip to Hong Kong, but Solina’s curse appears to come true in a series of unfolding tragedies.

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A man was murdered and a journalist has to figure out who the killer is.

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Chinese Opera genre picture directed by Chun Kim.

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The Pretty Tigress

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An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.

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The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.

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Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.

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Seventeen-year-old girl Zhang Biyu is born to a well-off family but feels depressed. Biyu’s father is always busy off supporting the family’s economy. Biyu’s mother is addicted to playing mahjong. Both of Biyu’s parents don’t make time for her, Biyu’s brother is also too young, so Biyu has no one to talk to. At school, most of Biyu’s classmates have already have lovers, which makes Biyu feel lonely. Frustrated, Biyu starts having a crush on her teacher.

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This script was adapted from a Rediffusion Radio airwave novel, written by Lang Wun and read on-air by his wife Ngai Mun. Ngai Mun also acted in this film. Wang (Cheung Ying) worked himself to an early death. His wife Ching (Hung Sin Nui) raised their three children all by herself. Eldest son Kei (also played by Cheung Ying) was spoiled and grew up to be a robber. Middle child, daughter Ching-han, is materialistic and vain, and is later killed by Kei. Youngest son Leung (Yeung Fan) is diligent and ambitious, a great comfort to Ching. Hung Sin Nui played Ching from a young to an elderly woman, showing off her practiced, perfect acting skills. Chun Kim’s detailed portrayal of the relationship between the two generations set the stage for his later work Parents’ Hearts (1955).

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13-year old Bruce Lee plays San, a child up for adoption. Finally accepted by his surrogate parents, he is faced with a dilemma when his real parents show up and want him back.

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Drama from Hong Kong directed by Chun Kim.

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Chinese Opera from Hong Kong directed by Chun Kim.

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Hong Kong horror movie from 1951.

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The film tells the story of fishermen in a fishing village in the South China Sea, who have suffered from exploitation by Yan Jianping, the owner of the lucrative fish pens, who has driven down fish prices.

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An avid fan of film star Patsy Kar Ling, Tse Sing falls head over heels for his new colleague Cheung Wai-ling who is a spitting image of the star, not knowing that she is the mistress of Manager Chow. When his wife comes to check the new secretary out, Chow lies that she is Tse's wife. When the truth dawns on the eager suitor, he heaps scorn on her. The distressed Cheung becomes suicidal and before taking the fatal pills, opens her heart to Mrs Chow. She is saved in time and, touched by her words, Tse professes his love for her and wins her heart.

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Ngok Ming is an idealistic young man, passionate about promoting and developing education in Malaya. He approaches a wealthy Chinese businessman to raise funds for building schools and meets the young heiress, Cho-lin. After a whirlwind romance, they get married. However, Ngok Ming struggles to balance his passion for education and performing his duty of managing the family business. As conflicts between the characters escalate, Ngok Ming and Cho-lin make decisions that change their lives forever.

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A Chinese man, Yip Ching (Patrick Tse Yin) and a Malay girl Solina (Molly Wu Kar) are two young people very much in love. However, Yip Ching’s mother disapproves of this inter-racial relationship. When Yip Ching plans to visit his aunt and cousins in Hong Kong, Solina’s insecurity causes her to threaten him with a curse. Yip Ching proceeds with his trip to Hong Kong, but Solina’s curse appears to come true in a series of unfolding tragedies.

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Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

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An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.

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This script was adapted from a Rediffusion Radio airwave novel, written by Lang Wun and read on-air by his wife Ngai Mun. Ngai Mun also acted in this film. Wang (Cheung Ying) worked himself to an early death. His wife Ching (Hung Sin Nui) raised their three children all by herself. Eldest son Kei (also played by Cheung Ying) was spoiled and grew up to be a robber. Middle child, daughter Ching-han, is materialistic and vain, and is later killed by Kei. Youngest son Leung (Yeung Fan) is diligent and ambitious, a great comfort to Ching. Hung Sin Nui played Ching from a young to an elderly woman, showing off her practiced, perfect acting skills. Chun Kim’s detailed portrayal of the relationship between the two generations set the stage for his later work Parents’ Hearts (1955).

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Hong Kong horror movie from 1951.

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本來寧靜的漁村, 被一惡霸入侵. 漁民飽受欺凌, 終於起來反抗, 打倒惡霸, 漁村重拾平靜. Famed for the "Wong Fei-hung" series, director Wu Pang was also good at melodramas. A native of Guangdong, he grew up in Shanghai and only came to Hong Kong in 1936. He was heavily influenced by Shanghainese films. Fishing Village in the War was inspired by Song of the Fishermen made by Cai Chusheng in 1934, but Wu Pang managed to impart a strong Hong Kong flavor to it. Shot on location in Cheung Chau, the film documented the lives of fishermen during that era. It portrays two fisherman families and contains fully fleshed-out characters. Stubborn and upright by nature, Kwan Tak-hing is dispirited by the hardships of life. While Pak Yin seems worldly and timid at first sight, she shows strength in adversity. Even the portrayal of supporting characters such as Wong Cho-shan is lifelike.

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