Mohamed Ramadan

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A social drama that chronicles the life of Al-Prince family, especially Radwan Al-Prince who, following the death of his parents, finds himself involved with his family members as he looks after them and tries to guide them through life.

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A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

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When a man's house gets destroyed in an earthquake and he dies, his son is unable to prove ownership of the house. Then things get more complicated when he falls in love with the daughter of the man who sold the house.

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Stuntman Badr the Diesel lives in a poor neighborhood. He meets Donia El- Sayad, a famous movie star, whose assistant, Afaf, is Badr’s Fiancée. When Afaf gets killed, he decides to seek revenge and find those who are responsible for her death

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The police officer Zain is in a fierce confrontation with Hitler, an Upper Egyptian businessman engaged in illicit trade, the conflict between them intensifies, while Zain finds himself torn between the love of two women, one of whom is his cousin.

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The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

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Khaled, in a terrorist group believing he fights for God, tries stopping his brother Ahmad from joining. After Ahmad joins and dies in a group dispute, Khaled seeks revenge until police arrest him.

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Alaa Deek is a bank employee who belongs to an ancient family, but he hates women from childhood and avoids any dealings with his family. When he and his family travel to Nile, all the family members die, and now he has to take full responsibility for his family's affairs. They are all just women, since he is the only man in the family.

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The events of the play revolve around the guard of one of the palaces, called Ramadan, who finds himself the only owner of this palace after the death of his companions.

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The series revolves around a young law school graduate Nasser (Mohammed Ramadan) who lives in the Sabbatiyah area, seeking to join the judiciary. In conflicts with a major arms dealer

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The Arabic version of the popular, late-night comedy sketch show features celebrity guests, parodies, and a variety of laugh-out-loud antics.

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Police officer Omar al-Attar which is exposed to the position turns over his career and personal upside down, when the killing of his wife verse at the hands of a gang, seeks to avenge her, something that enters into a series of cascading problems with his superiors, it becomes chased by security forces.

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A young man (Mohammed Ramadan) travels from Qena to Cairo for work, but the only job he can find is as a painter. He is constantly running into trouble, as he deals both with his extreme poverty and his desire to live a decent life for his mother. His world gets turned upside down when he finds himself way in over his head, and it becomes clear that he must find a way out before it is too late.

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A man from Upper Egypt (Mohamed Ramadan) leaves his hometown and goes to Cairo in search for a living. He manages to get a job at a hotel, where he faces lots of trouble and complications, and eventually he gets accused of murder.

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Kidnapped as a child and raised in the circus, a young lion tamer's tough side emerges when he gets entangled in an underworld murder mystery.

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Abdo is a thug working in the drug trade after losing his parents, using force to impose royalties on the people of the neighborhood, while Angham is looking to marry him, and the dancer Rabyia has an affair with him, and so is his cousin Alyia.

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Based on the Ayyat train accident that killed 361 in 2002, this ensemble drama delves into the intense human stories of the passengers in a third-class coach car during the hour and a half before the crash.

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A registered felon, known as Al-Almany, lives in the slums and tries to find his way out by any means necessary, including criminal acts and harassment.

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Qamar is a belly dancer who moves into building inhabited by several families. When she moves in, she is bombarded by the husbands' attention. The husbands are Fawzi, a tax authority employee, an Arabic teacher and a singer. Their family lives are disrupted, and their wives attempt to keep their husbands in a comedy setting.

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In Shubra, a group of residents interacts with each other in a tapestry that highlights the extent of tolerance extant between the Muslim and Coptic communities through times of both conflict and harmony.

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In Alexandria, Fatma needs money for her youngest son's weekly kidney dialysis. She travels to Cairo to beg away from home, after she collects enough money she returns to discover her son's death. She decides to protect her two daughters from poverty so she returns to Cairo to continue to beg.

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A powerful account of life in contemporary Cairo, this raw drama about a pair of star-crossed lovers shines a powerful spotlight upon the social and cultural taboos that riddle the city's diverse population. Heralding a bold new shift for contemporary Egyptian cinema, 'Cairo Exit' is a gritty and uncompromising work from a major new cinematic talent, Hesham Issawi.

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Al-Gama'a is an Egyptian television drama, Historical and Political drama series written by Wahid Hamid, directed by Mohammed Yasin and produced by Kamel Abu Ali. The series began filming in January 2010 with a budget of 50 million Egyptian pounds. The show deals with the rise of the Muslim Brotherhood, Egypt’s largest Islamist political group, which was officially banned but nonetheless tolerated to an extent before the revolution. Critics have decried the show's pro-government stance, charging that it plays into the Egyptian government's agenda prior to the 2010 Egyptian parliamentary elections.

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Dr. Layla Sallam, freshly healing from two tumultuous marriages, finds herself drawn to Omar, a complex patient battling mental illness. As their bond deepens—blurring lines between love and healing—Omar's quest for truth challenges Layla to confront her own demons.

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