Marie-Anne Fliegel

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Lawyer Maria “Mai” Gardner moves from Berlin to Vogtland for a mandate. There are pretty villages, spruce forests, and even skiing is possible. People are proud and stubborn, for better or worse. In the local community people like to sort things out among themselves.

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Bente, a school dropout, was a foster child on the Strand family's remote farm. Forensic medicine finds a key in Bente's stomach. Where was the girl going with two cans of gasoline? Why did the local gas station attendant sell her gasoline even though it was known that she was an arsonist? Which lock does this key fit into? Local policeman Lars Klapproth might be able to contribute to solving the case, but he does not. Because Lars is the father of Maria's missing daughter Matilde. He had made the toddler disappear with the help of GDR state agencies during the reunification period. When Maria, who had fled the republic, returned to get her daughter shortly after the fall of the Berlin Wall, Matilde had already been adopted and could not be found.

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As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present.

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In a small area of West Germany, the American military presence opened up a new world in the early 1950s and paved the way for individual freedom, freedom of movement and capitalism in Germany. In this time of upheaval, two friends are looking for their place and have to fight time and again with the 'old order', the conservative forces from politics, church and society. Confronted with the seductions of the new world, the two dissimilar women make an opposing development that puts their intimate friendship to a severe test ...

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On operated by Prussian prime minister Otto von Bismarck the German Empire is finally founded in 1871 on the floors of Versailles castle, ancestral seat of the French monarchy.

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An emotional journey back to the 50s and 60s: Through photos and film footage from her childhood, the 48-year-old filmmaker Marie remembers growing up in bourgeois post-war Germany. Marie is once again confronted with the early death of her mother and the excessive demands of her conservative father. He has no understanding for her and deports her to a Catholic girls' boarding school. A youth characterized by constant rebellion against the mustiness of the post-war years and against a society that expects one thing above all from girls: to smile nicely into the camera and under no circumstances direct the film themselves!

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The Munich LKA officer Sandra Rutkowski received an anonymous call in which a star tenor from the Munich State Opera was accused of molesting children. A boy brought to him is said to be locked in the cloakroom of the singer, who is still being celebrated on the stage. When Sandra and the Munich inspector Lukas Laim break down the door to the cloakroom, they find an intimidated, apathetic boy in the closet.

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From a new beginning! Only after she has inherited the inheritance does Lisa realize that her deceased father's inn is heavily in debt. Her only way out: a holiday park, at whose investor she could sell the inn. But to build the park, he would also need the property of the stubborn pensioner Eleonore, who does not want to sell. Until Lisa discovers Eleonore's weakness for singer Nico Hölter and senses a chance to change her mind. The deal: Nico Hölter gives a concert to Eleonore in underwear, and she sells for that.

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The sisters Rosalie and Bianca stick together, come what may. In fact, they have no other choice - their mother has died and left them with a pile of debts. Taking part in a design competition is supposed to help. The organizer is the famous fashion czar Paul Petit. Just like the two budding fashion designers Rosalie and Bianca, the designer Rosenschmelz and Leon Bär also throw themselves into the contest.

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Germany, 1971: Erika (Anna Schudt) is actually completely overwhelmed by her work in the butchery of husband Kurt (Christian Erdmann), the education of three common children and additional obligations, which brings the village life, as her doctor also revealed that she is pregnant again. Another baby is the last thing she needs now, and so she decides to drive to her sister Charlotte (Alwara Höfels) to Cologne and let the baby abortively secretly abort. Since there are complications during the surgery and Erika can only be rescued, but her husband still learns from the matter. It comes to a huge dispute, in which another topic is the future of daughter Ulrike (Lene Oderich). Without further ado Erika then packs her things and moves with her children to Charlotte. But at a time when legislation inevitably makes her dependent on her husband, she is denied a self-determined new beginning. Erika decides to do something to change that ..

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Dr. Joachim Glahn is the presiding judge at the Berlin district court and is known for his explicit sense of justice and truth. His daughter Luise is now embarking on the same career path and has just been admitted to law school. But then Luise then Luise is kidnapped and Glahn gets into an ethical-moral conflict: he should go beyond the limits of the law and set a murderer on the loose or he won't see his daughter alive again.

