Bertolt Brecht

Three gods descend from the heavens in search of something truly rare: one good person. In the city of Szechwan, they find Shen Teh, a poor prostitute with a heart of gold, who agrees to take them into her humble home. As a token of gratitude, they gift her a sum of money that enables her to start a new life. But when goodness meets harsh reality, it becomes clear that a generous heart may come at a high cost. To survive, Shen Teh invents an alter ego: a tough cousin named Shui Ta, who can do all those things she herself wouldn't dare do. As she falls in love with a melancholic pilot, the internal rift between her two selves further deepens. Can one remain good in this world? And if so—at what price?

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Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

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The Seven Deadly Sins tells the story of two sisters, Anna I and Anna II. The sisters set out from the banks of the Mississippi River in Louisiana to find their fortune in the big cities, intending to send their family enough money to build a little house on the river. Along the way they encounter the seven deadly sins. Meanwhile, the fleshpots of Mahagonny attract many visitors, but prove disappointing and expensive; God orders the inhabitants to hell, but they revolt, claiming they are there already"

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In the search for a single good person in the province of Sezuan, three gods finally find only poor street girl Shen Te, whom they reward with a large gift of money. Now wealthy, Shen Te is now so exploited by all men that she has no choice but to slip into the shoes of her hard-hearted cousin, Shui Ta. Accused of murdering the missing Shen Te, the supposed Shui Ta confesses his dual role and the gods avoid a conviction. But Shen Te aka Shui Ta is now abandoned by all humans and also by the gods – helpless in the world.

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A small town in Western Germany is the last stop for 26,000 pigs per day and a brief home for masses of Eastern European temporary workers. The workers of the largest slaughterhouse in the country are fighting for survival, while German activists who stand up for their rights are fighting against the local authorities. At the same time, Munich high school students are working on the play "Saint Joan of the Stockyards" and trying to grasp the old text and German capitalism of our days. Interwoven with the young people's examination of the text in the rehearsals, the film deals in various fragments with conditions and facets of temporary work and labour migration in Germany.

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Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialization of a society in which the ultimate crime is not having money

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On the verge of professional breakthrough, a young Bertolt Brecht reflects on relationships.

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The Alter Bahnhof Video Walk was designed for the old train station in Kassel, Germany as part of dOCUMENTA (13). Participants are able to borrow an iPod and headphones from a check-out booth. They are then directed by Cardiff and Miller through the station. An alternate world opens up where reality and fiction meld in a disturbing and uncanny way that has been referred to as “physical cinema”. The participants watch things unfold on the small screen but feel the presence of those events deeply because of being situated in the exact location where the footage was shot. As they follow the moving images (and try to frame them as if they were the camera operator) a strange confusion of realities occurs. In this confusion, the past and present conflate and Cardiff and Miller guide us through a meditation on memory and reveal the poignant moments of being alive and present.

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A hard-hitting new production of Kurt Weill’s Rise and Fall of the City of Mahagonny by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid. Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.

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Depicts the consumerism of the mythical city of Mahagonny, conveying all its ripe decadence. A Hollywood Babylon full of pyramidal towers, carved elephants, commodified sex and licensed gluttony. An opera in three acts, live from the Salzburger Festspiele, 1998. Conductor: Dennis Russell Davies. Stage Director: Peter Zadek.

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Anna I and Anna II set out on a seven year journey that takes them through a series of varied life experiences while their parents and two brothers remain behind.

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Based on a novella by Bertolt Brecht.

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Moscow in the 1920s. A film about the pogroms in southern Russia is being made in a studio. The name of the notorious tsarist governor Muratov, also known as "The Beast", symbolizes the crimes of the time. During filming, an old, decrepit man comes forward who wants to be in the movie because of his resemblance to Muratov. Could it be possible that this man is the real Muratov? Everyone is so preoccupied with the realization of the material that this incident remains hidden. As artists, everyone has their own visions - which often bypass reality ...

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The hardships faced by a woman trying to survive a bloody civil war while caring for the abandoned child of the deposed former ruler.

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During World War II, Şvayk, a seemingly ordinary, hapless dog-seller, finds himself entangled with the Nazi regime.

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Baal is an amoral poetic genius who, after a life of debauchery, betrayal and violence, is about to cut his ties to the world and meet his doom. A high society party is where the end begins.

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Film adaptation of Berthold Brecht's play of the same name, in which he depicts everyday life in Nazi Germany in loosely connected scenes.

