Jackie Raynal

In a black bath, Jackie Raynal introduce her film Deux Fois to Metrograph in NYC.

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A storm breaks out in a high mountain village. Thirty-year-old Maude then discovers a mysterious bird, which will inevitably lead her to a witch's abode.

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The man who leaves prepares his departure.

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She had been a director. He had been a film critic. Lockdowned in their flat, rue des chaufourniers, he begins to carry out household chores, which she would take charge of criticizing.

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Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.

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A “Cinéma, de notre temps” series episode directed by french filmmaker Jackie Raynal, originally aired 29 May 2016.

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Thirty years old, a nothing job, a timid love affair: Rémi is a little at sea in his life. Until the day when he must share it with his double, another him, invasive and not so nice. Which one will be the true Rémi?

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Documentary on director Jean-Denis Bonan.

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Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A man who dreamed of saving the world and who cannot save himself. A terrified man. A lost man.

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Marc'O, Philippe Garrel, Bulle Ogier, Jackie Raynal and others retrace the life and work of actor, filmmaker, painter and writer Pierre Clémenti.

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Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

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Trapped in a dirty double deal, Ernst Ipsum, celebrated art authenticator, is in trouble. With nowhere to turn but inward, Ernst becomes the perfect portrait of anguish. This film traces the collapse of a man littered with the diversions of sex and sin and the lost ability to tell a true original from a fake.

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A young woman's body becomes the medium for the viewer’s projections of the stories and biographies that are imagined about her.

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30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

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A Manhattan professor's (William Raymond, Larry Loonin) unseen artist wife mocks his pitiful existence.

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After debuting in 1983 with Casta Diva, Eric de Kuyper immediately made Naughty Boys in 1984, a film that he himself described as “a sad musical comedy” in which he pays homage to the old musicals and comedies. The film is set in an unspecified time, somewhere between both World Wars in a large English country house. Six gentlemen in dinner jackets try to maintain the atmosphere of a party that has just ended. Naughty Boys was the second film De Kuyper made with friends and students, but here for the first time they were joined by a “professional” actress, Linda Polan.

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A comedy about New York and its eccentric inhabitants. A French filmmaker comes to New York to show her film at MOMA. Fascinated by the city, she decides to stay.

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Reel 12 of Gérard Courant's on-going Cinematon series.

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Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

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Autobiographical film about Loulou (Jackie Raynal) who seeks a job as an editor on Broadway, shares a loft in Soho and marries an entrepreneur.

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Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

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This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

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A genuine performance film as Bernadette Laffont and Bulle Ogier engage, with reckless abandon, in a flurry of senseless destruction in a house at night. Somewhere between a hallucination and a nightmare. Both the explosive soundtrack and narration that accompanies the mayhem was provided by François Tusques.

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A series of disconnected, minimalist vignettes often featuring Raynal herself, deliberately repeating actions and dialogue to challenge traditional storytelling. The film explicitly seeks to deconstruct cinematic meaning and the conventional portrayal of women in film, serving as a radical, self-aware diary film.

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An experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.

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Paris, in the 1960s. A series of crimes troubles the public tranquility. On March, 22, 1968, Hélène Picard, a prostitute sentenced to death two years before for several murders, is killed by executioner Louis Guilbeau. Immediately, the violent crimes, similar to Hélène’s ones, go on again. In parallel, Louis is having an affair with the police woman in charge of the investigation… What are the obscure relations hidden behind the executioner and the mysterious killer? Who is this dark man in reality?

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A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a “collector” of men.

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A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.

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Small performance with Jackie Raynal and Marie Losier. Simply set up by Marie in an empty New York gallery, which she packed with props and shooting devices, with the idea to invite friends of her to come and shoot short films together. Good times with Jackie, trying to fold a green screen which in the end was never fold but instead allowed us to create a whole new choregraphy.

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Portrait of French filmmaker Jackie Raynal shot in West Berlin (FRG) on February 24, 1981 at 11:50 AM.

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A comedy about New York and its eccentric inhabitants. A French filmmaker comes to New York to show her film at MOMA. Fascinated by the city, she decides to stay.

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Autobiographical film about Loulou (Jackie Raynal) who seeks a job as an editor on Broadway, shares a loft in Soho and marries an entrepreneur.

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A series of disconnected, minimalist vignettes often featuring Raynal herself, deliberately repeating actions and dialogue to challenge traditional storytelling. The film explicitly seeks to deconstruct cinematic meaning and the conventional portrayal of women in film, serving as a radical, self-aware diary film.

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