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Beneath the decadence of 1929 Berlin, lies an underworld city of sin. Police investigator Gereon Rath has been transferred from Cologne to the epicenter of political and social changes in the Golden Twenties.

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Best buddies Christian Ulmen and Fahri Yardim can't help to embarrass themselves from time to time. The troublemakers they are they love to test the limits of ethics and political correctness.

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The focus is on a family - or what one might think of it today: a wide variety of characters and interests collide when people grow together into a family, in a time when everyone just wants to become something, but nobody knows how to be someone anymore.

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Nurse Vera (Rebecca Immanuel) seeks a new professional beginning. Together with her 16 year old son Paul (Tom Böttcher) and 8 year old daughter Mia (Mascha Schrader), the single mother moves from Berlin into the Eifel. But already on her first day of work at the office of her new boss Dr. Chris Wegner (Simon Schwarz) sitting in a wheelchair, she has to find out how hard the business is in the country due to the lack of enough general practitioners available. A long list of home visits are awaiting Vera, who glances with professional experience and empathy for her patients, but time pressure doesn't help in serving her patients as desired.

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Five toilets - five stories! This pitch black comedy relentlessly illuminates the darkest corners of society, thereby revealing a colorful potpourri of human perfidy. The five intertwined episodes are staged in the manner of an intimate play, occasionally testing the audiences moral judgment.

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A railway station in the middle of nowhere. David is looking for his girlfriend: Willa. They were on their way to their own wedding, when an accident made them stuck at a small railway station. Now Willa is missing and none of the other fellow passengers know where she is. Although the next train is so supposed to come any minute, David leaves the railway station to search for Willa... An adaptation of Stephen King's short story Willa.

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At the beginning of 2000, the young commissioner Yvonne Weber moved from Frankfurt am Main to Eisenach. Together with the local colleague Frank Wolf, she is to review an unresolved murder case from the GDR era. The investigation team encounters inconsistencies in the file and it becomes clear that there is no interest in truth-clarifying the Eisenach department and the prosecutor's office in Gotha.

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Between 1949 and 1975 more than 800 000 German orphans have lived their post-war years in Church Institutions. They have endured terrible abuses. Everyone knew but no one spoke. In 2012 the Church admitted her wrongdoings. The movie tells the story of a German woman (Senta Berger) living in New York coming back to Germany to bear witness in front of a board of enquiry. During her stay she remembers her traumatic experience.

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15-year-old Elise is longing for a happy family life, but her mother Betty is weak and egocentric. She drowns her problems in alcohol. Everything seems to turn out good when they meet Ludwig. But he does not fall in love with Betty, he loves Elise.

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A Black Forest village in the 1950s. Liesbeth Steiner refuses to give up hope that her husband Max has survived the war and Russian captivity. She waits for every homecoming train, but to no avail. Liesbeth and her young son Josef found refuge on her parents-in-law's farm. It never became a home, as Max never told his family about his war marriage. His sister Margarete, who keeps the farm running, suspects that Liesbeth is an heiress. When Max is finally included in a late repatriation transport in 1955, Liesbeth hopes that different times are dawning. But Max has changed a lot over the years.

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A well-placed site manager and father slips into a midlife crisis and recalls promptly to a former lover. Satirical comedy that finds compelling cinematic narrative technique for the feeling of comprehensive alienation and emotional state of emergency worded precisely in images that make over room poetics, dramaturgy and color perspectivization experience the world of heroes transparent. The fact that the terseness is sometimes applied a little thick, weight to a minimum.

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Inspector Gunnar Barbarotti has no increased desire for the grueling meeting with his ex-wife. The curious case, which he urgently needs to take on, is just right for the Italo-Swedes: after a birthday party in the idyllic town of Kymlinge, two members of the Hermanssons are missing. One is the black sheep of the family, a hapless aesthetic who achieved notoriety as "Wichs-Walter" after a lewd TV appearance in a jungle camp.

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16-year-old Jonas becomes a father against his will. Jonas always wants to please everyone. But when 17-year-old Vicky, a half-forgotten party flirt, hands him a letter one day, his life is never the same again – he has become a father overnight. With charm and clever ingenuity, Vicky finally convinces Jonas to at least take a look at little Klara. With Vicky's persistence and her commitment to the child's love, Jonas gradually learns to take responsibility for his life.

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