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Harry Smith’s final film; an epic four-screen projection. Smith worked on this cinematic transformation of Kurt Weill and Bertolt Brecht’s opera Rise and Fall of the City of Mahagonny (1929) for over ten years and considered it his magnum opus. The film was shot from 1970 to 1972 and edited for the next eight years. The “program” of the film is meticulous, with a complex structure and order. The Weill opera is transformed into a numerological and symbolic system. Images in the film are divided into categories— portraits, animation, symbols and nature— to form the palindrome P.A.S.A.N.A.S.A.P. The film contains invaluable cameos of important avant-garde figures such as Allen Ginsberg, Patti Smith, and Jonas Mekas, intercut with installation pieces from Robert Mapplethorpe’s studio, New York City landmarks of the era, and Smith’s visionary animation.

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The "Astoria", an English luxury liner, collides with a freighter shortly before the end of its voyage and threatens to sink. Captain Mitchell, successful and envied, sets in motion an expensive rescue operation. He manages to avert a catastrophe and bring the passengers and the ship to safety. But the shipowner considers the operation excessive, calls Mitchell a coward and fires him. His career seems to be over. When his friends and his fiancée also make fun of him, he devises a cunning plan of revenge.

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John Dexter’s brilliant production, James Levine’s masterful conducting of the eclectic score, and a sensational cast come together to make this Kurt Weill–Bertolt Brecht masterpiece a riveting evening of music theater. At the center of the action is Jimmy Mahoney (Richard Cassilly), a logger who stumbles onto the city of Mahagonny, where (almost) anything is allowed. Teresa Stratas gives a mesmerizing performance as Jenny, the prostitute who takes up with Jimmy, until he is executed for the greatest of all crimes in Mahagonny—to not have any money. The legendary Astrid Varnay, in her final Met appearances, is Leocadia Begbick, and Cornell MacNeil sings Trinity Moses.

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Brecht's company of actors tells the story of Bertolt Brecht: his theatre, plays, poetry and his life.

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"Don't Be Seduced" - Gothenburg's Brecht-ensemble performs songs and texts of Bertolt Brecht, Kurt Weill and Hanns Eisler.

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Galileo Galilei seeks evidence to support the Copernican model of the universe, but the new theory contradicts Church dogma. Based on the design of a telescope sold in Holland, he constructs a telescope for astronomers, which he uses to substantiate his hypotheses..

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The city of Mahagonny, founded by three criminals, becomes a place for people looking for their luck or money. One among them is the lumberjack Jim Mahoney. However, he is disappointed by what the city is.

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Hitler's seizure of power in 1933 and his rule in the years that followed are transferred to the North American criminal world of the 1930s in a parable. Gangster boss Ui needs the protection of the ruling class to achieve his goals and offers his help to their representatives. They initially hesitate, but join forces after Ui violently gains their respect. His victory is perfect and the people fall silent before the revolvers of their "protectors". Ui takes the raised hands as a sign of approval... Bertolt Brecht wrote the play in 1941 in a Finnish asylum - the premiere only took place in Stuttgart after his death in November 1958. It has been staged at the Berliner Ensemble since 1959 - Ekkehard Schall has played Ui over 500 times since then. On January 13, 1974, the play was shown for the last time, recorded in color by GDR television.

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An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

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An inexplicable showdown between two men and the downfall of a family that has moved from the prairies to the jungle of the big city.

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A television drama about a trial against a merchant who killed one of his employees.

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The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.

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During the Thirty Years' War, the camp-follower Anna Fierling, called "Mother Courage", travels the length and breadth of Europe with her covered wagon. She does not care if it's Catholics or Protestants she trades with as long as business thrives. She loses her three children as a result of the war: bold and spirited Eilif, sincere and upright Swiss Cheese and mute Katrin, who saves the children of Halle by beating a drum on a farmstead roof In wartime, the Fierling children's virtues prove to be deadly. Yet, Mother Courage, remains incorrigible. She will not have anyone "spoil the war" for her and so sets out once more after the soldiers with her wagon.

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This first film adaptation of Bertolt Brecht’s play about class distinctions was made in 1955 in the Vienna Rosenhügel studios, but it was only premiered five years later. Curt Bois plays the rich capitalist Puntila who only becomes somewhat agreeable when he is drunk (which he is most of the time in this film). In his inebriated state, Puntila not only gets amorously involved with three different ladies but also suggests that his daughter Eva marries his chauffeur Matti. The chauffeur, however, doesn’t really agree…

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